Instruction/ maintenance manual of the product Mixcraft 6 Acoustica
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C opyrights & Tra de m a rks Redi s tr i b uti ons of s ourc e c ode m us t retai n the ab ove c opy ri ght no ti c e, thi s l i s t of condi ti ons and the fol l ow i ng dis c l ai mer.
3 C onte nts 3 © 20 12 A c ous ti c a, In c T abl e o f Con te n ts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Impo r tan t So u n d S e tup Infor ma ti o n .
Mi x cra ft 6 Us e r Ma n ua l 4 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merge 56 . .
5 C onte nts 5 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W MV Re nde r S ettings 117 . .
Mi x cra ft 6 Us e r Ma n ua l 6 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 9 C urs ors .
I mpor t ant S ou nd Set up I nfor mati on - 7 © 20 12 A c ous ti c a, In c I mpor t ant Sound S etup Inf or mation W he n y ou f i rst s t art Mi x c raf t , y ou s ho uld mak e s ur e t ha t t he aud io l atency r espon s e i s s et up pro pe rly .
Mi x cra ft 6 Us e r Ma n ua l 8 © 20 12 A c ous ti c a, In c T his option i s av ailab le wh en W av e R T i s s elec t ed . Audio f rom ot he r pr ogr ams an d W ind ow s w ill not wo rk at t he s ame t im e t hat y ou are i n t his mode . AS I O X P, V i s t a & W in 7 T he best f or play ba c k and re c or ding s y nchr on iz at ion .
I mpor t ant S ou nd Set up I nfor mati on - 9 © 20 12 A c ous ti c a, In c dr i v er s ar e ou t of da t e alre ady. ).
Mi x cra ft 6 Us e r Ma n ua l 10 © 20 12 A c ous ti c a, In c Quick Star t So y ou wa nt t o get s omet hin g don e in a hu rr y , eh? Le t ' s f ollow ou r f av or it e m us ic ian S oun d W ar rior (SW ) t hr oug h t he pa c es of usi ng M ix c ra f t ™.
Qu ic k St art - 11 © 20 12 A c ous ti c a, In c Re c o rd s a Lea d Synth Pad SW hoo k s up his MID I k eyboa rd and c re ates a V irtual In s t ru m en t T rack .
Mi x cra ft 6 Us e r Ma n ua l 12 © 20 12 A c ous ti c a, In c C AV E c av e LADY lady" . He c li c k s on t he FX butt on on t r ack 3 and s elect s t he ef f ect " Dela y " f rom t he l is t . I n a s ud de n ins pir ation, he deci de s t ha t t he wh ole t hing nee ds rev er b s o t hat it s ou nd s lik e it ' s in a c av e.
Qu ic k St art - 13 © 20 12 A c ous ti c a, In c (O f c our s e, S W ha s pu rchased all A c oust i c a s of t w ar e be c au s e he k no w s it is s mart t o s up p or t goo d s of t wa r e! ).
Mi x cra ft 6 Us e r Ma n ua l 14 © 20 12 A c ous ti c a, In c Regis t r at ion N or m ally , M ix c raf t ha s a t rial per i od of 14 days . A f t er t he t r ial pe r iod is ov er , y ou will ne ed t o pu r c hase t he s of t w ar e in or der t o bu rn aud io CD s or m ix dow n.
R eg is t ra t ion - 15 © 20 12 A c ous ti c a, In c T y pe i n or c opy and pas t e y our " Re gis t ra t i on I D" (u s ually y our email add ress ) in t he S t ep 3 edit box an d t y pe in or c op y an d past e t he 20 c ha ract er " Re gis t ration Co de " (exc lud ing da s he s ) int o t he S t ep 4 edit box.
Mi x cra ft 6 Us e r Ma n ua l 16 © 20 12 A c ous ti c a, In c M ixcraft R eference T his will help y ou iden ti f y s pe c if ic s ect i on s of t he main M ix c raf t interf ac e. M e nus A m en u t o acc ess all t he awe s ome po w er of M ix c ra f t ! T o o l bar Ac c es s c omm on fu nc t ions s uc h as s av ing, load ing , un do and r ed o.
M ix c ra f t R efer en c e - 17 © 20 12 A c ous ti c a, In c T i m e li n e Add m ar k er s , mak e s elec t ions and ad just t empo, k ey and t i me s igna ture . T r ac k H e a ders Add ef f ect s , or gan iz e y our pr oject and arm y ou r t ra c k s .
Mi x cra ft 6 Us e r Ma n ua l 18 © 20 12 A c ous ti c a, In c T r ans po r t C on trol play ba c k , re c or din g, loop mode , pun c h i n/out. V iew t he play ba c k t im e and adjust t he m ast er v olume.
M ix c ra f t R efer en c e - Track s 1 9 © 20 12 A c ous ti c a, In c A d di ng T r ac ks Eac h ne w pro ject s t ar t s w it h 8 blan k t ra c k s . Y ou c an add t rack s by c lic k ing t he + Tra c k butt on ab ov e t he t r ack s t o t he lef t of t he t i me l ine.
Mi x cra ft 6 Us e r Ma n ua l 20 © 20 12 A c ous ti c a, In c R e- s iz e a t ra c k by mov ing t he m ou s e t o t he bott om of a t r ack an d dr ag up or do w n. W hen t he mouse is in t he rig ht s pot t o r e- s iz e, t he c ur s or will become an up/dow n c ur s or .
M ix c ra f t R efer en c e - Track s 2 1 © 20 12 A c ous ti c a, In c T o mi x do w n t o a ne w au dio t r ack , c hoo s e Track m en u > M i x To Ne w A udi o Track or r igh t c li c k on a t ra c k hea de r an d c hoo s e M i x T o Ne w A ud io T r ack .
Mi x cra ft 6 Us e r Ma n ua l 22 © 20 12 A c ous ti c a, In c Selec t a new i mage and c li c k OK . A dd Y o ur Ow n I m a ge Or Ph oto You c an add an y im ag e or pho t o of y our ban d member s , y our dog or almos t an y t hing t hat i s in t he on e of t he f ollow ing im ag e f orma t s .
M ix c ra f t R efer en c e - Track s 2 3 © 20 12 A c ous ti c a, In c Vo lume & Pa n Adjus t t he v olume and pan f or ea c h t rack . V o lu m e Eac h t r ack ha s it s own v olume w hic h c an be adju s t ed by t he s lider on t he t ra c k . Clic k dow n on t he s li de r and mov e i t lef t or r ight.
Mi x cra ft 6 Us e r Ma n ua l 24 © 20 12 A c ous ti c a, In c T he han dle t ur ns re d s i gn if y ing t ha t y ou c an ad just t he recor ding l ev el f ro m t he c ur r en t i np ut. (T his is on ly f or aud io t ra c k s . ) Mu t e & So l o Mute an d/or s olo a t r ack .
M ix c ra f t R efer en c e - Track s 2 5 © 20 12 A c ous ti c a, In c N ew s ou n ds and re c or dings are add ed at t he c ar et po s it i on . A f t er add ing a new s oun d, t he c are t will mov e t o t he en d of t he s ou nd . T he c are t i s als o t he poin t at wh ic h s elect ed s oun ds will be s plit .
Mi x cra ft 6 Us e r Ma n ua l 26 © 20 12 A c ous ti c a, In c T o ar m a t ra c k , c lic k t he Arm butt on on a t ra c k . Onc e a t rack i s ar med, it will high light in re d. A rm Toggl e C tr l + B C ho osi ng Re c or di n g Inp ut You c an record fr om mult iple s ou nd c ar d s and dif f er en t inp uts at t he s ame t im e.
M ix c ra f t R efer en c e - Track s 2 7 © 20 12 A c ous ti c a, In c T o c hoo s e an inpu t , c lic k t he ar m ar r ow f or t rack 1. Clic k on " Le x ic on " or wh at ev er y ou r de v ic e is c alled an d c hoo s e " Lef t C ha nn el" .
Mi x cra ft 6 Us e r Ma n ua l 28 © 20 12 A c ous ti c a, In c Some s oun d de v ic es i ncl ud e a f ea t ur e t ha t allow s y ou t o he ar wha t y ou ar e re c or ding. Many de v ic es (suc h as USB mic ro pho ne s ), t ho ug h, do no t allow y ou t o he ar wh at y ou ar e re c or din g.
M ix c ra f t R efer en c e - Track s 2 9 © 20 12 A c ous ti c a, In c Vi rtua l I nst ru ment T ra c k s hav e t he ext ra ins t ru ment bu t t on t o t he lef t of t he mut e butt on . C lic k t he ins t ru m en t bu tt on t o c hoo s e an ins t ru men t .
Mi x cra ft 6 Us e r Ma n ua l 30 © 20 12 A c ous ti c a, In c k ey bo ar d t o s ee if t his is pos s ible, t hou gh . Re c o rd in g Multip le T r a c ks Sim ul ta neousl y You c an record m ult iple V irtual In s t ru m en t (MI DI ) t r ack s at t he s ame t im e.
M ix c ra f t R efer en c e - Track s 3 1 © 20 12 A c ous ti c a, In c T ogg le t he t ra c k s y ou w an t an d c li c k OK . V i d e o T he V ideo T rack holds v ide o c l ips & image s or pho t os.
Mi x cra ft 6 Us e r Ma n ua l 32 © 20 12 A c ous ti c a, In c M a s t e r Eac h pr ojec t ha s on e M ast er T r ack . A ll t ra c k s ar e mix ed t o t he Mas t er T ra c k . T o v iew t he Mas t er T ra c k , c lic k Tra c k menu > S how M as te r Trac k .
M ix c ra f t R efer en c e - Track s 3 3 © 20 12 A c ous ti c a, In c Add a S en d T r ack t o t he pr oje c t . W e re na med t his on e t o be c alled " Rev e r b (SE ND )". Go t o t he t ra c k t hat y ou wa nt t o rou t e s igna l t o t he S end t rack .
Mi x cra ft 6 Us e r Ma n ua l 34 © 20 12 A c ous ti c a, In c v olume adju s t ments . (PRE-Fad e r S en d) Pos t V olume A djust m en t - T he t rack 's aud io i s s ent t o t he S end T ra c k af t er app ly i ng i t s ow n v olume adju s t ments .
M ix c ra f t R efer en c e - Track s 3 5 © 20 12 A c ous ti c a, In c POS T-Fa d e r S e nd * * Dep end ing on t he s en d v olume t y pe , t he aud io f ro m a t rack will be s ent at on e of t he s t ar r ed * po ints i n t he aud i o s i gn al f low .
Mi x cra ft 6 Us e r Ma n ua l 36 © 20 12 A c ous ti c a, In c I f y ou ha v e an aud io dev ic e wit h m ulti ple ou tputs , s im ply c lic k on t he ou t pu t dro p do w n of an ou t pu t t r ack an d c hoo s e t he ou t pu t . T he M ix er v iew als o allow s y ou t o ad just t he ro uting of t rack s t o outpu t s .
M ix c ra f t R efer en c e - Track s 3 7 © 20 12 A c ous ti c a, In c mix . T hat s en d t ra c k 's outpu t ha s be en s et t o t he Hea dph on e Out 1 output t ra c k , wh ic h ha s be en ro ut ed t o a s pe c if ic outpu t on t he aud io dev ic e.
Mi x cra ft 6 Us e r Ma n ua l 38 © 20 12 A c ous ti c a, In c R e w i r e R eW ire is a s t and ard c re at ed by P rop ellerh ea d S of t w ar e t ha t allow s M ix c ra f t t o i nter f ac e wit h other po pu l ar s of t w ar e.
M ix c ra f t R efer en c e - Track s 3 9 © 20 12 A c ous ti c a, In c Au toma t i on You c an c ha ng e t he w ay t hings s oun d ov er t i me. Aut omation allow s y ou t o add po ints at s peci f ic loc ations on a t ra c k ' s automation l an e .
Mi x cra ft 6 Us e r Ma n ua l 40 © 20 12 A c ous ti c a, In c C lic k on an y po int i n t he au t omation bod y t o add a po int and t he n dr ag i t t o t he desired v alu e. M o vi ng T rac k A utom a t i on Po i nts T he glob al s na p v alue will ap ply w he n ad din g and edit ing au tomat ion po ints .
M ix c ra f t R efer en c e - Track s 4 1 © 20 12 A c ous ti c a, In c 1. Ch oo s e a v irtual ins t r umen t f or t he t rack . 2. Clic k t he automation dro p do w n t o s ho w t he automati on .
Mi x cra ft 6 Us e r Ma n ua l 42 © 20 12 A c ous ti c a, In c After t hat, we c an dr a w in automat ion po ints t o c han ge t he f ee db ac k ov er t im e. Re c o rd in g A ut o m a t i on You c an record automati on f or ef f ec t s or v i r t ua l ins t ru men t s by s ett i ng up y ou r MI D I dev ic e t o c on t ro l a par ameter.
M ix c ra f t R efer en c e - Track s 4 3 © 20 12 A c ous ti c a, In c A u t o m a t i n g W i t h A M I D I C o n t r o l l e r You c an s et up an y M I DI c ontro ller or k ey boa rd t o c on t r ol any ef fe c t pa r ameter or v irtual ins t ru ment pa r ameter .
Mi x cra ft 6 Us e r Ma n ua l 44 © 20 12 A c ous ti c a, In c Ho w T o Ma p A K n ob o r Sl i d e r T o A n Effec t I n or der t o c ontro l v ario us par amet er s of an ef fe c t , t he r e ar e s ev era l w ays t o do it . E ac h k nob or s li de r on a MI D I k ey boa r d ge ne r ates a M I DI CC mes s age .
M ix c ra f t R efer en c e - Track s 4 5 © 20 12 A c ous ti c a, In c Lo a di ng A nd Saving Effe ct Ma ppi ng s C lic k S av e or S av e A s . . . t o s av e y ou r mapp ing . R ecall i t at any t im e f ro m t he P r eset s . I f y ou wis h t o ge t rid of m ap pin g, s elec t it and t hen c li c k De lete .
Mi x cra ft 6 Us e r Ma n ua l 46 © 20 12 A c ous ti c a, In c D e l e ting E mp ty L a ne s R igh t c li c k on an empty par t of a t ra c k an d c l ic k La ne s f ollow ed by De lete E mpty La ne s .
M ix c ra f t R efer en c e - Clips 4 7 © 20 12 A c ous ti c a, In c M o vi ng T o mov e a c li p, s elec t it s t i t le bar and dr ag wh ile ho lding dow n t he mouse bu tt on.. (T he t i t le bar i s t he t op ar ea of t he c l ip whe re t he na me i s dis played.
Mi x cra ft 6 Us e r Ma n ua l 48 © 20 12 A c ous ti c a, In c Dele ting Selec t a c lip or gro up of c lips an d t hen s ele c t De lete f ro m t he E dit menu . Al t er n ativ ely , y ou c an push t he Dele t e k ey on y our k eyboa r d t o delete t hem.
M ix c ra f t R efer en c e - Clips 4 9 © 20 12 A c ous ti c a, In c a lef t righ t r e- s iz e c ur s or . Si mply c lic k on t he l ef t or righ t ed ge of t he c lip, ho ld t he mouse do w n and dra g lef t or rig ht. Eac h loo p is re pre s en t ed by a t rian gle on t he t op and bo tt om of t he s oun d.
Mi x cra ft 6 Us e r Ma n ua l 50 © 20 12 A c ous ti c a, In c s hortc ut A l t Dr a g Copy a n d Pre s e rve Ti m e Of f s e t s hortc ut Sh i ft + Alt+d ra g (C opy N' P as t e mak es t he w or l d go ' ro und . Bec ome a f an of " Co py A nd P as t e" on y our f av or it e s oc ial ne twor k i ng s it e.
M ix c ra f t R efer en c e - Clips 5 1 © 20 12 A c ous ti c a, In c You c an t ogg le t he s elec t ion of mult iple c lips by ho lding dow n t he C t rl k ey and c lic k ing t he t it le ba r of t he c lip. You c an s elect add it ion al c lips by ho lding dow n S hift k ey and c lic k ing t he t it l e bar of t he c l ip.
Mi x cra ft 6 Us e r Ma n ua l 52 © 20 12 A c ous ti c a, In c So u n d s T her e ar e t wo t y pe s of s oun ds: A udi o cli p s Vi rtua l I ns trume nt (MI DI) cl i ps C lip t empo and k ey c an be manip ula t ed in t he f ollow ing wa y s .
M ix c ra f t R efer en c e - Clips 5 3 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or .
Mi x cra ft 6 Us e r Ma n ua l 54 © 20 12 A c ous ti c a, In c T he or igina l de t ect ed t empo will s how up with an * next t o it in c as e y ou nee d t o rest or e it t o t he or i gina l de tec t ed t empo . Det ec tin g T e m po ( a udi o cli ps o nl y ) T he f ollow ing i nf or m ation i s f or aud i o c l ips on ly .
M ix c ra f t R efer en c e - Clips 5 5 © 20 12 A c ous ti c a, In c H ow ev er , y ou c an ha v e m or e t ha n one k ey c ha ng e in a pr oje c t . A s oun d in Adjus t To P roje c t K ey mode will adjust t o t he c or rect numbe r of ha lf s t ep s in ord er t o pla y in t he c or r ect k ey based on t he mos t re c en t k ey c ha ng e.
Mi x cra ft 6 Us e r Ma n ua l 56 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . T i p s W i th F lexA ud i o™ U s e Fl exA udio™ t o c r ea t e pe rf ect loop s .
M ix c ra f t R efer en c e - Clips 5 7 © 20 12 A c ous ti c a, In c You hav e mult iple au d io c lips one t rack r ecord ed wit h t he s ame nois y air c ond it ione r in t he ba c k gr ou nd and y ou w an t t o re mov e t he noise in on e c ommand .
Mi x cra ft 6 Us e r Ma n ua l 58 © 20 12 A c ous ti c a, In c T his s ho w s a c l ip wit h t wo en v elop e po ints , ea c h at 10 0 % . Clic k on t he line t o c re ate a ne w v olume po int and t hen dr ag t o t he des ire d loc ation.
M ix c ra f t R efer en c e - Clips 5 9 © 20 12 A c ous ti c a, In c Pan c an be s et t o v alu es fr om 100 % lef t t o 100 % rig ht. Lo w A n d H igh P as s F i lt ers I n ad dition t o c han ging t he v olume and pan of a s oun d ov er t i me, Mix c ra f t allow s y ou t o c ha ng e t he low pa s s and high pass filter ov er t i me.
Mi x cra ft 6 Us e r Ma n ua l 60 © 20 12 A c ous ti c a, In c T o ed it a s ou nd 's high pass filter c ut of f , go t o t he t oolba r an d mak e s ur e t ha t H igh P ass C utoff i s s elect ed. B y def au lt , all po ints on t his env elop e ar e at 0% , mean ing t ha t all s ou nd s ab ov e t he c utof f (i.
M ix c ra f t R efer en c e - Clips 6 1 © 20 12 A c ous ti c a, In c Do ubl e Cl i ck A T r ac k W he n y ou do ub le c lic k on an aud io t rack bo dy, y ou s et t he c ar et and s imult ane ou s ly brin g up a w ind ow l ett ing y ou c ho ose a s oun d.
Mi x cra ft 6 Us e r Ma n ua l 62 © 20 12 A c ous ti c a, In c R e cording Dire ctly To OGG I f y ou f i nd y ou r ha r d dr iv e f i lli ng up with hu ge W A V f iles , y ou c an re c or d dir ect l y t o OGG f il es. Recor din g t o OGG will t ak e up les s s pa c e on y our har d dr iv e.
M ix c ra f t R efer en c e - Clips 6 3 © 20 12 A c ous ti c a, In c E d it In Ex te rna l E ditor Mix c ra f t will wo r k in c on junct ion with an ext ern al s oun d editor in ord e r t o app ly per m an en t c ha ng es or ed it s t o t he s ou nd .
Mi x cra ft 6 Us e r Ma n ua l 64 © 20 12 A c ous ti c a, In c Edi t Name C ha ng e t he na me of a c li p. P re s s t he E nter k ey t o m ake t he c ha ng e. A lt er na ti v ely , c han ge t he na me and c lic k anywh er e els e. M ute /U nm ute C lic k t he s pe aker ic on t o t og gle a s oun d' s m uted s t at e.
M ix c ra f t R efer en c e - Clips 6 5 © 20 12 A c ous ti c a, In c C lic k t he [ < < ] S ho w /Hide C on trols bu t t on t o s ee more s ou nd data, ins t ea d of t he c on t ro l s . T his will t og gle be twee n s how ing and hiding t he c on t r ols .
Mi x cra ft 6 Us e r Ma n ua l 66 © 20 12 A c ous ti c a, In c an d dr ag ging t he N ois e S t ar t or No is e E nd c on trols . I f y ou w an t t he s of t w ar e t o automati c ally loc at e t he nex t be s t no is e pr i nt, c l ic k Nex t N ois e>> .
M ix c ra f t R efer en c e - Clips 6 7 © 20 12 A c ous ti c a, In c T his will s ho w t he bea ts in t he s ou n d. E ac h bea t point ha s t empo . T he s of t w ar e w ill no t s ho w all t he be at po ints de pe nding on y ou r z oo m lev el. Z oo m in t o s ee m or e de t ail an d be at poin ts .
Mi x cra ft 6 Us e r Ma n ua l 68 © 20 12 A c ous ti c a, In c D ou ble c lic k a V i r t ua l I ns t ru ment T ra c k or r ight c li c k on a Vi rtua l I nst ru ment T r ack an d c l ic k A dd I nst rume nt Clip t o c re ate a bla nk V i r t ua l I ns t ru ment Clip.
M ix c ra f t R efer en c e - Clips 6 9 © 20 12 A c ous ti c a, In c MID I E diti ng T her e ar e many ways t o ed it y our M I DI data. S im ply rig ht c l ic k on a V irtual I nst rume nt c l ip and s elect M I D I E diti ng f ollow ed by of t he f ollow ing op t ion s .
Mi x cra ft 6 Us e r Ma n ua l 70 © 20 12 A c ous ti c a, In c No te T yp e Spec if i es t he s na p s et t ing t o qua nt iz e t o. Pl ea s e note t ha t i f y ou hav e t his s et t o eigh t h note .
M ix c ra f t R efer en c e - Clips 7 1 © 20 12 A c ous ti c a, In c A l l o r Se l e c t i on C ho ose w he ther t o qu an ti z e t he s ele c t ed no t es or all t he no tes in t he c ur r en t v irtual i nst rumen t c lip. (T his is only an option i f t he dialog was inv ok ed on t he piano roll ed it or .
Mi x cra ft 6 Us e r Ma n ua l 72 © 20 12 A c ous ti c a, In c M a x Di sta nce T he m axi mum no t e dur at ion t o human i z e t owa rds. Sta r t T i m e Spec if i es i f we ar e hu maniz ing t he s t ar t t i me. I f c he c k ed, y ou c an c ho ose fr om E ar ly , Late or R an do m ad jus t ments .
M ix c ra f t R efer en c e - Clips 7 3 © 20 12 A c ous ti c a, In c C ho ose Oc t av e( s ) or S emit one (s) f ro m t he Tra n s pose By. T he n enter i n t he amou nt and c lic k OK. I f y ou w an t t his t o app l y t o t he s elec t ed no t es only , c li c k t he S elect ion rad i o butt on.
Mi x cra ft 6 Us e r Ma n ua l 74 © 20 12 A c ous ti c a, In c O f f s e t s Of f s et No tes dialog allows y ou t o ad just all t he notes or t he s ele c t ed no t es t i me of f s et s . R igh t c li c k on a M I DI c l ip or MI D I data in t he P iano Roll and s elect M I DI E dit ing f ollow ed by Of f s ets .
M ix c ra f t R efer en c e - Clips 7 5 © 20 12 A c ous ti c a, In c T his brin gs up t he No te Du ration win do w . A d j ust B y Adjus t t he no t es dur at ions by a per c en t ag e. F o rce T o For c e t he no t es t o a s pe c if ic note dur at ion.
Mi x cra ft 6 Us e r Ma n ua l 76 © 20 12 A c ous ti c a, In c s oloiz ing S o un d tab ( P i a no R o ll ) T he S oun d t ab allow s y ou t o ren ame a s oun d, c han ge i t s leng t h, c han ge i t s t im e of f s et, m ute it , loc k it , c ha ng e it s t empo , pit c h s hif t or k ey .
M ix c ra f t R efer en c e - Clips 7 7 © 20 12 A c ous ti c a, In c T i m e Stre t c h / T em po Set t he mode of t he t im e s t re t c hing fo r t his s ou nd . Lea rn m or e ab ou t t i me s t re tc hing and t empo i n t he T empo/T ime S t r etc h s ec t ion .
Mi x cra ft 6 Us e r Ma n ua l 78 © 20 12 A c ous ti c a, In c I ns t ru men t C lip or righ t c li c k on a V i r t ua l I ns t ru ment Clip and s ele c t E dit t o br ing up t he P iano R oll Edit or .
M ix c ra f t R efer en c e - Clips 7 9 © 20 12 A c ous ti c a, In c D ou ble c lic k a note on t he piano roll k ey bo ar d an d all no t es of t hat v alu e will be c ome s elec t ed . C lic k an y wh e re bes ide s a note t o deselec t it or pre s s t he E s c k ey.
Mi x cra ft 6 Us e r Ma n ua l 80 © 20 12 A c ous ti c a, In c E di tin g note s i n de ta i l You c an als o ed it a note or gro up of notes by righ t c li c k i ng and s elect i ng " E dit .
M ix c ra f t R efer en c e - Clips 8 1 © 20 12 A c ous ti c a, In c D ra g C opy A l t+dra g C o n t r o l l e r I n f o r m a t i o n You c an edit MI D I c ontro ller da t a on t he bo tt om por t i on of t he P i an o R oll E ditor on t he Soun d t ab.
Mi x cra ft 6 Us e r Ma n ua l 82 © 20 12 A c ous ti c a, In c I f y ou ne ed m or e ro o m or pix els t o edit t he c ontro ller da t a, s i mply c l ic k on t he bar at t he t op of t he c on t ro l ler ar ea and dra g it up or dow n t o re- s i z e t he c on troller are a.
M ix c ra f t R efer en c e - Clips 8 3 © 20 12 A c ous ti c a, In c Edit Co ntro ller D ele t e Co ntro ller D ele t e A ll C on troller s For ex ample, if y ou wa nt an ext ern al s y nthesi z er t.
Mi x cra ft 6 Us e r Ma n ua l 84 © 20 12 A c ous ti c a, In c Map Fil e - T he na me of t he f ile y ou jus t c re ated, ie: " Bi g A nd D umb Dr ums . t x t " VS T GUI D - T his i s a s pe c ial v alue un iqu ely ide ntif y ing t he V S T i .
M ix c ra f t R efer en c e - Clips 8 5 © 20 12 A c ous ti c a, In c On c e y ou ar e s ati s f ied w it h t he loop , y ou c an ex t en d t he c li p in t he s es s ion ar ea t o loop i t as m an y t imes as y ou' d l ik e.
Mi x cra ft 6 Us e r Ma n ua l 86 © 20 12 A c ous ti c a, In c Le ngth C ha ng e t he leng t h of a s oun d by en t er i ng i n m inu t es, s econd s and m ill is ec ond s or us ing t he s pinne r c on t ro l s . (I f t he s oun d is made l on g en ou gh , t his will als o c ause i t t o loop .
M ix c ra f t R efer en c e - Clips 8 7 © 20 12 A c ous ti c a, In c N o t a t i o n E d it o r Edi ting No te s Mix c ra f t allow s y ou t o edit a pian o ba r on t he s t af f dire c t ly . B y ed it ing t he s iz e an d posi t ion of t he pia no ba r , y ou c an c han ge t he wa y t he no tat ion is dis pla y ed.
Mi x cra ft 6 Us e r Ma n ua l 88 © 20 12 A c ous ti c a, In c N ote s elect ion t ool. Add new notes with t he pen c il. R emov e no t es wit h t he er a s er . D ura tion But t ons - Ch oo s e a def au lt dur at ion w he n ad ding a ne w no te with t he pen c il t oo l.
M ix c ra f t R efer en c e - Clips 8 9 © 20 12 A c ous ti c a, In c R igh t c li c k on a c lef and c ho ose f rom t he f ollow ing: T reb le & B ass T reb le Bas s T his c ha ng es t he c l ef f or t he en ti re t rack . Pr i nting On c e a c li p is pr ope rly s elect ed, c l ic k t he P rint.
Mi x cra ft 6 Us e r Ma n ua l 90 © 20 12 A c ous ti c a, In c nu mbe r f rom 1 t o 127 which de s c ribe s ho w f as t t he k ey wa s de pr es s ed. A v eloc it y of 1 w ou ld har dly be hea rd and a v eloc it y of 127 w ou ld be f ull v olume .
M ix c ra f t R efer en c e - Clips 9 1 © 20 12 A c ous ti c a, In c Vi de o c l ips I m ag es Le ar n mor e abo ut v i de o in t he v ide o s ec t ion Te x t C li p s A t ex t c l ip c on t ain s t ex t w it h as s oc iat ed ef f ec t s .
Mi x cra ft 6 Us e r Ma n ua l 92 © 20 12 A c ous ti c a, In c C lic k t he St op butt on t o s t op record i ng . T he re c or din g will be s av ed in y ou r P r oject f olde r .
M ix c ra f t R efer en c e - Re c or din g 93 © 20 12 A c ous ti c a, In c Re c o r ding Mod e T her e ar e t hr ee record i ng mode s . E ach t ra c k ' s re c or din g mode c an be s et by righ t c lic k ing or by us ing t he T ra c k m en u.
Mi x cra ft 6 Us e r Ma n ua l 94 © 20 12 A c ous ti c a, In c I n t his mode , t he ex is t ing au dio is rep l aced. Ne w lan es are not c rea ted. Lo o p Re co rding Lo op record i ng allow s y ou r ecord m ult iple t ak es or ov er dub w it hou t hav ing t o s t op.
M ix c ra f t R efer en c e - Re c or din g 95 © 20 12 A c ous ti c a, In c After s ett ing up a pu nc h ar ea, pr ess re c or d an d t he ne w re c or d ings will be c re ated ins ide t he pu nch s t ar t an d en d. Ti p: T o quic k ly s et t he pun c h in/ ou t ar ea, c r ea te a s ele c t ion and t ogg le P unch I n/Out.
Mi x cra ft 6 Us e r Ma n ua l 96 © 20 12 A c ous ti c a, In c Se l e ct All S ounds I n Vi e w C tr l + A Li br a ry You c an c ho ose a s peci f i c li br ary or A ll . I f A ll is s elec t ed , s oun ds f r om all l oa de d libra r ies ar e c ho s en, inc ludin g any i mpo rted libra ries .
M ix c ra f t R efer en c e - Loo p Lib ra ry 9 7 © 20 12 A c ous ti c a, In c After a s ear c h is pe r f or med, Mi x c raf t will dis play ho w many it ems matc he d t he s ear c h qu er y . So rting & C o l um ns You c an s or t s ou nd s by c lic k ing on an y c olumn hea de r.
Mi x cra ft 6 Us e r Ma n ua l 98 © 20 12 A c ous ti c a, In c I f y ou w an t t o get acc ess t o t he s oun d on t he ha r d dr iv e, s im ply rig ht c l ic k on t he s oun d and c ho ose Op en C on taining Folde r. N ow y ou hav e ac c es s t o t he phys ic al loc ati on of t he aud io f ile an d may do w ha t y ou w an t wit h it .
M ix c ra f t R efer en c e - Loo p Lib ra ry 9 9 © 20 12 A c ous ti c a, In c D ef au lt S on g K it - S elect or t y pe in a name f or t he s ong k it y ou wa nt t he im po r t ed s ou nd s t o be ass oci ated with. ( Y ou c an alw ay s edit i t later.
Mi x cra ft 6 Us e r Ma n ua l 10 0 © 20 12 A c ous ti c a, In c Key - I f a k ey is f ou nd by it s elf , s uc h as " Ro c k -G", Mi x c raf t will as s ume t ha t " G" is t he k ey of t he s ou nd . I ns t ru men t - I f a k eywo rd i s f ou nd i n t he f i le c alled " l ib- ins t s -f or -impor t .
M ix c ra f t R efer en c e - Loo p Lib ra ry 10 1 © 20 12 A c ous ti c a, In c To Ne w A udio Tra c k . No w c ro p t he re s ulti ng au d io c lip t o y our des ire d s iz e and add t his f il e t o t he libra ry . Dele ting S ou nds Si mply s ele c t t he s oun d or s ou nd s .
Mi x cra ft 6 Us e r Ma n ua l 10 2 © 20 12 A c ous ti c a, In c t he " S epa r ated by C omma" option wit h a T ex t de lim it er of a qu ote ( " ). You m ay nee d t o c ha ng e t he f i le ex t en s ion t o . C SV bef or e ed it ing dep end ing on ho w y ou r s y s t em i s s etup.
M ix c ra f t R efer en c e - Loo p Lib ra ry 10 3 © 20 12 A c ous ti c a, In c T empo T he t empo of t he loop i f ap plic ab le. nu ll or v alid t empo s uc h as 120 or 141 .
Mi x cra ft 6 Us e r Ma n ua l 10 4 © 20 12 A c ous ti c a, In c Sho w/Hi d e T r ac ks You c an c he c k or un - c he c k t rack s un de r t he S how Tra c k s s ect i on . T his allows y ou t o s im plif y y ou r v iew an d only s ee t he t rack s t ha t y ou ar e c ur re nt ly m ix i ng .
M ix c ra f t R efer en c e - M i x e r 105 © 20 12 A c ous ti c a, In c Arm t he t ra c k f or re c or din g Solos t he au dio on t his t rack . ( Mut es ot he r no n- s olo ed t rack s . ) Mutes t he aud i o on t his t ra c k . Audio t ra c k s and V irtual I nst ru ment t ra c k s hav e an I n pu t s elect or.
Mi x cra ft 6 Us e r Ma n ua l 10 6 © 20 12 A c ous ti c a, In c T he def au lt is t he M ain M i x which is t he M ast er t ra c k . V ideo Mix c ra f t s upp or t s loa ding and s av ing of v i de o. I t i s designe d s o t ha t y ou c an do t he fo l low ing : Add a mus ic al s oun dtra c k t o a v i de o.
M ix c ra f t R efer en c e - V ideo 107 © 20 12 A c ous ti c a, In c PNG GI F I f y ou w an t t o add m or e t ha n one i mage at a t im e, y ou c an s elect m ulti ple ph otos or i mage s an d add t he m all at once.
Mi x cra ft 6 Us e r Ma n ua l 10 8 © 20 12 A c ous ti c a, In c You c an alt er a v ide o by ad din g ef f e c t s . Y ou c an m ake it f ad e in, f ade t o black or l oo k lik e it s old f i lm. B e fore e ff e cts A ft e r us i ng the K a l e i dos cope a nd Gre e n cha nne l e ff e cts .
M ix c ra f t R efer en c e - V ideo 109 © 20 12 A c ous ti c a, In c You c an add an y ph oto or im ag e by c li c k ing t he V ideo m en u > A dd S til l I m age s . . . T his brin gs up a f i le dialog which allow s y ou t o s ele c t an im ag e or m ult iple im ag es.
Mi x cra ft 6 Us e r Ma n ua l 11 0 © 20 12 A c ous ti c a, In c C ho ose a dur at ion , s t ar t t i me an d ov er l ap t ime f or ea c h c lip. I f y ou ha v e a s elec t ion y ou c an c hoo s e Selec t ed C lips Only and on ly t he s elect ed c lips will be ad just ed.
M ix c ra f t R efer en c e - V ideo 111 © 20 12 A c ous ti c a, In c T his s ho w s t he au tomat ion lane . C ho ose f ro m v ar ious ef f ec t s and add po ints t o s hap e t he ef f ec t s . Clic k t o ad d poin t s an d edit poin t s jus t lik e au dio t ra c k automation .
Mi x cra ft 6 Us e r Ma n ua l 11 2 © 20 12 A c ous ti c a, In c A d di ng T ext T her e ar e a f ew wa y s t o ad d t ex t . T he easi est i s t o c lic k V ide o m en u > A dd Tex t . . . T his w ill c re ate a t ext t rack and place a ne w t ext c lip on it an d laun c h t he t ex t ed it or .
M ix c ra f t R efer en c e - V ideo 113 © 20 12 A c ous ti c a, In c Edi ting T ext You c an m ov e t he mouse c ur s or t o any of t he re d s qua r es.
Mi x cra ft 6 Us e r Ma n ua l 11 4 © 20 12 A c ous ti c a, In c C ha ng e t he t ext c olor or ba c k gr ou nd c olor , as we l l as t he Op aci t y . T he op aci t y is ho w s olid t he c olor is . B y m ov ing t he Op aci t y s lider , y ou ar e mov ing f r om t ran s pa r en t t o f u ll s olid c olor .
M ix c ra f t R efer en c e - V ideo 115 © 20 12 A c ous ti c a, In c C ho ose a t ex t mas k c olor . T his i s t he c olor t hat f ill s t he no n- t ex t ar ea . In t he abo v e ex ample, t he t ext m ask c olor i s wh it e. D rop S ha dow C ho ose be twee n S mall, M ed ium and La r ge dr op s had ow s .
Mi x cra ft 6 Us e r Ma n ua l 11 6 © 20 12 A c ous ti c a, In c Mos t ev er y t hin g is t he s ame as no rma l t ex t ed it ing as w it h editi ng s c ro lli ng t ex t , ex c ept t ha t it is mis s ing a M o t ion t ab . For m or e he lp on editi ng s c ro lli ng t ex t , plea s e s ee t he E dit ing T ext s ect i on .
M ix c ra f t R efer en c e - V ideo 117 © 20 12 A c ous ti c a, In c File menu > M ix D ow n To > A V I W M V I f y ou w an t t o c han ge t he output qu alit y or s iz e, c li c k E dit De tails .
Mi x cra ft 6 Us e r Ma n ua l 11 8 © 20 12 A c ous ti c a, In c I f y ou do n' t wa nt t o t hink , c hoo s e P re s et Qua lit y and s lide t he s l ide r t o t he best f or m at.
M ix c ra f t R efer en c e - V ideo 119 © 20 12 A c ous ti c a, In c en c od ing met ho d w or k s best will gen era lly dif f er de pe nding on y our v ideo c on t en t, and y ou might hav e t o t ry m ult iple met ho ds and c ompa r e t hem. Bi t ra te als o has a big im pa c t on v ideo qua lit y .
Mi x cra ft 6 Us e r Ma n ua l 12 0 © 20 12 A c ous ti c a, In c t o pr od uce s maller f i le s iz es , y ou' ll ne ed t o ex pe r iment t o fin d t he be s t s et t ing . Vi d e o Bit Ra te : T his s ett ing s pec if i es app ro x imat ely ho w muc h ban dw idt h y our v ideo will req uire , in k ilobits pe r s ec on d.
M ix c ra f t R efer en c e - V ideo 121 © 20 12 A c ous ti c a, In c hig h aud io qua l it y s ett ing will ra re l y hav e muc h re lati v e ef f ec t on t he ov era l l s i z e of y ou r v ideo . 12 8 k bp s will us ua lly pro duc e goo d re s ults f or mus ic au dio qua lit y .
Mi x cra ft 6 Us e r Ma n ua l 12 2 © 20 12 A c ous ti c a, In c You c an c ha ng e t he s na p lev el on t he t ime line or by c lic k ing t he V iew m en u f ollow ed by c lic k ing S na p To Grid f ollow ed by c lic k ing t he de s ire d s nap s ett i ng .
M ix c ra f t R efer en c e - Ti meline 123 © 20 12 A c ous ti c a, In c Ma r ke rs Mar k er s c an be used f or m ar k ing a s pec if i c t im e wit h t ex t s uc h as " C ho r us B egins He r e" or t he y c an c on t ain t empo , k ey or t i me s igna t ure c ha ng es .
Mi x cra ft 6 Us e r Ma n ua l 12 4 © 20 12 A c ous ti c a, In c mar k er y ou ' d lik e t o edit . Dele ting R igh t c li c k on a m ar k er on t he t im e l ine an d s elec t D ele t e t o r emov e a m ar k er . (N ote t hat y ou c an no t de lete t he fir s t mar k er an d may on ly edit i t .
M ix c ra f t R efer en c e - Ti meline 125 © 20 12 A c ous ti c a, In c W he n mix ing do w n t o an aud io f ile or bur nin g an au dio C D , t he s of t wa re w ill c re ate a ne w CD t rack or aud io f ile if t he option Cr eate T rack For CD s or A udio Files is c heck ed.
Mi x cra ft 6 Us e r Ma n ua l 12 6 © 20 12 A c ous ti c a, In c T i me is s elec t ed on t he t i me- line. R igh t c li c k on t he t im e- l ine an d c ho ose Re m ov e Selec t ed Tim e. T i me is re mov ed an d ev er y t hing be y on d t he s elec t ion is m ov ed ov er .
M ix c ra f t R efer en c e - E f f ec t s 12 7 © 20 12 A c ous ti c a, In c A d di ng Effe ct s T o ad d an ef f ec t , c l ic k t he dro p do w n labe led < S ele c t A n E f f ec t > an d c hoo s e an ef f ect .
Mi x cra ft 6 Us e r Ma n ua l 12 8 © 20 12 A c ous ti c a, In c D ele t e t he ef f ect c hain Re o rd e ri ng a nd Delet i ng Effe c t s Selec t an ef f ec t t o delete or re or der . T he or de r of t he ef fe c t s is impor t ant. Clic k on an ef f ect t o s elect it .
M ix c ra f t R efer en c e - E f f ec t s 12 9 © 20 12 A c ous ti c a, In c T his allows y ou t o au dition how t hing s s oun d withou t t ha t par ti c ular ef fe c t w it hou t l osi ng t he s ett ings . N ote : W hen a t ra c k is f ro z en , it s ef f ect s w ill no t be editable un t il t he t ra c k i s un f rozen.
Mi x cra ft 6 Us e r Ma n ua l 13 0 © 20 12 A c ous ti c a, In c Loa d V S T P re s e t Fi l e (VS Ti 's onl y) Some V ST ef f ect and ins t r umen t m an uf act ure rs will dis t rib ute add it iona l ba nks of s ou nd s , in t he f or m of . f x b f iles .
M ix c ra f t R efer en c e - E f f ec t s 13 1 © 20 12 A c ous ti c a, In c Eff ec ts I n c lud e d I n Mixc r aft T her e ar e s ev er al ef f ect s inc lude d by def au lt with Mix c ra f t and are detailed belo w . A coustica C ho r us C ho r us ef f ect s ar e us ed t o t hic k en up a s oun d, s uc h as a v oc al or guitar re c or ding.
Mi x cra ft 6 Us e r Ma n ua l 13 2 © 20 12 A c ous ti c a, In c D ela y ef f ect s are of t en t he s i mplest and mos t mus ic ally us ef ul ef f ect s . Quie t s im ply , t he y t ake inc oming au dio , w ait a c er t ain amou nt of t im e, and play t he au dio ba c k , s omet imes at a low er v olume.
M ix c ra f t R efer en c e - E f f ec t s 13 3 © 20 12 A c ous ti c a, In c bo ost or re duc e t he au dio f req uen c ies t hat mak e up t he s oun d of y our recor ding . If , fo r example, y ou r re c or ding s oun ds t inny , y ou c an bo ost t he bass f re qu en c ies .
Mi x cra ft 6 Us e r Ma n ua l 13 4 © 20 12 A c ous ti c a, In c B ro adc a st M ultib a nd C o m pr e ssor T his pow erf ul we ap on i n t he " loud ne s s wa r s " he lps y ou bo ost y ou r mus ic 's v olume s o t hat it s ou nd s lou de r t ha n ev er .
M ix c ra f t R efer en c e - E f f ec t s 13 5 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd .
Mi x cra ft 6 Us e r Ma n ua l 13 6 © 20 12 A c ous ti c a, In c Si mi lar t o t he Ac ou s t ic a E Q ef fe c t , t he C las s ic E Q ef f ect giv es y ou indiv idua l c on t ro l ov er t he lef t and rig ht c han ne l of y our re c or din g.
M ix c ra f t R efer en c e - E f f ec t s 13 7 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Re v er b ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd .
Mi x cra ft 6 Us e r Ma n ua l 13 8 © 20 12 A c ous ti c a, In c Pl ug t his ef f ec t int o a t rack t ha t's armed fo r r ecord ing wit h a gu it ar wit h M on it or i ng t ur ned on , and GT une will wor k as a r ea l-tim e guitar t un er .
M ix c ra f t R efer en c e - E f f ec t s 13 9 © 20 12 A c ous ti c a, In c T he S hr ed A m p S im ulator by A c m eBar Gig, a c omple t e guitar amp an d c abine t s uite c ontainin g 5 c las s i c amp hea ds , 17 c abine t m od els , an d 6 pow erf ul ef f ect s .
Mi x cra ft 6 Us e r Ma n ua l 14 0 © 20 12 A c ous ti c a, In c T his i s a uniqu e ef f ec t t hat doe s no t act ually pr oces s or c han ge t he aud i o and , i nst ead , allow s y ou t o v iew t he f re qu en c y s pect rum of t he aud io.
M ix c ra f t R efer en c e - E f f ec t s 14 1 © 20 12 A c ous ti c a, In c 10 0% and t he Dr y M i x t o 0%. Us ing MI D I T o Con tr o l Eff e c ts An ef f ec t c an receiv e an d us e MID I data f rom any t rack .
Mi x cra ft 6 Us e r Ma n ua l 14 2 © 20 12 A c ous ti c a, In c Vir tua l Ins tr u me n t s Pr es e ts As s uming t he t ra c k is a V irtual In s t ru m en t T rack , c lic k t he ins t ru men t pian o k ey bo ar d bu t t on t o br ing up t he In s t ru m en t P r eset win do w .
M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 143 © 20 12 A c ous ti c a, In c C lic k on t he pre s et c olumn t o s elec t a pr eset . Le ar n mor e abo ut c re ating y our own v irtual i nst rume nts .
Mi x cra ft 6 Us e r Ma n ua l 14 4 © 20 12 A c ous ti c a, In c Ed it ing Vir tua l Ins tr u me n t Pres e t s You c an m ak e y our own v irtual i nst rume nt pr eset s by lay er i ng mult iple s y.
M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 145 © 20 12 A c ous ti c a, In c After s elect ing an ins t ru ment, y ou c an c han ge t he f ollow i ng par ame t er s : Pa ra m e te r D e .
Mi x cra ft 6 Us e r Ma n ua l 14 6 © 20 12 A c ous ti c a, In c Eac h ins t r umen t i nter f ac e will hav e t he s ame c on trols on t he t op of t he ef f ec t wind ow wh i c h allow y ou t o c hoo s e a ne w pr es et, s av e a pre s et or de lete a pr eset .
M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 147 © 20 12 A c ous ti c a, In c w is h. Op t iona l ly , y ou c an ha v e t he c us t om ic on embed de d in t he pre s et f ile by c lic k ing t he E mb ed I c on c heck box . W hen ar e s at is f ied , c li c k S av e.
Mi x cra ft 6 Us e r Ma n ua l 14 8 © 20 12 A c ous ti c a, In c A dee p, bit ing ba s s s y nthesi z er ins pir ed by t he f amo us Ro land T B -3 03 ™ bas s s y nt he s iz er . I de al f or au then t ic ac id ba s s t one s , an d other fo rms of elec t ro nic m us ic .
M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 149 © 20 12 A c ous ti c a, In c T his poly ph on ic ana l og - s t y l e s y nthesiz er i s mode led af t er s y nthesi z er s f rom t he ear l y 80s, and i s loa de d with c las s i c an alog s y nthesi z er t on es.
Mi x cra ft 6 Us e r Ma n ua l 15 0 © 20 12 A c ous ti c a, In c T his i ncred ibly acc ur at e re c re ation of t he f a mous S equ en t i al Circuit s P ro ph e t 5™ s y nthesi z er t ak es t he c on c ep t ev en f ur t her , wit h inc re ased poly ph on y , ad de d ef f ec t s , and mor e.
M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 151 © 20 12 A c ous ti c a, In c T he Ha mmond Or ga n™, inv en t ed by Lau r en s H ammond i n t he 193 0s , has had a major impact on ne ar ly ev er y po pu l ar m us ic gen r e, f r om gos pe l an d blue s t o ro c k and pop .
Mi x cra ft 6 Us e r Ma n ua l 15 2 © 20 12 A c ous ti c a, In c Tr ansport T his i s wh er e y ou ' ll f ind play ba c k , recor ding , l oo p mode an d mas t er v olume. C on t ro l s R e cord C lic k t he re c or ding bu t t on t o s t art re c or ding.
M ix c ra f t R efer en c e - Tran s po r t 1 53 © 20 12 A c ous ti c a, In c T he m ast er v olume adjust s t he l ev e l of t he en t ire mix . Mov e t he s l ide r lef t or rig ht t o s et t he de s ired v olume.
Mi x cra ft 6 Us e r Ma n ua l 15 4 © 20 12 A c ous ti c a, In c Punch In/O u t U s e P unch I n/ Out t o c r ea te a v er y pr ec is e and s ur gic al re c or din g at s pe c if ic t i me s ect i on . T o mark a s ect i on as a pu nch in/out ar ea , c lic k t he P un c h I n/ Ou t bu t t on .
M ix c ra f t R efer en c e - Tran s po r t 1 55 © 20 12 A c ous ti c a, In c R e cording M e tronom e I f c he c k ed, t he met ro no m e will s oun d dur ing recor ding .
Mi x cra ft 6 Us e r Ma n ua l 15 6 © 20 12 A c ous ti c a, In c M IDI Lea r n Mak e s ure y ou ha v e a MI D I dev ic e plugg ed i n t o y ou r c ompu t er . No w y ou c an as s ign a who l e li s t of op ti on s f rom play ba c k , m etro no me, arming , und o and red o.
M ix c ra f t R efer en c e - Tran s po r t 1 57 © 20 12 A c ous ti c a, In c M IDI C hanne l & D e vice I f y ou w an t t o s et up t he c on trol s ur f ace t o only re c eiv e on a s pe c if ic M I DI c han nel or dev ic e, c ho ose M I D I C ha nn el or D ev ic e and pic k t he de s ire d c han ne l an d de v ic e.
Mi x cra ft 6 Us e r Ma n ua l 15 8 © 20 12 A c ous ti c a, In c Set S elect ed T ra c k P an Mute/ Un m ute S ele c t ed T r ack Solo/ U nsolo S elec t ed T rack Arm/ Dis ar m S elect ed T ra c k Mo.
M ix c ra f t R efer en c e - P ro jec t 1 59 © 20 12 A c ous ti c a, In c Or Y our B a nd f or mak ing re c or dings f r om liv e ins t ru men t s or y ou r mi c ro ph one . B ui l d Loop & B e a t Ma tche d Mus i c T his option i s gr ea t f or DJ s or jus t an y on e c on s t ru c t ing mus ic w it h l oo ps.
Mi x cra ft 6 Us e r Ma n ua l 16 0 © 20 12 A c ous ti c a, In c T emplate (MX 6 T emplate). Al t er n ativ ely , y ou c an s av e t he pro j ect by c l ic k ing t he Sav e bu tt on on t he t oo lbar .
M ix c ra f t R efer en c e - P ro jec t 1 61 © 20 12 A c ous ti c a, In c Pr o j ec t T emp o , Ke y A nd T i m e Si gnat u re C ho ose a mas t er or pro ject t empo, k ey and t i me s igna ture .
Mi x cra ft 6 Us e r Ma n ua l 16 2 © 20 12 A c ous ti c a, In c Al t er n ativ ely , y ou c an t ogg l e A uto B ea t M atc h mode by c ho osing A ut omatic ally B eat M atc h Ne w Soun ds fr om t he M ix menu .
M ix c ra f t R efer en c e - P ro jec t 1 63 © 20 12 A c ous ti c a, In c Burn P roo f t y pe pr ot ect i on , y ou c an bu r n at max imum s pe ed wit ho ut wo rrying abo ut a bur n f ailure .
Mi x cra ft 6 Us e r Ma n ua l 16 4 © 20 12 A c ous ti c a, In c Form a t De ta i l s T his s ho w s t he c ur r en t fo rmat details s uc h as bit rate and c ha nn els. Clic k E dit De t ails . . . t o c ha ng e t he fo rmat details f or t he c ur r en t f or m at.
M ix c ra f t R efer en c e - P ro jec t 1 65 © 20 12 A c ous ti c a, In c C ho ose a f old er , t y pe i n a name and c lic k " S av e". A f t er mi x ing dow n, y ou r de f ault v ide o player will be lau nched an d will s t ar t pla y ing y our v ideo .
Mi x cra ft 6 Us e r Ma n ua l 16 6 © 20 12 A c ous ti c a, In c So u n d Dev ice C ho ose s ett i ng s f or y our s ou nd dev ic es . D rive r You c an c ho ose f rom W av e or A S I O or W av eR T mode . T his c hoic e c ha ng es t he re s t of t he c on t ro l s av ailab l e on t his pag e.
M ix c ra f t R efer en c e - P re f er enc es 16 7 © 20 12 A c ous ti c a, In c A S I O P r e f e r e n c e s T hese ar e t he pr ef ere nce opti on s if A S I O mode i s s elec t ed on t he S oun d D ev ic e P re fere nces .
Mi x cra ft 6 Us e r Ma n ua l 16 8 © 20 12 A c ous ti c a, In c B uff e r S i z e T he s i z e of t he buf f er als o deter mines t he l atency of t he s of t w ar e.
M ix c ra f t R efer en c e - P re f er enc es 16 9 © 20 12 A c ous ti c a, In c D i s pl a y V ol um e As : C ho ose be twee n De c ibels or P er c en tage . T his will af f ect t he t rack v olume s li de r s an d editing v olu me en v elop e po ints on t he s ou nd .
Mi x cra ft 6 Us e r Ma n ua l 17 0 © 20 12 A c ous ti c a, In c T he def au lt c opyrigh t notic e will be f i lled int o each ne w pr ojec t ' s au t ho r inf or mati on . Te m po T he def au lt t empo . (D ef au lt is 120 bpm . ) K e y T he def au lt k ey .
M ix c ra f t R efer en c e - P re f er enc es 17 1 © 20 12 A c ous ti c a, In c R e cording F orm a t C ho ose f ro m uncompr ess ed W A V or c ompr e s s ed OGG. OGG allows y ou t o s av e dis k s pa c e on y our ha r d dr iv es , if au dio qu ality do es not hav e t o be pe rf ect .
Mi x cra ft 6 Us e r Ma n ua l 17 2 © 20 12 A c ous ti c a, In c D e fa ul t M I D I Se tt i ngs T his butt on will re v er t t his pag e back t o t he de f ault s ett ings. CD Burning B urni ng E ngi ne C ho ose be twee n P rimo , Gold en ha w k or IMAP I .
M ix c ra f t R efer en c e - P re f er enc es 17 3 © 20 12 A c ous ti c a, In c C lic k t his bu t t on t o ad d, edit or de lete f older s t hat t he s of t wa re will s c an f or V S T plug- i ns. R e -Sca n All V S T P l ug-Ins Sc an s y our V S T f older s fo r ne w plug- i ns.
Mi x cra ft 6 Us e r Ma n ua l 17 4 © 20 12 A c ous ti c a, In c f or ea s ily re o rg aniz ing y our pro ject files, or f or c ollabo rating with other s . For ex ample, y ou c an quic k ly z ip up y ou r pr ojec t , inc ludin g all inc lude d loop s , v i de os and record ed s ou nd s , an d e- mail it t o an othe r pe r s on .
M ix c ra f t R efer en c e - M enu s & Too lb ar 17 5 © 20 12 A c ous ti c a, In c s pa nn ed m ult iple t ra c k s . C rop (C t rl+ Q) T his i s t he op po s it e of c ut. Cr opp ing s omething will k eep wha t i s s elec t ed an d dis c ar d ev er y t hing els e on t he s ele c t ed c li ps.
Mi x cra ft 6 Us e r Ma n ua l 17 6 © 20 12 A c ous ti c a, In c R e w i nd To Sta rt ( [ H ome]) T his s ets t he P lay b ac k I ndic ator t o t he be ginn i ng or s t ar t of t he pr oject . I f t he pr oje c t is play ing aud i o, it w ill r est art playback f rom t he s t art, as w ell.
M ix c ra f t R efer en c e - M enu s & Too lb ar 17 7 © 20 12 A c ous ti c a, In c Trac k Men u A dd Tra ck T his app en ds a ne w aud io t rack . (C t r l+ G) or a ne w V irtual I nst rume nt T ra c k (C t rl+ E ) t o t he end of t he pr ojec t .
Mi x cra ft 6 Us e r Ma n ua l 17 8 © 20 12 A c ous ti c a, In c Mute All Mutes all c l ips on t he c lic k ed lane . U nm ute All U nmutes all c lips on t he c li c k ed lane . Se l e ct All Selec t all c li ps on t he c l ic k ed l an e. A rm For Re cording Arms t he s elec t ed t ra c k .
M ix c ra f t R efer en c e - M enu s & Too lb ar 17 9 © 20 12 A c ous ti c a, In c Prop e rt i e s T his i s a s ub m en u with pr op erties . Mute Mutes or un mutes t he s elec t ed s ou nd . C ha nne l s Al low s y ou t o c ho ose t he ac t iv e/aud i ble c han ne l f or an au dio c lip.
Mi x cra ft 6 Us e r Ma n ua l 18 0 © 20 12 A c ous ti c a, In c Lin k S elect ed Clips U nlink S elec t ed Clips I f a c l ip i s li nked, it will hav e a l ink bu tt on on it s t it le ba r : C lic k it t o ea s ily un link a li nked c l ip.
M ix c ra f t R efer en c e - M enu s & Too lb ar 18 1 © 20 12 A c ous ti c a, In c C ho ose t he c olor of t he ba c k gro und w he n t he re are n' t an y v i de o or i mage c lips . Sh ow / Hide V i de o W i nd ow T his will s ho w or hide t he v ide o play ba c k wind ow.
Mi x cra ft 6 Us e r Ma n ua l 18 2 © 20 12 A c ous ti c a, In c Z ooms in or out s o t ha t t he en ti re pro ject i s v i s ible on t he s c r ee n.
M ix c ra f t R efer en c e - M enu s & Too lb ar 18 3 © 20 12 A c ous ti c a, In c Z oom in f or a c los er v iew. Z o om Out Z oom ou t t o v i ew m or e t ime. Pre fe re nce s Bring s up t he P r ef er enc e dialo g. B uy or Re gi s te r M i x cra ft Purchase Mi x c ra f t and en ter y our reg is t ra ti on inf or mati on .
Mi x cra ft 6 Us e r Ma n ua l 18 4 © 20 12 A c ous ti c a, In c C T R L + arr ow ke y s m ov es +/ - 20 m i l l i s ec onds. C tr l + Sh i f t + arr ow k eys m ov e + /- 1 m i l li s ec ond . U p/dow n arr ow ke y s m ov e the s el ected c l i ps to a di f f er ent trac k.
M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 185 © 20 12 A c ous ti c a, In c Snap A dj ust m ent s (T he s e s hor t c uts will not wo r k pr op er ly if t he M usi c al T y ping Key boa r d is v is ible. T he k ey s t ro k es m ay be us ed by t he M us ic al T y ping K ey bo ar d.
Mi x cra ft 6 Us e r Ma n ua l 18 6 © 20 12 A c ous ti c a, In c Move N ote But Ke e p Of f s e t Sh i ft + Dra g Sele c t i ng C l i ps Se l e ct All C tr l + A Se l e ct All On Tra ck C tr l + S hi.
M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 187 © 20 12 A c ous ti c a, In c Zo om i ng/Scro l li ng Z o om To P roj e ct 0 Z o om I n - Z o om Out + Z o om Mous e w he e l Scrol l Horiz o.
Mi x cra ft 6 Us e r Ma n ua l 18 8 © 20 12 A c ous ti c a, In c B oos t Cli p 5% A l t+Ct rl + W R e duce Cli p 5% A l t+Ct rl + S B oos t Cli p 25% A l t+Ct rl + E R e duce Cli p 25% A l t+Ct rl + .
M ix c ra f t R efer en c e - M us ic al Typ ing K ey b oa rd (M TK ) 189 © 20 12 A c ous ti c a, In c K e yboa rd s ho rt cut : Ctrl + A lt + K Pl aying A nd Rec o r di ng N o te s T he M T K s pa n s 17 no t es or 1.5 oct av es wh ic h c an be play ed v ia t he c ompu ter' s k eyboa r d.
Mi x cra ft 6 Us e r Ma n ua l 19 0 © 20 12 A c ous ti c a, In c I -B e a m T his c ur s or s ho w s t ha t a s elec t ion c an be made on a s oun d. Pe n cil T his c ur s or s ho w s t ha t y ou c an dr aw new notes or c on troller data. Pl a y S ound T his c ur s or s ho w s t ha t y ou c an play a s oun d in t he s ou nd l ibr ar y .
M ix c ra f t R efer en c e - Cu rsor s 191 © 20 12 A c ous ti c a, In c Troubleshoot ing H er e ar e s ome answer s t o c ommon pro blems and i s s ues. Playing C a n't P lay Sou nd You' v e ad de d s oun ds, but y ou c an' t play an y t hing .
Mi x cra ft 6 Us e r Ma n ua l 19 2 © 20 12 A c ous ti c a, In c T his will rep ort how muc h C PU M ix c ra ft is us ing c ompa red t o t he en ti re c ompu ter' s CPU us ag e.
Tro u b les ho oting - P lay ing 193 © 20 12 A c ous ti c a, In c mos t lik ely . C lic k on t he s ou nd and t he n c li c k on t he S ou nd t ab an d adju s t t he s oun d t o be in Tim e St retc h B y m od e ins t ead of A djus t To P ro jec t Tempo .
Mi x cra ft 6 Us e r Ma n ua l 19 4 © 20 12 A c ous ti c a, In c Adjus t t he s oun d manu ally U pd ate y ou r s ou nd c ar d' s dr iv ers if po s s ible. C he c k t he s oun d c ar d' s we bsi t e. Ge t a new s oun d dev ic e. Get a more pro f es s iona l s oun d c ar d desi gn ed fo r r ecord ing m us ic , if po s s ible.
Tro u b les ho oting - Re c or din g 195 © 20 12 A c ous ti c a, In c M y rec or di ng s a r e t o o l o ud and a re distor t i ng! W hat d o I d o ? D is t ortion c an ru in a go od record i ng , an d t he w or s t pa r t is , once y ou' v e r ecord ed dis t orted au dio , t he r e' s no wa y t o f ix it .
Mi x cra ft 6 Us e r Ma n ua l 19 6 © 20 12 A c ous ti c a, In c I f t he v ideo fa i ls t o load , i t is becaus e y ou ar e mos t li k ely m is s i ng t he c or r ect Dir ect X v ide o c ode c . T he best adv ic e is t o do one of t he fo l low ing : I ns t all t he s of t wa r e t hat c ame wit h y our v ide o c amera .
Tro u b les ho oting - E f f ec t s & P lug- i ns 19 7 © 20 12 A c ous ti c a, In c H ow ev er , if y ou ' d lik e t o hea r t he ef f ec t s dur i ng record i ng , y ou ' ll nee d t o dis able t he s ou nd de v ic e' s monitor ing an d us e M ix c r af t ' s monitorin g s y s t em.
Mi x cra ft 6 Us e r Ma n ua l 19 8 © 20 12 A c ous ti c a, In c Shut dow n other pro gra ms and t empor arily s hut do w n y our v iru s c heck er dur i ng a bu rn . ( S hu tt i ng do w n y our v iru s c heck er s hou ld be don e at y our own ris k .
Tro u b les ho oting - V ideo 199 © 20 12 A c ous ti c a, In c V ideo V i deo Pl ayba c k Pr o bl e m s I f af t er l oa din g y our v ideo , M ix c ra ft do es one of t he fo l low ing : Mix c ra f .
Mi x cra ft 6 Us e r Ma n ua l 20 0 © 20 12 A c ous ti c a, In c Mak e s ure t hat y ou are c on ne c t ed t o t he I nt er n et. T ry l au nching y our I nter ne t bro w s er and go ing t o a new s ar t i c le or web s it e t hat y ou hav en ' t bee n t o.
Tro u b les ho oting - Co ntro l S ur f ac es 201 © 20 12 A c ous ti c a, In c M i xcra ft rec o gni zes som e knob s or butt o ns on m y control l er, bu t wo n't r es po nd to othe r kn ob s or butt on s.
Mi x cra ft 6 Us e r Ma n ua l 20 2 © 20 12 A c ous ti c a, In c M ixcraft Pro St udio M i x cra f t Pro Stud i o 6 gi v e s prof e ss i o nal a udi o e ngi ne e rs the tool s the y ne e d to mi x a nd ma ste r c omme rcial - q ual i ty musi c w i th ease .
M ix c ra f t Pro S t ud io - E f f ec t s 20 3 © 20 12 A c ous ti c a, In c Eff ect s I n ad dition t o t he 25 ef f ect s inc lude d with Mix c ra f t , Mi x c raf t P ro S t ud io als o inc lude s.
Mi x cra ft 6 Us e r Ma n ua l 20 4 © 20 12 A c ous ti c a, In c T his i ntense de lay ef fe c t go es f ar beyond t he lim it s of t ra diti on al dela y s .
M ix c ra f t Pro S t ud io - E f f ec t s 20 5 © 20 12 A c ous ti c a, In c T his pow erf ul m ast erin g t ools add s s we et high f re qu en c ies , an alo g c olor s , c ry s t al an d t ra nspar ent t ra ns ients , and bo ldn ess t o any m ix .
Mi x cra ft 6 Us e r Ma n ua l 20 6 © 20 12 A c ous ti c a, In c Perh ap s no c ompa ny i s be t t er k no w n f or c rea t i ng pr of es s i on al m ast erin g t oo ls t han iZ otope . F r om t he m ak er s of Oz on e, t he pr emi er e mas t er ing s uit e, c omes iZ otope M as t er i ng E s s en t ials .
M ix c ra f t Pro S t ud io - E f f ec t s 20 7 © 20 12 A c ous ti c a, In c Giv e y ou r t ra c k s 3D s pace, de pth, width, and atmos phe r e with t his po w er f ul s t er eo enh a ncer.
Mi x cra ft 6 Us e r Ma n ua l 20 8 © 20 12 A c ous ti c a, In c T her e ' s s omething ab ou t t he s ou nd of t ape -- and F er ox c aptur es t hat " s omet hing . " T he un ique s ou nd of au then t ic t ape his s , s atura ti on , an d c ompr ess ion giv es pe r s on alit y an d c l ass ic t one t o y our t ra c k s .
M ix c ra f t Pro S t ud io - E f f ec t s 20 9 © 20 12 A c ous ti c a, In c T he k ey t o a goo d mi x is pro pe r EQing, and t his gra ph i c par ametric equ aliz er i s one s er i ou s ly po w er f ul equ aliz ati on t ool.
Mi x cra ft 6 Us e r Ma n ua l 21 0 © 20 12 A c ous ti c a, In c Adds s ub t le ana log w ar m t h or f i er c e ov er driv en t ub e gr i t t o y our t rack s . T his v int ag e t ube pre a mp ad ds 196 0' s c har m an d c har act er t o v oc als , guitar, dr ums , an d more .
M ix c ra f t Pro S t ud io - I ns t ru ments 21 1 © 20 12 A c ous ti c a, In c An inc re dib ly re alis t ic emula t ion of t he Y amaha CS80™ ana l og s y nt he s iz er, amon g t he mos t po w er f ul and c ov eted an alog s y nthes iz er s ev er m ad e.
Mi x cra ft 6 Us e r Ma n ua l 21 2 © 20 12 A c ous ti c a, In c T his high qu alit y , aw ar d- w innin g gr an d pian o f eature s 25 0MB of S t einw ay Mode l D™ pian o s amples c ombine d with po w er f ul piano m od eling t ec hno log y .
M ix c ra f t Pro S t ud io - I ns t ru ments 21 3 © 20 12 A c ous ti c a, In c Glos sar y A SI O AS I O pro v ides an int er f ac e betwe en y ou r au dio ap plic ation and t he s ou nd c ar d, an d s t and s f or: A ud io St rea m I npu t / Outpu t .
Mi x cra ft 6 Us e r Ma n ua l 21 4 © 20 12 A c ous ti c a, In c T he deci be l (d B ) i s a l og ar i t hmic unit of re lati v e measur emen t us ed t o c ompa r e t he ra t i o of t he int en s it ies of t w o s i gn als. W hen an amplit ude dou bles, t he inc re ase c or r espon ds t o 6 dB.
Gloss ar y - 21 5 © 20 12 A c ous ti c a, In c Me tronom e A m etron ome is a de v ic e or s y s t em t hat pr od uces a reg ulat ed puls e, us ua lly used t o k ee p a bea t s t ead y in m usi c al c ompo s it i on s .
Mi x cra ft 6 Us e r Ma n ua l 21 6 © 20 12 A c ous ti c a, In c t o be c onf used with byt es ). Co mm on ex amples of bit dep th inc lude CD aud io, which is record ed at 16 bits , an d DVD -Aud io wh ic h c an s upp ort up t o 24- bit aud i o.
Gloss ar y - 21 7 © 20 12 A c ous ti c a, In c Vi rtua l S t ud io T ec hn olog y an d it s ac ro nym V S T ref er t o an i nter f ac e s t an d ar d f or c onn ect i ng aud io s y nt he s iz er an d ef f ect plug ins t o aud io editor s and har d- dis k record i ng s y s t ems .
Mi x cra ft 6 Us e r Ma n ua l 21 8 © 20 12 A c ous ti c a, In c CH ANGE LI ST Ve rs i on 6 Cha nge s N ew i nter f ac e & ar t w or k Ov er 6, 00 0 loop s in v er s ion 6! ! ! Major i mpr ov eme.
C ha ng e Lis t - 219 © 20 12 A c ous ti c a, In c N ew A LT dra g t o m ake a quic k c opy of a c li p N ew + 1 loop er bu t t on on c lips I m pr ov ed s upp or t f or fa ult y V S T s Lo w er CPU us ag e Bet t er har d dr iv e util iz at ion R ecord dire c t ly t o OGG m od e.
Mi x cra ft 6 Us e r Ma n ua l 22 0 © 20 12 A c ous ti c a, In c About A cous t ica Ac ou s t ic a wa s f oun de d in 19 9 8 and i s loc ated in t he f oothills of t he Yos emit e Valley . A c oust i c a' s mis s ion is t o c rea te high qua lit y , intuit iv e and pow erf ul s of twar e.
Fou nd ed i n 199 8 an d loc ated i n t he f oothills of t he Yos emit e V alley, Ac ou s t ic a’s m is s ion is t o c rea t e high qua lit y , intuit iv e, and pow erf ul s of t wa r e at af f or dab le pric es.
An important point after buying a device Acoustica Mixcraft 6 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Acoustica Mixcraft 6 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Acoustica Mixcraft 6 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Acoustica Mixcraft 6 you will learn all the available features of the product, as well as information on its operation. The information that you get Acoustica Mixcraft 6 will certainly help you make a decision on the purchase.
If you already are a holder of Acoustica Mixcraft 6, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Acoustica Mixcraft 6.
However, one of the most important roles played by the user manual is to help in solving problems with Acoustica Mixcraft 6. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Acoustica Mixcraft 6 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
