Instruction/ maintenance manual of the product Mixcraft Pro Studio 6 Acoustica
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C opyrights & Tra de m a rks Redi s tr i b uti ons of s ourc e c ode m us t retai n the ab ove c opy ri ght no ti c e, thi s l i s t of condi ti ons and the fol l ow ing dis c l ai mer .
3 C onte nts 3 © 20 12 A cous ti c a, In c T abl e o f Co n te n ts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Impo r tan t So u n d S e tup Infor ma ti o n .
Mi x cra ft 6 Us e r Ma nu a l 4 © 20 12 A cous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merge 56 . . .
5 C onte nts 5 © 20 12 A cous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W MV Re nde r S ettings 117 . .
Mi x cra ft 6 Us e r Ma nu a l 6 © 20 12 A cous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 9 C urs ors .
I mpor tant S ou nd S et up I nf or mati on - 7 © 20 12 A cous ti c a, In c I mpor t ant Sound S etup Inf or mation W he n y ou f ir s t s t art Mi x c ra f t, y ou s ho uld mak e s ure t hat t he aud io lat en c y re s po nse is s et up pr op e rly.
Mi x cra ft 6 Us e r Ma nu a l 8 © 20 12 A cous ti c a, In c T his option i s av a ilab le wh en W av e R T i s s elec t ed . A udio f r o m other pro gr a ms and W ind ow s will not wo r k at t he s ame t im e t hat y ou are i n t his mode . AS I O X P, V is t a & W in 7 T he best f or play ba c k and re cord ing s y nc hr on iz ati on .
I mpor tant S ou nd S et up I nf or mati on - 9 © 20 12 A cous ti c a, In c dr iv e r s ar e ou t of date alre ad y . ).
Mi x cra ft 6 Us e r Ma nu a l 10 © 20 12 A cous ti c a, In c Quick Star t So y ou wa nt t o get s omet hin g don e in a hu rr y, eh? Le t's fo llow our f av o r ite mus ic i an S oun d W ar r ior (SW ) t hr o ug h t he pa c es of u s ing M ix c raf t™.
Qu ic k St art - 11 © 20 12 A cous ti c a, In c Re c o rd s a Le a d Synth Pa d SW hoo k s up his MID I k eyboa rd and c re a t es a V irtual I nst rumen t T r a c k .
Mi x cra ft 6 Us e r Ma nu a l 12 © 20 12 A cous ti c a, In c C AV E c av e LADY lady" . He c lic k s on t he FX bu t t on on t rack 3 and s elec t s t he ef f ec t " De lay " f r o m t he l is t .
Qu ic k St art - 13 © 20 12 A cous ti c a, In c (O f c our se, S W ha s pu r c hased all A c oust ic a s of twa re because he k now s it i s s m ar t t o s upp o rt go od s of tw ar e ! ).
Mi x cra ft 6 Us e r Ma nu a l 14 © 20 12 A cous ti c a, In c Regis t r at ion N or mally , Mi x c raf t has a t rial per io d of 14 da y s . A f ter t he t ria l per io d is ov e r , y ou will ne ed t o pur chase t he s of tw ar e in ord e r t o bur n au dio CD s or m ix dow n .
R eg is t ra t ion - 1 5 © 20 12 A cous ti c a, In c T y pe i n or c opy and pas t e y our " Re gis t r ation I D " (u s ua lly y ou r email add r ess ) in t he S t ep 3 edit bo x an d t y pe in or c op y an d pa s t e t he 20 c har a c t er " R eg is t ra t ion C od e" (e x c luding dashes) into t he St ep 4 edit box.
Mi x cra ft 6 Us e r Ma nu a l 16 © 20 12 A cous ti c a, In c M ixcraft R eference T his will help y ou iden ti f y s pe c if ic s ec t ions of the m ain Mix c ra f t int er f a ce.
M ix cra ft Re f er e nce - 17 © 20 12 A cous ti c a, In c T i m e li n e Add m ar k er s, m ak e s elec t ions and adjust t empo, k ey an d t im e s ign atur e. T r ac k He a de rs Add ef f e ct s , or g an iz e y ou r pr o jec t an d ar m y our t ra c k s .
Mi x cra ft 6 Us e r Ma nu a l 18 © 20 12 A cous ti c a, In c T r ans po r t C on trol play ba c k , re c or din g, loop mode , pun c h in/ ou t . V iew t he playbac k t im e and adjust t he mas t er v o lume.
M ix cra ft Re f er e nce - Tra c k s 1 9 © 20 12 A cous ti c a, In c A d di ng T r ac ks Eac h ne w pro ject s t ar ts w it h 8 bla nk t rack s . Y ou c an ad d t ra c k s by c l ic k ing t he + Tra c k butt on ab ov e t he t rack s t o t he lef t of t he t im e li ne .
Mi x cra ft 6 Us e r Ma nu a l 20 © 20 12 A cous ti c a, In c R e- si z e a t ra c k by mov in g t he mouse t o t he bott om of a t ra c k and dra g up or dow n . W hen t he mouse is in t he rig ht s pot t o r e- s iz e, t he c ur sor will be c ome an up/do w n c ursor .
M ix cra ft Re f er e nce - Tra c k s 21 © 20 12 A cous ti c a, In c T o mi x do w n t o a ne w au dio t r ack , c hoo s e Tra c k menu > M i x To New A udi o Trac k or righ t c lic k on a t ra c k hea de r and c ho ose M ix To Ne w A udio Tra c k .
Mi x cra ft 6 Us e r Ma nu a l 22 © 20 12 A cous ti c a, In c Selec t a new im ag e and c lic k OK . A dd Y our Ow n I m a ge Or P hoto You c an add an y im ag e or pho t o of y our ban d membe rs, y our dog or almos t anyt hing t ha t is in t he on e of t he f o llow ing i mage fo r mats .
M ix cra ft Re f er e nce - Tra c k s 23 © 20 12 A cous ti c a, In c Vo lume & Pa n Adjus t t he v o lume and pan fo r eac h t ra c k . V o lu m e Eac h t r ack ha s it s own v olu me w hic h c an be ad jus t ed by t he s l ide r on t he t r ack .
Mi x cra ft 6 Us e r Ma nu a l 24 © 20 12 A cous ti c a, In c T he han dle t ur n s re d s ignif ying t hat y ou c an adjust t he re c or din g lev e l f r o m t he c ur re n t inp ut. (T his is on ly f or aud io t ra c k s . ) Mu t e & So l o Mute an d/or s olo a t r ack .
M ix cra ft Re f er e nce - Tra c k s 25 © 20 12 A cous ti c a, In c N ew s oun ds and r ecord ing s ar e ad de d at t he c are t posi t ion . A f ter ad din g a new s oun d, t he c ar et will mov e t o t he end of the s ou nd . T h e c ar et is als o t he po int at w hic h s elec t ed s ou nd s w ill be s plit .
Mi x cra ft 6 Us e r Ma nu a l 26 © 20 12 A cous ti c a, In c T o ar m a t ra c k , c lic k t he Arm butt on on a t ra c k . Onc e a t rack i s ar med, it will high light in re d . A rm Toggl e C tr l + B C ho osi ng Re c or di n g Inp ut You c an record f ro m mult iple s ou n d c ard s an d dif f e r e nt inpu ts at t he s ame t i me.
M ix cra ft Re f er e nce - Tra c k s 27 © 20 12 A cous ti c a, In c T o c hoo s e an inpu t, c lic k t he ar m ar r o w f o r t ra c k 1. Clic k on " Lexi c on" or wh atev e r y ou r de v ice is c alled an d c hoo s e " Lef t Cha n ne l" .
Mi x cra ft 6 Us e r Ma nu a l 28 © 20 12 A cous ti c a, In c Some s oun d de v ices inc lude a f ea ture t hat allow s y ou t o hea r w ha t y ou ar e r ecord ing . M an y dev i c es (suc h as USB mic ro p ho ne s ) , t ho ug h , do no t allow y ou t o hea r w ha t y ou ar e r ecord ing .
M ix cra ft Re f er e nce - Tra c k s 29 © 20 12 A cous ti c a, In c Vi rtua l I nst ru ment T r a ck s hav e t he ex t ra ins t r umen t butt on t o t he l ef t of t he mut e butt on. C lic k t he ins t ru men t butt on t o c ho ose an ins t r umen t.
Mi x cra ft 6 Us e r Ma nu a l 30 © 20 12 A cous ti c a, In c k ey bo ar d t o s ee if t his is poss ible, t hou g h. Re c o rd in g Multip le T r a c ks Sim ul ta ne ousl y You c an record m ulti ple V irtual I nst rume nt (MI D I ) t ra c k s at t he s ame t im e.
M ix cra ft Re f er e nce - Tra c k s 31 © 20 12 A cous ti c a, In c T ogg le t he t ra c k s y ou w an t an d c li c k OK . V i d e o T he V ideo T rack holds v ide o c l ips & image s or pho t os.
Mi x cra ft 6 Us e r Ma nu a l 32 © 20 12 A cous ti c a, In c M a s t e r Eac h pr o jec t ha s on e Mas t er T rack . Al l t ra c k s are m ix ed t o t he M as t er T r a c k . T o v iew t he Mas t er T r a c k , c l ic k T ra ck m en u > S how M as t er Trac k .
M ix cra ft Re f er e nce - Tra c k s 33 © 20 12 A cous ti c a, In c Add a S en d T r a ck t o t he pr o jec t . W e re na med t his on e t o be c alled " Re v e r b (SE N D )". Go t o t he t ra c k t hat y ou wa nt t o rou te s igna l t o t he S en d t ra c k .
Mi x cra ft 6 Us e r Ma nu a l 34 © 20 12 A cous ti c a, In c v o lume ad jus t ments . (PRE-Fad e r S en d) Pos t V olume A djust m en t - T he t rack 's aud io i s s ent t o t he S end T r a c k aft er app ly ing it s ow n v o lume ad jus t ments .
M ix cra ft Re f er e nce - Tra c k s 35 © 20 12 A cous ti c a, In c POS T-Fa d e r S e nd * * Dep e nd ing on t he s en d v o lume t y pe, t he aud io f r om a t ra c k will be s en t at one of t he s t arr e d * po ints i n t he aud io s i gn a l f low .
Mi x cra ft 6 Us e r Ma nu a l 36 © 20 12 A cous ti c a, In c I f y ou ha v e an au dio de v ic e with mult iple outputs , s i mply c l ic k on t he output dr op dow n of a n output t ra c k an d c hoo s e t he ou t pu t . T he M ix er v iew als o allow s y ou t o adjust t he ro uting of t ra c k s t o ou t pu ts .
M ix cra ft Re f er e nce - Tra c k s 37 © 20 12 A cous ti c a, In c mix . T hat s en d t ra c k ' s ou t pu t ha s be en s et t o t he He ad ph o ne Ou t 1 outpu t t ra c k , wh ic h has bee n ro u t ed t o a s pe c if ic ou t pu t on t he aud io dev i c e.
Mi x cra ft 6 Us e r Ma nu a l 38 © 20 12 A cous ti c a, In c R e w i r e R eW ire is a s t and a rd c r ea t ed by P ro pe ller he a d S of tw ar e t ha t allow s M ix c r af t t o int er f a ce w it h ot he r po pu lar s of twa re .
M ix cra ft Re f er e nce - Tra c k s 39 © 20 12 A cous ti c a, In c Au toma t i on You c an c ha ng e t he w ay t hings s oun d ov e r t i me. A ut omation allow s y ou t o add po ints at s pecific loc ations on a t ra c k ' s au t omation lane .
Mi x cra ft 6 Us e r Ma nu a l 40 © 20 12 A cous ti c a, In c C lic k on an y po int i n t he au t omation bod y t o ad d a po int and t hen dr a g it t o t he des ire d v a lue . M o vi ng T rac k A utom a t i on Po i nts T he glob al s na p v a lue w ill ap ply whe n ad din g and editi ng automat ion po ints .
M ix cra ft Re f er e nce - Tra c k s 41 © 20 12 A cous ti c a, In c 1. Ch oo s e a v irtual i nst rume nt f or t he t ra c k . 2. Clic k t he automation dro p do w n t o s ho w t he automati on .
Mi x cra ft 6 Us e r Ma nu a l 42 © 20 12 A cous ti c a, In c After t hat, we c an dr a w in automat ion po ints t o c han ge t he f ee d ba c k ov e r t i me. Re c o rd in g A utom at io n You c an record automati on fo r ef f e ct s or v irtua l ins t ru ments by s et t ing up y ou r MI D I dev i c e t o c on t ro l a par a meter.
M ix cra ft Re f er e nce - Tra c k s 43 © 20 12 A cous ti c a, In c A u t o m a t i n g W i t h A M I D I C o n t r o l l e r You c an s et up an y M I D I c on troller or k ey bo ar d t o c ontro l an y ef f ec t par a meter or v irtual i nst rume nt pa r ameter .
Mi x cra ft 6 Us e r Ma nu a l 44 © 20 12 A cous ti c a, In c Ho w T o Ma p A Knob o r Sl i der T o A n Effe c t I n ord er t o c on t r ol v ar iou s pa r ameter s of an ef f e ct , t her e ar e s ev e r a l wa y s t o do it . E ac h k no b or s li de r on a MI D I k ey boa r d ge ne r ates a M I D I C C m ess ag e.
M ix cra ft Re f er e nce - Tra c k s 45 © 20 12 A cous ti c a, In c Lo a di ng A nd Saving Effec t M a ppi ngs C lic k S av e or S av e A s . . . t o s av e y our m ap pin g. Re c all it at an y t ime f r om t he P re s ets . If y ou w is h t o ge t rid of m ap pin g, s elec t it an d t hen c lic k De lete .
Mi x cra ft 6 Us e r Ma nu a l 46 © 20 12 A cous ti c a, In c D e l e ting E mp ty La ne s R igh t c li c k on an empty par t of a t r ack an d c l ic k Lan es fo llow e d by D elete E m pty Lan es.
M ix cra ft Re f er e nce - Clips 4 7 © 20 12 A cous ti c a, In c M o vi ng T o mov e a c li p, s elec t it s t i t le bar and dr a g wh ile holdin g dow n t he mous e butt on . . (T he t i t le bar i s t he t op ar e a of t he c lip wh e re t he name is dis play ed .
Mi x cra ft 6 Us e r Ma nu a l 48 © 20 12 A cous ti c a, In c Dele ting Selec t a c lip or gr ou p of c li ps and t he n s elec t D ele t e f r om t he E dit menu . Al t er n ativ ely , y ou c an push t he De lete k ey on y our k ey bo ar d t o dele t e t hem.
M ix cra ft Re f er e nce - Clips 4 9 © 20 12 A cous ti c a, In c a lef t righ t re- si z e c ur s or . Si mply c lic k on t he l ef t or righ t edg e of t he c lip, ho ld t he m ou s e dow n and dr a g lef t or rig ht. Eac h loo p is re p re s en ted by a t rian gle on t he t op and bott om of t he s ou nd .
Mi x cra ft 6 Us e r Ma nu a l 50 © 20 12 A cous ti c a, In c s hortc ut A l t Dr a g Copy a n d Pre s e rve Ti m e Of f s e t s hortc ut Sh i ft +Alt+dra g (C o p y N' Pas t e mak es t he wo rld go 'r o un d. B ecome a f an of " Co py A nd P as t e" on y our f av o r ite s oci al ne twor ki ng s it e.
M ix cra ft Re f er e nce - Clips 5 1 © 20 12 A cous ti c a, In c You c an t ogg le t he s elec t ion of mult iple c lips by ho lding dow n t he Ctrl k ey an d c l ic k i ng t he t i t le bar of t he c lip. You c an s elect add it ion al c lips by ho lding dow n Shif t k ey and c lic k ing t he t it le ba r of t he c lip.
Mi x cra ft 6 Us e r Ma nu a l 52 © 20 12 A cous ti c a, In c So u n d s T her e ar e t w o t y pes of s ou nd s : A udi o cli p s Vi rtua l I ns trume nt (MI DI) cl i ps C lip t empo and k ey c an be m an ipula t ed i n t he f o llow ing wa y s .
M ix cra ft Re f er e nce - Clips 5 3 © 20 12 A cous ti c a, In c You will k now t hat y ou are i n Flex A ud io™ m od e if t he c ur s or t urn s into t he Flex A ud io™ c ursor .
Mi x cra ft 6 Us e r Ma nu a l 54 © 20 12 A cous ti c a, In c T he or igina l de t ect ed t empo will s how up w it h an * next t o it in c as e y ou nee d t o re s t or e it t o t he or igin al detec t ed t empo . Det e c t ing T em po ( a udi o c l ip s onl y ) T he f ollow in g inf o rma t ion is f or aud io c lips on ly .
M ix cra ft Re f er e nce - Clips 5 5 © 20 12 A cous ti c a, In c H ow e v e r , y ou c an ha v e m or e t han on e k ey c han ge i n a pro ject . A s oun d in A djust To P r oje c t K ey mode will adju s t t o t he c or r e c t nu mber of half s t ep s in or d er t o pla y in t he c or r ect k ey based on t he mos t re c en t k ey c ha ng e.
Mi x cra ft 6 Us e r Ma nu a l 56 © 20 12 A cous ti c a, In c You will k now t hat y ou are i n Flex A ud io™ m od e if t he c ur s or t urn s into t he Flex A ud io™ c ursor . T i p s W ith F lexA ud io ™ U s e Fl exA udio™ t o c r ea t e pe rf e ct loop s .
M ix cra ft Re f er e nce - Clips 5 7 © 20 12 A cous ti c a, In c You hav e mult iple aud io c lips on e t ra c k recor de d with t he s ame noisy air c on diti on er in t he ba c k gr ou nd and y ou w an t t o re mov e t he no is e in one c ommand .
Mi x cra ft 6 Us e r Ma nu a l 58 © 20 12 A cous ti c a, In c T his s ho w s a c l ip wit h t wo en v e lop e po ints , eac h at 100 % . Clic k on t he line t o c re a t e a new v olu me po int and t hen dr a g t o t he desi re d loc ation.
M ix cra ft Re f er e nce - Clips 5 9 © 20 12 A cous ti c a, In c Pan c an be s et t o v alu es fr o m 10 0% l ef t t o 10 0% righ t. Lo w A nd H i gh Pa s s Fil ters I n add it ion t o c ha ng ing t he v olume an d pa n of a s ou nd ov e r t ime, Mix c ra f t allow s y ou t o c han ge t he l ow pa s s and high pa s s f ilt er ov e r t im e.
Mi x cra ft 6 Us e r Ma nu a l 60 © 20 12 A cous ti c a, In c T o ed it a s ou nd ' s high pa s s f ilt er c utof f , go t o t he t oo lba r an d m ake s ur e t ha t H igh P ass C utoff i s s elect ed. B y def a u lt , all po ints on t his env e lo pe are at 0%, m ea nin g t hat all s oun ds abo v e t he c ut of f (i.
M ix cra ft Re f er e nce - Clips 6 1 © 20 12 A cous ti c a, In c Do ubl e Cl i ck A T r ac k W he n y ou do ub le c lic k on an aud io t rack bod y , y ou s et t he c ar et an d s i mult an eo usly br ing up a w ind ow let t ing y ou c hoo s e a s oun d .
Mi x cra ft 6 Us e r Ma nu a l 62 © 20 12 A cous ti c a, In c R e cording Dire ctly To OGG I f y ou f in d y our har d dr iv e f ill ing up w it h hug e W A V files, y ou c an record dire c t ly t o OGG f iles . R ecord ing t o OGG will t ak e up les s s pa c e on y our har d dr iv e .
M ix cra ft Re f er e nce - Clips 6 3 © 20 12 A cous ti c a, In c E d it In Ex te rna l E ditor Mix c ra f t will wo r k in c on jun c t ion with an ext ern a l s oun d ed it or in ord e r t o app ly per man e nt c han ge s or ed it s t o t he s ou nd .
Mi x cra ft 6 Us e r Ma nu a l 64 © 20 12 A cous ti c a, In c Edi t Name C ha ng e t he na me of a c lip. P r ess t he Ent er k ey t o mak e t he c han ge . A l t er n ativ ely , c ha ng e t he na me and c lic k anywh er e els e. M ute / U nm ute C lic k t he s pe aker ic on t o t og gle a s oun d' s m uted s t at e.
M ix cra ft Re f er e nce - Clips 6 5 © 20 12 A cous ti c a, In c C lic k t he [ < < ] S ho w /Hide C on trols bu tt on t o s ee mor e s oun d data, i nst ead of t he c ontro ls . T h is will t og gle be twee n s ho w ing an d hiding t he c ontrols.
Mi x cra ft 6 Us e r Ma nu a l 66 © 20 12 A cous ti c a, In c an d dr ag g ing t he N ois e S t ar t or No is e E nd c ontro ls . I f y ou wa nt t he s of twa r e t o automati c ally l ocat e t he nex t be s t no is e pr in t , c li c k Ne x t No is e> > .
M ix cra ft Re f er e nce - Clips 6 7 © 20 12 A cous ti c a, In c T his will s ho w t he bea ts in t he s ou n d. E ac h bea t point ha s t empo . T he s of tw a re will not s how all t he be at po ints de pe n ding on y our z oo m lev e l. Z oom in t o s ee more detail and bea t po ints .
Mi x cra ft 6 Us e r Ma nu a l 68 © 20 12 A cous ti c a, In c D ou ble c lic k a V i r t ua l I n s t ru ment T r a ck or righ t c lic k on a V irtual In s t r umen t T r a c k and c lic k A dd I nst rume nt Clip t o c re ate a bla nk V i r t ua l I n s t ru ment Clip.
M ix cra ft Re f er e nce - Clips 6 9 © 20 12 A cous ti c a, In c MID I Ed iti ng T her e ar e many wa y s t o ed it y our M I D I d ata. Si mply righ t c lic k on a V irtual I n s t ru men t c lip an d s elec t M ID I E dit ing f ollow e d by of the f ollow in g options.
Mi x cra ft 6 Us e r Ma nu a l 70 © 20 12 A cous ti c a, In c No te T ype Spec if ies t he s nap s ett i ng t o qu an t iz e t o. Pl ea s e note t ha t i f y ou hav e t his s et t o eigh th no t e an.
M ix cra ft Re f er e nce - Clips 7 1 © 20 12 A cous ti c a, In c A l l o r Se l e c t i on C ho ose w he ther t o qu an ti z e t he s ele c t ed no t es or all t he no tes in t he c ur r en t v ir tual i nst rume nt c l ip. (T his is only an option i f t he dialo g wa s inv o ked on t he pian o ro ll editor .
Mi x cra ft 6 Us e r Ma nu a l 72 © 20 12 A cous ti c a, In c M a x Di sta nc e T he m axi mum no t e dur a t ion t o huma niz e t ow ar d s . Sta rt T i m e Spec if ies i f we are human iz ing t he s t art t im e. I f c heck ed , y ou c an c ho ose f r o m E ar ly , La te or R an do m ad jus t ments .
M ix cra ft Re f er e nce - Clips 7 3 © 20 12 A cous ti c a, In c C ho ose Oc t av e ( s ) or S emit one ( s ) f r om t he Tran s po s e B y. T h e n en ter in t he amoun t an d c li c k OK . I f y ou w an t t his t o ap ply t o t he s elec t ed notes on ly , c lic k t he Selec t ion ra dio bu tt on.
Mi x cra ft 6 Us e r Ma nu a l 74 © 20 12 A cous ti c a, In c O f f s e t s Of f s et No tes dialog allows y ou t o ad just all t he notes or t he s elec t ed no tes t im e of f sets . R igh t c li c k on a M I D I c li p or MI D I da t a in t he Pi an o Ro ll and s elec t M ID I E diti ng fo llow e d by Of f s ets .
M ix cra ft Re f er e nce - Clips 7 5 © 20 12 A cous ti c a, In c T his brin gs up t he No te Du r a t ion win do w . A d j ust B y Adjus t t he no t es dur a t ion s by a per centage . F o rce T o For c e t he no t es t o a s pe c if ic no t e dur a t ion .
Mi x cra ft 6 Us e r Ma nu a l 76 © 20 12 A cous ti c a, In c s oloiz ing S o un d tab ( P i a no R oll ) T he S oun d t ab allow s y ou t o ren a me a s oun d, c han ge i t s leng th, c han g e it s t ime of f s et, mut e i t , loc k it , c ha ng e it s t empo , pit c h s hif t or k ey .
M ix cra ft Re f er e nce - Clips 7 7 © 20 12 A cous ti c a, In c T i m e Stre t c h / T em po Set t he mode of t he t im e s t retc hing f o r t his s oun d . Le ar n mor e ab ou t t ime s t re t c hing and t empo i n t he T e mpo / T i me St retc h s ec t ion .
Mi x cra ft 6 Us e r Ma nu a l 78 © 20 12 A cous ti c a, In c I n s t ru men t C lip or righ t c lic k on a V irtual I n s t r umen t Clip and s elect E dit t o brin g up t he Pi an o Ro ll Edit or .
M ix cra ft Re f er e nce - Clips 7 9 © 20 12 A cous ti c a, In c D ou ble c lic k a note on t he piano roll k eyboa rd and all notes of t ha t v a lue will become s elect ed. C lic k an y wh e re besi de s a note t o de s elect i t or pre s s t he Es c k ey .
Mi x cra ft 6 Us e r Ma nu a l 80 © 20 12 A cous ti c a, In c E diting n ote s i n de ta i l You c an als o ed it a note or gr ou p of no t es by righ t c lic k ing an d s elec t ing " E dit.
M ix cra ft Re f er e nce - Clips 8 1 © 20 12 A cous ti c a, In c D ra g C opy A l t+dra g C o n t r o l l e r I n f o r m a t i o n You c an edit MI D I c ontro ller da ta on t he bott om por tion of t he P iano Ro ll E dit or on t he S ou nd t ab.
Mi x cra ft 6 Us e r Ma nu a l 82 © 20 12 A cous ti c a, In c I f y ou ne ed m or e r oo m or pix els t o edit t he c ontro ller da t a, s i mply c l ic k on t he bar at t he t op of t he c on t ro ller are a an d dr ag i t up or dow n t o re - s iz e t he c on t ro ller are a .
M ix cra ft Re f er e nce - Clips 8 3 © 20 12 A cous ti c a, In c Edit Co ntro ller D ele t e Co ntro ller D ele t e A ll C on troller s For ex ample, if y ou wa n t an ex t er na l s y nt he s iz er.
Mi x cra ft 6 Us e r Ma nu a l 84 © 20 12 A cous ti c a, In c Map Fil e - T h e na me of t he f ile y ou j ust c re a t ed , i e: " B ig A nd Dumb D ru ms . t x t " VS T GU I D - T h is is a s pecial v alu e un ique ly iden ti f yi ng t he V S T i.
M ix cra ft Re f er e nce - Clips 8 5 © 20 12 A cous ti c a, In c On c e y ou ar e s ati s f ied wit h t he loop , y ou c an ext end t he c lip in t he s es s i on ar e a t o l oo p it as many t imes as y ou' d li k e.
Mi x cra ft 6 Us e r Ma nu a l 86 © 20 12 A cous ti c a, In c Le ngth C ha ng e t he len gth of a s oun d by enter ing in m inutes , s ec on ds and mil lis ec ond s or us ing t he s pinn er c on t ro ls . (I f t he s oun d is m ad e long en ou g h, t his will als o c au s e it t o loop .
M ix cra ft Re f er e nce - Clips 8 7 © 20 12 A cous ti c a, In c N o t a t i o n E d i t o r Edi ting No te s Mix c ra f t allow s y ou t o edit a pian o ba r on t he s t af f dire ct l y . B y editi ng t he s iz e an d po s it ion of t he pia no ba r , y ou c an c han g e t he wa y t he notat ion is dis play ed .
Mi x cra ft 6 Us e r Ma nu a l 88 © 20 12 A cous ti c a, In c N ote s elect ion t ool. Add new notes w it h t he pen c il. R emov e no tes with t he er a s er . D ura tion But t ons - Ch oo se a def a u lt du r ation wh en add ing a new no t e with t he pen c il t oo l.
M ix cra ft Re f er e nce - Clips 8 9 © 20 12 A cous ti c a, In c R igh t c li c k on a c lef an d c hoo s e f ro m t he f o llow ing : T reb le & B ass T reb le Bas s T his c ha ng e s t he c lef f or t he entire t ra c k . Pr i nting On c e a c li p is pr o pe r ly s ele c t ed, c li c k t he P rint.
Mi x cra ft 6 Us e r Ma nu a l 90 © 20 12 A cous ti c a, In c nu mbe r f r om 1 t o 127 wh ic h de s c ribe s ho w f a s t t he k ey was dep r ess ed . A v elo c it y of 1 w ou ld har d ly be hea rd and a v e loc it y of 127 wo uld be f u ll v o lume.
M ix cra ft Re f er e nce - Clips 9 1 © 20 12 A cous ti c a, In c Vi de o c l ips I mag e s Le ar n m or e ab ou t v ideo i n t he v ide o s ec t ion Te x t Cli ps A t ex t c l ip c on t ain s t ex t w it h as s oc iat ed ef f ec t s .
Mi x cra ft 6 Us e r Ma nu a l 92 © 20 12 A cous ti c a, In c C lic k t he St op butt on t o s t op record ing . T he re c or din g will be s av e d in y ou r Proje c t f olde r .
M ix cra ft Re f er e nce - Re c or d ing 93 © 20 12 A cous ti c a, In c Re c o r ding Mod e T her e ar e t hr e e re c or din g mode s . E ac h t ra c k 's re c or din g m od e c an be s et by righ t c lic k ing or by us ing t he T r a c k m en u.
Mi x cra ft 6 Us e r Ma nu a l 94 © 20 12 A cous ti c a, In c I n t his m od e, t he ex is t i ng aud io i s re pla c ed . N ew lane s ar e no t c re ated . Lo o p Re co rding Lo op recor ding allow s y ou re c or d mult iple t ak es or ov e r du b withou t hav in g t o s t op.
M ix cra ft Re f er e nce - Re c or d ing 95 © 20 12 A cous ti c a, In c After s ett ing up a pu n c h are a, pr ess record and t he new re c or din gs will be c rea ted ins ide t he pun c h s t art an d en d. Ti p: T o quick ly s et t he pu nch in/ ou t are a , c re ate a s elect i on an d t og gle P un c h I n/ Ou t .
Mi x cra ft 6 Us e r Ma nu a l 96 © 20 12 A cous ti c a, In c Se l e ct All S ounds I n Vi e w C tr l + A Li br a ry You c an c ho ose a s peci f ic libra r y or A ll . I f Al l is s elect ed, s oun ds fr o m all load e d li br a rie s ar e c ho s en, inc ludin g any i mpo rted libra r ies.
M ix cra ft Re f er e nce - Loo p Lib rar y 9 7 © 20 12 A cous ti c a, In c After a s ear ch is per f o r med , Mix c ra f t will dis play how many it ems mat c hed t he s ea r c h que r y . So rting & C o l um ns You c an s or t s ou nd s by c lic k ing on an y c olumn hea d er .
Mi x cra ft 6 Us e r Ma nu a l 98 © 20 12 A cous ti c a, In c I f y ou w an t t o ge t acc ess t o t he s oun d on t he har d dr iv e , s imply righ t c li c k on t he s oun d an d c hoo s e Op en C on taining Folde r . Now y ou hav e acc es s t o t he ph y s ic al l ocat ion of t he au dio f ile an d m ay do w ha t y ou w an t wit h it .
M ix cra ft Re f er e nce - Loo p Lib rar y 9 9 © 20 12 A cous ti c a, In c D ef a u lt Song K it - S elect or t y pe in a name f o r t he s on g k i t y ou w an t t he i mpor ted s oun d s t o be ass oci ated with. ( Y ou c an alw a y s edit i t later.
Mi x cra ft 6 Us e r Ma nu a l 10 0 © 20 12 A cous ti c a, In c Key - I f a k ey is f ou nd by it s elf , s uc h as " R ock -G " , Mix c ra f t will ass ume t hat " G" is t he k ey of the s ou nd . I n s t ru men t - I f a k ey wo r d is f o u nd in t he f ile c alled " lib- ins t s -f o r - impor t.
M ix cra ft Re f er e nce - Loo p Lib rar y 10 1 © 20 12 A cous ti c a, In c To Ne w A udio Tra c k . Now c ro p t he re s ult ing au dio c lip t o y ou r de s ire d s iz e and add t his f ile t o t he libra r y . Dele ting S ou nds Si mply s ele c t t he s oun d or s ou n ds.
Mi x cra ft 6 Us e r Ma nu a l 10 2 © 20 12 A cous ti c a, In c t he " S epa r ated by C omma" option wit h a T e x t de limi t er of a qu ote ("). You m ay nee d t o c ha ng e t he f ile ex t en s ion t o . CSV bef o r e editi ng de p en din g on ho w y our s y s t em is s etup.
M ix cra ft Re f er e nce - Loo p Lib rar y 10 3 © 20 12 A cous ti c a, In c T empo T he t empo of t he loo p if ap plic ab le. nu ll or v a lid t empo s uc h as 120 or 141 .
Mi x cra ft 6 Us e r Ma nu a l 10 4 © 20 12 A cous ti c a, In c Sho w/Hi d e T r ac ks You c an c he c k or un - c he c k t rack s un de r t he S how Tra c k s s ec t ion. T his allows y ou t o s im plif y y ou r v ie w an d on ly s ee t he t ra c k s t ha t y ou ar e c ur r en tl y mi x ing.
M ix cra ft Re f er e nce - M ix e r 105 © 20 12 A cous ti c a, In c Arm t he t ra c k f or re c or din g Solos t he au dio on t his t rack . ( Mut es ot he r no n- soloed t rack s . ) Mutes t he aud io on t his t ra c k . Audio t ra c k s and V irtual I nst ru ment t ra c k s hav e an I n pu t s elect or .
Mi x cra ft 6 Us e r Ma nu a l 10 6 © 20 12 A cous ti c a, In c T he def a u lt is t he M a in M ix w hic h is t he Mas t er t rack . V ideo Mix c ra f t s upp or ts l oa din g an d s av ing of v ide o. I t i s de s igne d s o t ha t y ou c an do t he f ollow ing : Add a mus ic al s oun dtra c k t o a v ide o.
M ix cra ft Re f er e nce - V ideo 107 © 20 12 A cous ti c a, In c PNG GI F I f y ou w an t t o ad d more t han on e im ag e at a t ime, y ou c an s elec t mult iple pho t os or im ag e s and add t he m all at once.
Mi x cra ft 6 Us e r Ma nu a l 10 8 © 20 12 A cous ti c a, In c You c an alt er a v ide o by ad din g ef f ec t s . Y ou c an m ake it f ad e in, f ad e t o blac k or loo k li k e i t s old f ilm. B e fore e ff e ct s A ft e r us i ng the K a l e i dos cope a nd Gre e n cha nne l e ff e cts .
M ix cra ft Re f er e nce - V ideo 109 © 20 12 A cous ti c a, In c You c an add an y ph oto or im ag e by c li c k ing t he V ideo m en u > A dd S til l I m age s . . . T his brin gs up a f ile dialog wh ic h allow s y ou t o s elec t an i mage or mult iple image s .
Mi x cra ft 6 Us e r Ma nu a l 11 0 © 20 12 A cous ti c a, In c C ho ose a dur a ti on , s t ar t t i me and ov e r la p t im e f or each c li p. I f y ou ha v e a s elec t ion y ou c an c hoo s e Selec t ed C lips Only and only t he s elect ed c l ips w ill be adjust ed.
M ix cra ft Re f er e nce - V ideo 111 © 20 12 A cous ti c a, In c T his s ho w s t he au tomat ion lane . C ho ose f r o m v a rio us ef f e ct s and ad d po ints t o s hap e t he ef f ec t s . Clic k t o ad d poin t s an d edit points jus t lik e au dio t ra c k automation .
Mi x cra ft 6 Us e r Ma nu a l 11 2 © 20 12 A cous ti c a, In c A d di ng T ext T her e ar e a f ew wa y s t o add t ext . T h e ea s ies t is t o c li c k V ideo menu > A dd Tex t. . . T h is will c re ate a t ext t rack and place a ne w t ext c lip on it an d laun c h t he t ex t ed it or .
M ix cra ft Re f er e nce - V ideo 113 © 20 12 A cous ti c a, In c Edi ting T ext You c an m ov e t he mouse c ur s or t o an y of t he re d s qu ar e s .
Mi x cra ft 6 Us e r Ma nu a l 11 4 © 20 12 A cous ti c a, In c C ha ng e t he t ext c olo r or back gr o un d c olor , as we ll as t he Opa c it y . T he opa c it y is ho w s olid t he c olor is . B y m ov in g t he Opaci t y s lider , y ou are m ov i ng fr o m t ra nspar e nt t o f ull s olid c olor .
M ix cra ft Re f er e nce - V ideo 115 © 20 12 A cous ti c a, In c C ho ose a t ex t mas k c olor . T his i s t he c olor t hat f ill s t he no n- tex t ar e a. I n t he ab ov e example, t he t ext m ask c olor i s wh it e. D rop S ha dow C ho ose be twee n Sm all, Medium and La r ge dro p s had o w s .
Mi x cra ft 6 Us e r Ma nu a l 11 6 © 20 12 A cous ti c a, In c Mos t ev e r yt hing is t he s ame as no r mal t ext editi ng as wit h editing s c ro lling t ex t , exc ep t t ha t i t is mis s ing a M o t ion t ab . For m or e he lp on editi ng s c ro lling t ex t , plea s e s ee t he E dit ing T ex t s ec t ion .
M ix cra ft Re f er e nce - V ideo 117 © 20 12 A cous ti c a, In c File menu > M i x Dow n To > A V I W M V I f y ou w an t t o c han g e t he outpu t qu ality or s iz e, c lic k E dit D etails .
Mi x cra ft 6 Us e r Ma nu a l 11 8 © 20 12 A cous ti c a, In c I f y ou do n' t w an t t o t hink, c hoo s e P reset Qu alit y and s lide t he s l ider t o t he best f or mat.
M ix cra ft Re f er e nce - V ideo 119 © 20 12 A cous ti c a, In c en c od ing met ho d w or k s be s t will ge ne r ally dif f e r dep e nd ing on y ou r v id eo c on t en t, and y ou mi gh t hav e t o t ry m ult iple met ho ds and c ompa r e t hem.
Mi x cra ft 6 Us e r Ma nu a l 12 0 © 20 12 A cous ti c a, In c t o pr od uce s maller f ile s iz es , y ou' ll nee d t o ex per imen t t o f ind t he best s ett ing. Vi d e o Bit Ra te : T his s ett ing s pec if ies app r oxi mat ely ho w m uc h ba nd w idth y our v ide o w ill re q uir e, in k ilobit s pe r s ec on d.
M ix cra ft Re f er e nce - V ideo 121 © 20 12 A cous ti c a, In c hig h aud io qua lit y s ett ing will ra r ely ha v e m uch re lativ e ef f ec t on t he ov e r a ll s i z e of y our v ide o. 128 k bp s will us ua lly pro d uce go od result s f or m usi c aud io qua lit y .
Mi x cra ft 6 Us e r Ma nu a l 12 2 © 20 12 A cous ti c a, In c You c an c ha ng e t he s na p lev e l on t he t i me line or by c lic k ing t he V iew menu fo llow e d by c li c k i ng S nap To Grid f o llow ed by c l ic k ing t he de s ire d s nap s ett ing.
M ix cra ft Re f er e nce - Tim eline 12 3 © 20 12 A cous ti c a, In c Ma r ke rs Mar k er s c an be used f or m ar k ing a s peci f ic t ime with t ext s uch as " Cho r us B eg ins H er e " or t hey c an c on t ain t empo , k ey or t im e s ign atur e c han ge s .
Mi x cra ft 6 Us e r Ma nu a l 12 4 © 20 12 A cous ti c a, In c mar k er y ou ' d lik e t o edit . Dele ting R igh t c li c k on a m ar k er on t he t im e li ne an d s elect Dele t e t o remov e a marker . (N o te t ha t y ou c an no t de lete t he fir s t mar k er and may on ly edit i t .
M ix cra ft Re f er e nce - Tim eline 12 5 © 20 12 A cous ti c a, In c W he n mix ing do w n t o an aud io f ile or bur n ing an au dio CD , t he s of tw ar e w ill c re ate a ne w CD t rack or aud io f ile i f t he option Cr e ate T r a c k For C D s or A udio Files is c he c k ed.
Mi x cra ft 6 Us e r Ma nu a l 12 6 © 20 12 A cous ti c a, In c T i me is s elec t ed on t he t i me- line. R igh t c li c k on t he t im e- line an d c ho ose Re mov e S elec t ed Ti me. T i me is re mov e d an d ev e r yt hing be y on d t he s elec t ion is m ov e d ov e r .
M ix cra ft Re f er e nce - E f f ec t s 12 7 © 20 12 A cous ti c a, In c A d di ng Effe c t s T o ad d an ef f ec t , c l ic k t he dro p do w n labe led < Selec t A n E f f ec t > an d c hoo s e an ef f ec t .
Mi x cra ft 6 Us e r Ma nu a l 12 8 © 20 12 A cous ti c a, In c D ele t e t he ef f ec t c hain Re o rd e ri ng a nd Delet ing Effe c t s Selec t an ef f ec t t o dele t e or re o rd e r. T h e or de r of t he ef f e ct s is im po rtan t . C lic k on an ef f ec t t o s elec t it .
M ix cra ft Re f er e nce - E f f ec t s 12 9 © 20 12 A cous ti c a, In c T his allows y ou t o au dition how t hing s s oun d withou t t hat par tic ular ef f ec t withou t los ing t he s ett i ng s . N ote : W hen a t r ack is f ro z en , i t s ef f ec t s will not be ed it able un ti l t he t ra c k is un f r o z en .
Mi x cra ft 6 Us e r Ma nu a l 13 0 © 20 12 A cous ti c a, In c Loa d V S T P re s e t Fi l e (VS Ti 's onl y) Some V ST ef f ec t and i nst rume nt m an uf ac t ur er s w ill dis t ribu t e add it ion al ba nks of s ou nd s , in t he f or m of .
M ix cra ft Re f er e nce - E f f ec t s 13 1 © 20 12 A cous ti c a, In c Eff ec ts I nc lud ed I n Mi x craft T her e ar e s ev e r a l ef f ec t s i ncl ud ed by def ault w it h M ix c r af t an d ar e de t ailed below . A coustica Cho ru s C ho r us ef f e ct s ar e used t o t hic k en up a s oun d , s uc h as a v ocal or guit ar re c or din g.
Mi x cra ft 6 Us e r Ma nu a l 13 2 © 20 12 A cous ti c a, In c D ela y ef f ec t s are of ten t he s im plest and mos t mus ic ally usef u l ef f ec t s . Quiet s i mply , t hey t ak e inc oming au dio , w ait a c er t ain amou n t of t ime, an d play t he aud io back , s ometim es at a l ow e r v o lume.
M ix cra ft Re f er e nce - E f f ec t s 13 3 © 20 12 A cous ti c a, In c bo ost or re d uce t he au dio f r e qu e nci es t hat m ake up t he s ou nd of y ou r record ing . If , fo r ex ample, y our re cord ing s ou nd s t inny, y ou c an boo s t t he ba s s f r eq ue ncies .
Mi x cra ft 6 Us e r Ma nu a l 13 4 © 20 12 A cous ti c a, In c B ro adc a st M ultib a nd C o m p ress or T his pow e r f u l we a po n in t he " l ou dn ess war s" help s y ou boo s t y our mus ic ' s v o lume s o t ha t i t s oun d s lou de r t ha n ev e r .
M ix cra ft Re f er e nce - E f f ec t s 13 5 © 20 12 A cous ti c a, In c T his ef f e ct i s s im il ar t o t he A c ous t ic a C ho r us ef f e ct , with s ome add it iona l f e atur es and a un ique s ou nd .
Mi x cra ft 6 Us e r Ma nu a l 13 6 © 20 12 A cous ti c a, In c Si mi lar t o t he Ac ou s t ic a E Q ef f e ct , t he Class i c E Q ef f ec t giv e s y ou ind iv idu al c ontro l ov e r t he lef t and rig ht c han ne l of y ou r r ecord ing .
M ix cra ft Re f er e nce - E f f ec t s 13 7 © 20 12 A cous ti c a, In c T his ef f e ct i s s im il ar t o t he A c ous t ic a R ev e r b ef f e ct , with s ome add it iona l f e atur es and a un ique s ou nd .
Mi x cra ft 6 Us e r Ma nu a l 13 8 © 20 12 A cous ti c a, In c Pl ug t his ef f ec t into a t rack t hat's arme d f or re c or din g with a guitar w it h M on it or ing t ur n ed on, and GT une will wo r k as a re al- t ime gu it ar t une r .
M ix cra ft Re f er e nce - E f f ec t s 13 9 © 20 12 A cous ti c a, In c T he S hr ed A m p S im ulator by A c m eBar Gig, a c omple t e guitar amp an d c abine t s uite c ontainin g 5 c las s i c amp hea d s , 17 c abin et m od e ls , and 6 pow e r f u l ef f e ct s .
Mi x cra ft 6 Us e r Ma nu a l 14 0 © 20 12 A cous ti c a, In c T his i s a uniqu e ef f ec t t ha t do es not ac t ua lly pro c ess or c ha n ge t he aud io and , ins t ea d , allow s y ou t o v ie w t he fr e qu e ncy s pe c t ru m of t he au dio .
M ix cra ft Re f er e nce - E f f ec t s 14 1 © 20 12 A cous ti c a, In c 10 0% and t he Dr y M ix t o 0% . Us ing MI DI To Co n tr ol Ef f ec ts An ef f ec t c an re c eiv e and use MI D I data f ro m an y t ra c k .
Mi x cra ft 6 Us e r Ma nu a l 14 2 © 20 12 A cous ti c a, In c Vir t ua l I ns tr umen ts Pres e t s As s uming t he t ra c k is a V irtual In s t r umen t T r a c k , c l ic k t he i nst rume nt pian o k ey boa r d bu t t on t o br ing up t he In s t r umen t P reset w ind ow .
M ix cra ft Re f er e nce - V irtual I ns t ru ments 143 © 20 12 A cous ti c a, In c C lic k on t he pre s et c olumn t o s elec t a pr eset . Le ar n m or e ab ou t c re a t ing y our ow n v ir t ua l ins t ru men t s .
Mi x cra ft 6 Us e r Ma nu a l 14 4 © 20 12 A cous ti c a, In c Ed it i ng Vir t ual I n s t r ume n t Pr es e ts You c an m ak e y our ow n v irtua l ins t ru men t pr e s ets by l ayerin g m ulti p.
M ix cra ft Re f er e nce - V irtual I ns t ru ments 145 © 20 12 A cous ti c a, In c After s elect ing an ins t ru ment, y ou c an c han ge t he f ollow ing par a meters: Pa ra m e te r D e s criptio.
Mi x cra ft 6 Us e r Ma nu a l 14 6 © 20 12 A cous ti c a, In c Eac h ins t r umen t i nter f a c e will hav e t he s ame c ontro ls on t he t op of t he ef f e ct wind ow wh ic h allow y ou t o c hoo s e a ne w pr e s et, s av e a pr eset or dele t e a pr e s et.
M ix cra ft Re f er e nce - V irtual I ns t ru ments 147 © 20 12 A cous ti c a, In c w is h. Op t iona lly , y ou c an hav e t he c us t om ic on embe dd ed i n t he pr eset file by c lic k ing t he E mb ed I c on c heck box . W hen ar e s ati s f ied , c lic k S av e .
Mi x cra ft 6 Us e r Ma nu a l 14 8 © 20 12 A cous ti c a, In c A dee p, bit ing ba s s s y nthesi z er ins pir ed by t he f a mous Ro lan d T B- 30 3™ ba s s s y nthesi z er . I d ea l f o r au then t ic ac id ba s s t one s , an d other f or ms of elect ro nic mus ic .
M ix cra ft Re f er e nce - V irtual I ns t ru ments 149 © 20 12 A cous ti c a, In c T his poly ph on ic ana log - s t y le s y nt he s iz er is mode led af ter s y nt he s iz er s fr o m t he ea r ly 80s, and i s loa de d with c las s i c an alog s y nthesi z er t one s .
Mi x cra ft 6 Us e r Ma nu a l 15 0 © 20 12 A cous ti c a, In c T his i ncred ibly acc ur a t e re c re ation of t he f a mou s S eq ue ntial Cir c uits Prop he t 5™ s y nt he s iz er t ak es t he c on c ep t ev e n f ur ther , with inc re ased po ly pho ny, add ed ef f e ct s , an d mor e.
M ix cra ft Re f er e nce - V irtual I ns t ru ments 151 © 20 12 A cous ti c a, In c T he Ha mmond Or ga n™, inv e n t ed by Lau r en s H ammon d in t he 19 30 s , ha s ha d a m ajor im pa c t on ne ar ly ev e r y pop ula r mus ic gen r e, f r om go s pe l an d blue s t o rock and po p.
Mi x cra ft 6 Us e r Ma nu a l 15 2 © 20 12 A cous ti c a, In c Tr ansport T his i s wh er e y ou ' ll f ind play ba c k , re c or din g, loop mode and m as t er v olu me. C on t ro l s R e cord C lic k t he re cord ing bu tt on t o s t ar t record ing .
M ix cra ft Re f er e nce - Tra nspor t 1 53 © 20 12 A cous ti c a, In c T he m ast er v o lume adju s t s t he lev e l of t he enti r e m ix . M ov e t he s lider l ef t or righ t t o s et t he desi re d v o lume.
Mi x cra ft 6 Us e r Ma nu a l 15 4 © 20 12 A cous ti c a, In c Punch In/O u t U s e P unch I n / Ou t t o c rea te a v er y pre c is e an d s ur gic al recor ding at s pecific t i me s ec t ion . T o mark a s ect i on as a pu nch in/out ar ea , c lic k t he P un c h I n/ Ou t bu t t on .
M ix cra ft Re f er e nce - Tra nspor t 1 55 © 20 12 A cous ti c a, In c R e cording M e tronom e I f c he c k ed, t he met ro n ome will s oun d du r ing re c or d ing .
Mi x cra ft 6 Us e r Ma nu a l 15 6 © 20 12 A cous ti c a, In c M IDI Lea rn Mak e s ure y ou ha v e a MI D I de v ice plug ge d in t o y our c omputer . N ow y ou c an as s ign a w ho le l is t of op ti on s f r om play ba c k , m etro no me, ar ming, und o an d re do .
M ix cra ft Re f er e nce - Tra nspor t 1 57 © 20 12 A cous ti c a, In c M IDI C hanne l & D e vice I f y ou w an t t o s et up t he c ontrol s urf a ce t o on ly receiv e on a s pecific M I D I c han n el or de v ic e, c hoo s e M ID I Cha n ne l or Dev ice an d pic k t he de s ired c ha n ne l an d dev i c e.
Mi x cra ft 6 Us e r Ma nu a l 15 8 © 20 12 A cous ti c a, In c Set S elect ed T r a ck P an Mute/ Un mute Selec t ed T rack Solo/ U nsolo S elec t ed T rack Arm/ Dis ar m S ele c t ed T rack Monitor.
M ix cra ft Re f er e nce - P ro ject 159 © 20 12 A cous ti c a, In c Or Y our B a nd f o r mak ing re cord ing s f r om liv e ins t ru men t s or y ou r mi c ro ph o ne . B ui l d Loop & B e a t Ma tche d Mus i c T his option i s gr ea t f o r D J s or jus t an y on e c on s t ru c t ing mus ic w it h l oo ps.
Mi x cra ft 6 Us e r Ma nu a l 16 0 © 20 12 A cous ti c a, In c T emplate (MX 6 T e mplate). Al t er n ativ ely , y ou c an s av e t he pr oject by c li c k i ng t he S av e butt on on t he t oo lba r .
M ix cra ft Re f er e nce - P ro ject 161 © 20 12 A cous ti c a, In c Pr o j ec t T emp o, Ke y A n d T i m e Sign a t ure C ho ose a mas t er or pro ject t empo, k ey an d t im e s ign atur e .
Mi x cra ft 6 Us e r Ma nu a l 16 2 © 20 12 A cous ti c a, In c Al t er n ativ ely , y ou c an t ogg le A uto Beat M atc h mode by c hoo s ing A utomat ic ally B ea t M a tc h N ew Soun ds fr o m t he M ix men u.
M ix cra ft Re f er e nce - P ro ject 163 © 20 12 A cous ti c a, In c Burn P roo f t y pe pro tec t ion, y ou c an bur n at m axi mum s pee d withou t wor r yi ng abo ut a bu r n f a ilure .
Mi x cra ft 6 Us e r Ma nu a l 16 4 © 20 12 A cous ti c a, In c Form a t De ta i l s T his s ho w s t he c ur r en t fo r mat details s uch as bit ra t e and c ha nn e ls . Clic k E dit De tails . . . t o c han ge t he fo r mat details fo r t he c urr e nt f or mat.
M ix cra ft Re f er e nce - P ro ject 165 © 20 12 A cous ti c a, In c C ho ose a f old er , t y pe in a name and c l ic k " S av e ". After m ix i ng do w n, y our def ault v id eo play er will be lau nched an d will s t ar t pla y ing y our v ideo .
Mi x cra ft 6 Us e r Ma nu a l 16 6 © 20 12 A cous ti c a, In c So u n d Dev ice C ho ose s ett i ng s f o r y ou r s oun d de v ic es. D rive r You c an c ho ose f r o m W av e or A S I O or W av e R T m od e. T h is c ho ic e c ha ng es t he re s t of t he c on t r ols av a ila ble on t his pa ge .
M ix cra ft Re f er e nce - P re fere n c es 16 7 © 20 12 A cous ti c a, In c A S I O P r e f e r e n c e s T hese ar e t he pr e f e r en c e options i f A S I O m od e is s elect ed on t he S ou nd Dev ice Prefer en c es .
Mi x cra ft 6 Us e r Ma nu a l 16 8 © 20 12 A cous ti c a, In c B uff e r S i z e T he s i z e of t he buf f er als o de t er mines t he lat en c y of t he s of twa r e.
M ix cra ft Re f er e nce - P re fere n c es 16 9 © 20 12 A cous ti c a, In c D i s pl a y V ol um e As : C ho ose be twee n D eci be ls or Percentage . T h is will af f ec t t he t ra c k v o lume s l ider s and edit ing v o lume en v e lop e po ints on t he s oun d.
Mi x cra ft 6 Us e r Ma nu a l 17 0 © 20 12 A cous ti c a, In c T he def a u lt c op y righ t notic e will be f illed int o each new pro ject 's author inf o r mat ion . Te m po T he def a u lt t empo . (D e f a ult i s 12 0 bpm .) K e y T he def a u lt k ey .
M ix cra ft Re f er e nce - P re fere n c es 17 1 © 20 12 A cous ti c a, In c R e cording F orm a t C ho ose f r o m uncompr ess ed W A V or c ompr e s s ed OGG. OGG allow s y ou t o s av e dis k s pac e on y our ha r d dr iv e s , if au dio qu a lit y do es not hav e to be pe r f e c t .
Mi x cra ft 6 Us e r Ma nu a l 17 2 © 20 12 A cous ti c a, In c D e fa ul t M I D I Se tt i ngs T his butt on will re v e r t t his pag e ba c k t o t he de f a u lt s et t ing s . CD Burning B urni ng E ngi ne C ho ose be twee n Primo , Gold en ha w k or I MA P I .
M ix cra ft Re f er e nce - P re fere n c es 17 3 © 20 12 A cous ti c a, In c C lic k t his bu t t on t o ad d, edit or de lete f o lde rs t hat t he s of twa r e will s c an f or V S T plug- ins. R e -Sca n All V S T P l ug-Ins Sc an s y our V S T f o lde r s f o r ne w plu g- ins.
Mi x cra ft 6 Us e r Ma nu a l 17 4 © 20 12 A cous ti c a, In c f o r ea s ily r eo r ga niz ing y ou r pr oje c t f iles , or f or c ollabo ra ting wit h other s . For ex ample, y ou c an quic k ly z ip up y ou r pr o jec t , inc ludin g all inc lude d loop s , v id eo s an d re c or de d s ou nd s , an d e- mail it t o an other pe r s on .
M ix cra ft Re f er e nce - M e n us & Toolb ar 175 © 20 12 A cous ti c a, In c s pa nn ed m ult iple t ra c k s . C rop (C trl+Q) T his i s t he op po s it e of c ut. Cr o pp ing s omething w ill k ee p wh a t is s ele c t ed an d dis c ard ev e r y t hing els e on t he s ele c t ed c li ps.
Mi x cra ft 6 Us e r Ma nu a l 17 6 © 20 12 A cous ti c a, In c R e w i nd To Sta rt ( [ H ome]) T his s ets t he P lay b ac k I ndic ator t o t he be gin ning or s t ar t of the pro ject . I f t he pr oje c t is play ing aud io, it w ill r est art playback f r o m t he s t art, as w ell.
M ix cra ft Re f er e nce - M e n us & Toolb ar 177 © 20 12 A cous ti c a, In c Trac k Men u A dd Tra ck T his app en ds a ne w aud io t rack . (C t r l+ G) or a ne w V irtual I nst rume nt T r a ck (C trl+E ) t o t he en d of t he pr o jec t .
Mi x cra ft 6 Us e r Ma nu a l 17 8 © 20 12 A cous ti c a, In c Mute All Mutes all c l ips on t he c lic k ed lane . U nm ute All U nmutes all c lips on t he c li c k ed lane . Se l e ct All Selec t all c li ps on t he c l ic k ed l an e. A rm For Re cording Arms t he s elec t ed t ra c k .
M ix cra ft Re f er e nce - M e n us & Toolb ar 179 © 20 12 A cous ti c a, In c Prop e rt i e s T his i s a s ub m en u with pr op e rties . Mute Mutes or un mutes t he s elec t ed s ou nd . C ha nne l s Al low s y ou t o c ho ose t he ac t iv e/aud ible c han n el f or an aud io c l ip.
Mi x cra ft 6 Us e r Ma nu a l 18 0 © 20 12 A cous ti c a, In c Lin k S elect ed Clips U nlink S elec t ed Clips I f a c li p is link ed, it will hav e a li nk butt on on it s t i t le bar : C lic k it t o ea s ily un link a li nked c l ip.
M ix cra ft Re f er e nce - M e n us & Toolb ar 181 © 20 12 A cous ti c a, In c C ho ose t he c olor of t he ba c k gr ou nd wh en t her e ar e n' t an y v ide o or i mage c lips . Sh ow / Hide V i de o W i nd ow T his will s ho w or hide t he v ide o play ba c k win do w .
Mi x cra ft 6 Us e r Ma nu a l 18 2 © 20 12 A cous ti c a, In c Z ooms in or out s o t ha t t he entire pr oje c t is v isi ble on t he s c re en . He lp Men u H e l p Cont e nts .
M ix cra ft Re f er e nce - M e n us & Toolb ar 183 © 20 12 A cous ti c a, In c Z oom in f or a c los er v ie w . Z o om Out Z oom ou t t o v iew more t i me. Pre fe re nce s Bring s up t he P r ef e r e nce dia log. B uy or Re gi s te r M i x cra ft Purchase Mi x c ra f t and enter y our re gis t r ation i nf o r mation.
Mi x cra ft 6 Us e r Ma nu a l 18 4 © 20 12 A cous ti c a, In c C T R L + arr ow k e y s m ov es +/- 20 m i l l i s ec ond s . C tr l + S hi f t + a r row k eys m ov e + /- 1 m i l l i sec ond. U p/dow n arr ow k e y s m ov e the s el ected c l i ps to a di f f erent trac k.
M ix cra ft Re f er e nce - K ey b oa rd Co ntro ls 185 © 20 12 A cous ti c a, In c Snap A dj ust m ent s (T he s e s hor tc uts will not wo r k pr op e rly i f t he Mus ic al T yping Key boa r d is v isi ble. T h e k eys t r okes m ay be us ed by t he M usi c al T y ping K ey bo ar d .
Mi x cra ft 6 Us e r Ma nu a l 18 6 © 20 12 A cous ti c a, In c Move N ote But Ke e p Off s e t Sh i ft + Dra g Sele c t i ng C l i ps Se l e ct All C tr l + A Se l e ct All On Tra ck C tr l + S hi f.
M ix cra ft Re f er e nce - K ey b oa rd Co ntro ls 187 © 20 12 A cous ti c a, In c Zo om i ng/Scro l li ng Z o om To P roj e ct 0 Z o om I n - Z o om Out + Z o om Mous e w he e l Scrol l Horiz onta .
Mi x cra ft 6 Us e r Ma nu a l 18 8 © 20 12 A cous ti c a, In c B oos t Cli p 5% A l t+Ct rl+ W R e duce Cli p 5% A l t+Ct rl+ S B oos t Cli p 25% A l t+Ct rl+ E R e duce Cli p 25% A l t+Ct rl+ D B o.
M ix cra ft Re f er e nce - M u s ic al Ty ping K ey b oar d ( M T K ) 18 9 © 20 12 A cous ti c a, In c K e yboa rd s ho rt cut : Ctrl + A lt + K Pl aying A nd Rec ord i ng N o te s T he M T K s pa n s 17 no t es or 1.5 oct av e s wh ic h c an be play ed v ia t he c ompu ter' s k ey bo ar d .
Mi x cra ft 6 Us e r Ma nu a l 19 0 © 20 12 A cous ti c a, In c I -B e a m T his c ur s or s how s t hat a s elect i on c an be m ad e on a s ou nd . Pe n cil T his c ur s or s how s t hat y ou c an dr a w ne w notes or c on t r oller data. Pl a y S ound T his c ur s or s how s t hat y ou c an pla y a s ou nd i n t he s oun d libra r y .
M ix cra ft Re f er e nce - Cu r s or s 19 1 © 20 12 A cous ti c a, In c Troubleshoot ing H er e ar e s ome answe rs t o c ommon pr ob lems an d is s ue s . Playing C a n't Play Soun d You' v e ad de d s oun d s , but y ou c an' t play anyt hing.
Mi x cra ft 6 Us e r Ma nu a l 19 2 © 20 12 A cous ti c a, In c T his will rep o rt ho w muc h CPU Mi x c raf t i s us ing c ompar e d t o t he entire c ompu t er ' s CPU us ag e.
Tro u b les ho oting - P lay ing 19 3 © 20 12 A cous ti c a, In c mos t lik ely . C lic k on t he s ou nd and t he n c li c k on t he S ou nd t ab an d adju s t t he s oun d t o be in Tim e St retc h B y m od e ins t ead of A djust To P ro ject Tempo.
Mi x cra ft 6 Us e r Ma nu a l 19 4 © 20 12 A cous ti c a, In c Adjus t t he s oun d manu a lly U pd ate y ou r s ou nd c ar d ' s dr iv e r s if pos s ible. Ch eck t he s ou nd c ar d ' s w eb s it e. Ge t a new s oun d de v ic e. Get a mor e pr of e ss i on al s oun d c ard desi gn ed fo r recor ding m usi c , if po s s ible.
Tro u b les ho oting - Re c or din g 195 © 20 12 A cous ti c a, In c M y rec or di ng s a re t oo lo ud a nd are di st o rting ! W ha t do I do ? D is t ortion c an ru in a go od recor ding , and t he wo rst par t is , on c e y ou ' v e re c or d ed dis t orted au dio , t he r e' s no wa y t o f ix it .
Mi x cra ft 6 Us e r Ma nu a l 19 6 © 20 12 A cous ti c a, In c I f the v ide o f ails t o l oa d , it is be c au s e y ou are m ost l ik ely m is s ing t he c or r ect Dire ct X v ide o c ode c . T he best adv i c e i s t o do one of t he f ollow in g: I n s t all t he s of tw ar e t ha t c ame with y our v ide o c amer a.
Tro u b les ho oting - E f f ec t s & P lug- in s 19 7 © 20 12 A cous ti c a, In c H ow e v e r , i f y ou' d l ik e t o hea r t he ef f e ct s dur ing record ing , y ou ' ll ne ed t o dis ab le t he s ou nd dev i c e' s monitor ing an d us e M ix c r af t' s monitor ing s y s t em.
Mi x cra ft 6 Us e r Ma nu a l 19 8 © 20 12 A cous ti c a, In c Shut dow n othe r pr og r ams an d t empo r ar ily s hut dow n y ou r v ir us c hec k er dur ing a bu rn . ( S hu tt i ng do w n y our v iru s c he c k er s hou ld be do ne at y our ow n ris k .
Tro u b les ho oting - V ideo 19 9 © 20 12 A cous ti c a, In c V ideo V i deo Pl ayba c k Pr o bl e m s I f af t er load ing y ou r v ide o , Mix c ra f t doe s on e of t he fo llow ing : Mix c ra f .
Mi x cra ft 6 Us e r Ma nu a l 20 0 © 20 12 A cous ti c a, In c Mak e s ure t hat y ou are c on ne c t ed t o t he I n tern et. T r y laun c hin g y our In tern e t br o w s er and go ing t o a new s ar tic le or we b s it e t ha t y ou ha v e n ' t bee n t o.
Tro u b les ho oting - Co ntro l S ur fac es 20 1 © 20 12 A cous ti c a, In c M i xcra ft rec ogni zes som e knob s or butt on s on m y c on trol l er, but wo n't re spon d to othe r kn ob s or butt on s.
Mi x cra ft 6 Us e r Ma nu a l 20 2 © 20 12 A cous ti c a, In c M ixcraft Pro St udio M ix cr aft Pro Studi o 6 g i ve s profe ssi onal audi o e ngi ne e rs the tool s t he y ne e d to mi x and maste r c omme rcial - q ual i ty musi c wi th e ase .
M ix cra ft P ro S t ud io - E f f ec t s 20 3 © 20 12 A cous ti c a, In c Eff ect s I n add it ion t o t he 25 ef f e ct s i ncl ud ed wit h Mi x c raf t , M ix c ra f t P ro S t udio als o inc lude.
Mi x cra ft 6 Us e r Ma nu a l 20 4 © 20 12 A cous ti c a, In c T his i ntense de lay ef f e ct goe s f a r be y ond t he li mit s of trad it iona l de lays .
M ix cra ft P ro S t ud io - E f f ec t s 20 5 © 20 12 A cous ti c a, In c T his pow e r f u l mas t er ing t oo ls add s s we e t high f re q ue ncies , ana log c olor s, c rys t al and t ran s pa r en t t ra n s ients , and bo ldn ess t o an y mi x .
Mi x cra ft 6 Us e r Ma nu a l 20 6 © 20 12 A cous ti c a, In c Perh ap s no c ompa n y is be tt er k now n f o r c re ating pr of es s i on al m ast erin g t ools t han iZ o tope . From t he m ak er s of Oz one , t he pre mier e mas t er ing s uit e, c omes iZ o tope Mas t er ing E s s en t ials .
M ix cra ft P ro S t ud io - E f f ec t s 20 7 © 20 12 A cous ti c a, In c Giv e y ou r t r ack s 3D s pa c e, dep t h, wid t h, and at mos ph er e w it h t his pow e r f u l s t er eo enh an c er .
Mi x cra ft 6 Us e r Ma nu a l 20 8 © 20 12 A cous ti c a, In c T her e ' s s omething ab ou t t he s ou nd of t ape -- an d Fer ox c ap ture s t ha t " s omething . " T he uniq ue s ou nd of au then ti c t ape his s , s atura ti on , and c ompr e s s i on giv es per sona lit y and c las s i c t on e t o y ou r t ra ck s .
M ix cra ft P ro S t ud io - E f f ec t s 20 9 © 20 12 A cous ti c a, In c T he k ey t o a goo d mix is pro p er E Qing, an d t his gr ap hic par ame t ric equ aliz er is one s er iou s ly po w er f u l equ a liz ation t ool.
Mi x cra ft 6 Us e r Ma nu a l 21 0 © 20 12 A cous ti c a, In c Adds s ub t le ana log w ar mt h or f ier ce ov e r dr iv e n t ub e gr it t o y ou r t ra c k s . T h is v in t ag e t ub e pr ea mp ad ds 196 0' s c har m an d c har a c t er t o v o c als , gu it ar , dru ms , and m or e .
M ix cra ft P ro S t ud io - I ns t ru ments 21 1 © 20 12 A cous ti c a, In c An inc re dib ly re alis t ic emula t ion of t he Y amaha CS80™ an alog s y nthesi z er , amon g t he m os t po w er f u l and c ov e ted an alo g s y nthe s iz er s ev e r made .
Mi x cra ft 6 Us e r Ma nu a l 21 2 © 20 12 A cous ti c a, In c T his high qu alit y , aw ar d - w inn ing gr a nd pia no fe a t ur e s 250 MB of S t einw a y Mode l D™ pian o s amples c ombine d w it h pow e rf ul pian o mode ling t ec hn olo gy.
M ix cra ft P ro S t ud io - I ns t ru ments 21 3 © 20 12 A cous ti c a, In c Glos sar y A SI O AS I O pro v id es an int er f a ce be t w ee n y our aud io app lic ati on an d t he s ou nd c ar d, an d s t and s f o r: A ud io St rea m I n pu t / Ou t pu t.
Mi x cra ft 6 Us e r Ma nu a l 21 4 © 20 12 A cous ti c a, In c T he deci be l (d B) i s a l og ar ithmic un it of r elativ e measure men t used t o c ompa r e t he ra ti o of t he int en s it ies of two s igna ls . W hen an amplit ude dou ble s , t he inc re a s e c or r espon d s t o 6 dB.
Gloss ar y - 21 5 © 20 12 A cous ti c a, In c Me tronom e A m etron o me is a de v ice or s y s t em t hat pr o du c es a re gu lated pu ls e, usually us ed t o k eep a bea t s t ea d y in m usi c al c ompo s it i on s .
Mi x cra ft 6 Us e r Ma nu a l 21 6 © 20 12 A cous ti c a, In c t o be c onf u sed with byt es ). Co mmon ex amples of bit de pth i ncl ud e CD au dio, wh ic h i s re c or d ed at 16 bits , an d DVD -Aud io wh ic h c an s upp o rt up t o 24- b it au dio .
Gloss ar y - 21 7 © 20 12 A cous ti c a, In c Vi rtua l S t ud io T e c hn olo gy and it s ac ro nym VS T re f e r t o an interf ac e s t an da r d f or c onn ect i ng aud io s y nt he s iz er an d ef f e ct plug ins t o aud io ed it or s an d har d - dis k re c or d ing s y s t ems .
Mi x cra ft 6 Us e r Ma nu a l 21 8 © 20 12 A cous ti c a, In c CH ANGE LI ST Ve rs i on 6 Cha nge s N ew int er f a ce & ar two rk Ov e r 6, 00 0 loop s in v er s ion 6! ! ! Major i mpr ov e me .
C ha ng e Lis t - 21 9 © 20 12 A cous ti c a, In c N ew A LT dr ag t o mak e a qu ic k c op y of a c l ip N ew + 1 loo pe r bu tt on on c l ips I mpr o v e d s up po r t f o r f a ulty V S T s Lo w er CPU us ag e Bet t er har d dr iv e ut ili z ati on R ecord dire c t ly t o OGG mode .
Mi x cra ft 6 Us e r Ma nu a l 22 0 © 20 12 A cous ti c a, In c About A cous t ica Ac ou s t ic a wa s f o un d ed i n 199 8 an d is loc ated in t he fo o t hills of t he Y osemi t e V alley . Ac ou s t ic a' s mis s ion is t o c rea te high qua lit y , i ntuit iv e an d pow e r f u l s of tw ar e .
Fou nd ed i n 19 98 an d loc ated in t he f o othills of t he Y os emit e V alley , Ac ou s t ic a’s m is s ion is t o c rea te hig h qua lit y , i ntuit iv e , an d po w er f u l s of tw ar e at af f o r d a ble pr ic es .
An important point after buying a device Acoustica Mixcraft Pro Studio 6 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Acoustica Mixcraft Pro Studio 6 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Acoustica Mixcraft Pro Studio 6 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Acoustica Mixcraft Pro Studio 6 you will learn all the available features of the product, as well as information on its operation. The information that you get Acoustica Mixcraft Pro Studio 6 will certainly help you make a decision on the purchase.
If you already are a holder of Acoustica Mixcraft Pro Studio 6, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Acoustica Mixcraft Pro Studio 6.
However, one of the most important roles played by the user manual is to help in solving problems with Acoustica Mixcraft Pro Studio 6. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Acoustica Mixcraft Pro Studio 6 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
