Instruction/ maintenance manual of the product Auto-Tune 7 Antares
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O w n e r ’ s M a n u a l A u t o - T u n e ® 7 Wo r l d S ta nd a rd Pr ofe s s io n a l Pitc h a n d Ti me Cor re cti o n.
©20 1 1 An ta re s A ud io T ec hn ol ogi es . Al l ri gh t s re s erv ed . Cert ifi ed I si ng la ss-f r ee . ™ Au t o - T un e ® , An ta r es ® , A V O X ® an d Ha rmo n y E ngi n e ® ar e r eg is t er ed tr ade ma rk s o f An ta re s A ud io T ech n ol ogi es .
Th e O b l i g at o ry L e g a l M u m b o -J u m b o Th e An ta re s ® Au to- T un e ® 7 so ftw ar e a nd t hi s U se r’ s M an ua l ar e p r ot e ct ed b y c op yri gh t la w .
T er m o f th e A g re em e nt Th is a gr e em en t i s e ff ect iv e u n ti l t er mi na t ed b y yo u o r An ta re s. Y ou m ay t e rm in at e t h e ag r ee me nt at a n y t im e by no ti fyi ng Ant.
C o n t e n t s Ch apte r 1 Ge t ti ng Started What’ s New i n Auto- T une 7 3 Instal li ng a nd Authorizi ng 6 T e chn ical Support 6 Ch apte r 2 In trodu ci ng Aut o- T une 7 Some background 7 So .
vi T u toria l 8 : Make Curve Functi on 69 T u toria l 9: Import Auto Function 70 T u toria l 1 0: Make Notes Functi on 72 T u toria l 1 1 : Ti me: Error Correction 7 4 T u toria l 1 2: Ti me: Creativ.
1 W e l c o m e ! On beh alf o f e v eryon e a t Antar es ® A udio T ech nol ogie s, we ’d lik e t o off er bot h our th ank s and con gra tul ati ons on y our de cis ion t o p ur chas e Aut o - T une ® 7 , the la te st (a nd ind isp utabl y g re at est) ge ner ati on of th e wor ldwid e s tan dard i n p ro fe ssi ona l pi tch co rre ctio n.
2.
3 C h a p t e r 1 : G e t t i n g S t a r t e d Au t o - T un e 7 , wi t h it s ne w- fr om-t he-gr ou nd-up ti me m an ip u la ti on c apa bi li t ie s, r ep re s en ts t h e mo st s u bs ta nt ia l a dva nc em en t i n f un ct io na li ty s in ce A ut o- T un e ’ s or ig in al in t ro du ct io n in 1 997 .
4 W h a t’ s n e w i n A u t o - T u n e 7 Th e f ol lo wi ng ar e t he k ey n e w f ea tu r es t ha t ha v e be en add ed in A ut o- T un e 7 : T he s ec o nd g en e ra t io n o f E v o ™ V o ic .
5 H o w t o u s e t h i s m a n u a l If th is is y o ur fi rs t e xp er ie nc e of Au to- T un e, y o u wi l l fin d th at Au to- T un e 7 ha s a v e ry fr ie nd ly us e r-i n te rf ace an d is ext r aor d in ar il y ea sy to us e .
6 I n st a l l i n g A u t o - T u n e 7 An y u ni qu e in s tr uct i on s f or i ns ta l li ng A ut o- T un e 7 f or yo ur spe ci fic h os t or pl ug-in f orm at a r e lo ca te d i n th e A ut o- T un e 7 R ead Me fi le t ha t ac co mpa n ie s th e p lu g- in .
7 C h a p t e r 2 : I n t r o d u c i n g A u t o - T u n e 7 S o m e b a c k g r o u n d In 1 997 , An ta r es A ud io T ec hn ol ogi e s fir st i n tr od uc ed t he gr ou nd-br ea ki n g Au t o - T un e Pi t ch Co rr e cti n g Pl ug-In .
8 m idd le . A s ym ph on y o rc he st r a pl ay in g a s cal e i n un is on , f or e xa mpl e , r es ul ts in a n e xt re me ly co mp le x w a ve f or m, y e t y ou a r e s ti ll abl e t o ea si ly se ns e t he p it c h.
9 H o w A ut o - T u n e 7 d et e c t s p it c h In or de r f or A ut o- T un e 7 t o a u to ma ti ca ll y co rr ec t pi t ch , it mu st fi rs t d et e ct t he p it c h o f th e i np ut so un d. Cal cu la ti ng th e pi t ch o f a p er io di c wa v e fo rm is a s t ra ig htf o rwa rd p r oce ss .
10 A u t o m a t i c M o d e Au t o - T un e 7’ s Au t om at ic Mod e wo rk s b y co n ti nu ou sl y t ra cki n g th e p it ch o f a n i np ut so un d a nd c om pa ri ng i t t o a u se r - de fin ed sc al e. The sca le to ne clo s es t t o th e i np ut i s co nt in u ou sl y id en t ifie d.
11 R et u ne S p ee d Au t o - T un e 7 a l so g iv es yo u co n tr ol ov e r ho w ra pi dl y , i n t im e , th e p it ch adj u st me nt is m ad e t ow a rd t he sca le to n e. T hi s is se t w it h th e Re t un e Sp ee d co n tr ol ( s ee C ha pt e r 3 f or mo re de ta i ls ) .
12 G r a p h i c a l M o d e Th e Gr ap hi ca l Mod e i s si m il ar t o t he Au to ma ti c Mo de i n t ha t it al so c on ti n uo us ly t ra ck s t he pi t ch o f t he in co mi ng s ou nd an d mo difi es t h e ou tp ut pi tc h t o be clo s er t o a des i re d p it ch .
13 Th e ho ri z on ta l g ri d li ne s ( or Lan es , wh en Sho w Lan e s in se le ct ed ) r epr e se n t sc al e pi t ch es . Th e k e y an n ot at io n, s ca le n am e , an d s cal e d et un e va l ue a r e th os e d efi ne d by th e co mm on a r ea co n tr ol s a t th e t op of t h e in t erf ac e.
14 le t s y ou u se Ant ar e s’ un iq ue th ro at mod el in g t ec hn ol ogy t o m od ify a vo ic e ’ s c ha ra ct er b y pa ss in g i t th r ou gh a pr ec is e ph y si ca l mo de l of th e h um an vo cal tr act .
15 Mo v e Po i nt to ol , y ou fi rs t se l ect a ra ng e o f au di o an d t he n s el ect th e r eg io n wi th in th at s e le cti on th a t yo u w an t t o m ov e a nd mo ve it f o rwa rd o r ba ck i n t im e , ag ai n co mp r es si ng a nd ex pa nd in g th e a ud io ar ou nd it .
16.
17 C h a p t e r 3 : A u t o - T u n e 7 C o n t r o l s C o n t i n u o u s C o n t r o l s Au t o - T un e 7’ s co n ti nu ou s co n tr ol s a r e r ep re s en t ed g ra ph ica l ly a s vi rtu al kno bs . De pe nd in g on yo ur pr e fe r en ce , y ou c an c on t ro l kn ob s b y ve rti ca l, ho ri zo n ta l or r ad ia l m ou se mo v em en t .
18 If , on th e o th er h an d, yo ur s i gn al i s n oi sy o r n ot w el l-is ola t ed ( a s mi gh t b e mo r e co mm on i n a l iv e pe rf orm an ce si tu at io n ) or y o u ar e d ea li ng wi th a .
19 S ca le D et u ne Th e De t un e pa ra me t er a ll ow s y ou t o ch an ge t h e pi t ch s ta nd ar d o f Au t o - T un e 7 f r om t he de fa u lt A = 440Hz . Th e v al ue is s e t in ce nt s ( 1 00 ce n ts = 1 se mi t on e) . The ra ng e of ad ju st me n t i s fr om - 1 00 t o + 1 00 c en ts .
20 Th e Th ro at Le ngt h co n tr ol le ts yo u mo di fy th e l en gt h o f th e m ode le d th r oa t. T he r an ge o f th e c on tr o l is 50 to 1 80. V al ue s ab ov e 1 0 0 r ep re s en t a l en gt he ni ng of th e th r oa t wh il e va l ue s be lo w 1 0 0 r ep re s en t a s ho rt en in g o f th e th r oa t.
21 Op t io n s Cl i cki n g th e Op t io ns b utt o n wi ll br in g u p a wi nd o w co nt ai ni n g a n um be r of se tt in gs t ha t f al l i nt o th e “ se t a nd fo r ge t” cat e go r y .
22 US E CUST OM C URS ORS C li ck t h e ch ec k bo x t o u se C us t om C ur so rs i n G ra ph ica l Mo de . No rma l ly , Au t o - T un e 7 d is pl ay s d iff e re n t cu rs or s hap es in t he Pi tc h Gr ap h Di sp la y t o h el p y ou s el ect ra nge s a nd g ra b a nd d ra g ob je ct s (e .
23 E di t F u nct i o ns Cl ea r Al l Un do Re do Se le ct Al l Cu t Co py Pa st e T im e C on tr o l Un do Tim e Ch an ge Re do T im e Ch an ge Cl ea r Al l Ti me C ha ng es C on tr o l T og g le s S.
24 B yp as s Au t o - T un e 7 d oe s no t i nc l ude a de di cat e d By pa ss c on tr o l as t ha t f un ct io n i s typi ca ll y pr o vi de d by th e ho st app l ica ti on ’ s pl ug-i n i nt e rfa ce .
25 N at ur a l V ib ra t o Th e Na tu ra l Vib ra t o f un ct io n a ll ow s r ea l-ti me mo difi ca ti on ( ei th er i ncr e as e or dec r ea se ) o f t he d ep th of a n y vi br at o p r es en t i n t he i np ut au di o wh il e pr e se rvi ng t he or ig in al s ha pe a nd ch ar act e r o f th e v ib ra t o.
26 T h e E d i t S c a l e D i s p l a y Th e E di t Sca le D is pl ay is u se d t o cr e at e c us t om sc al es o r t o m odi fy a ny of t h e pr e se t s cal es s el ect e d in th e Sca le pop up . E di ts m ad e us i ng th i s di sp la y a re as so cia t ed w it h e ach sca le .
27 2. If a p erf o rma nc e co n ta in s on ly a si ng le er r or , y ou c an s e t al l n ot e s t o By pa ss e x ce pt t he on e “ so ur ” no t e . Au t o - T un e 7 w il l t he n pa ss t he en t ir e pe rf or ma nce th r ou gh u n pr oc es sed e xc ep t f or th e so ur no t e , wh ic h wi l l be c or r ect e d.
28 T h e Vi rt u a l K e y b o a r d Th e Vi rtua l K e ybo ar d di sp la y s Au t o - T un e 7’ s pi t ch d e te ct io n ra ng e a nd a ct s as a re al- ti me di sp la y o f t he c ur r en tl y de .
29 S am p le R a te D i sp la y Th is d i spl ay in di ca te s t he sa mp le r a te of t h e cu rr e nt a udi o fi le a s r ep ort ed t o Au t o - T un e 7 b y t he ho st ap pl ic at io n. NO TE : Au t o- T un e 7 i s hi gh s am pl e r a t e co mpa t i bl e.
30 A u t o m a t i c M o d e M I D I F u n c t i o n s Au t o - T un e 7 p r ov id es tw o f un ct io ns th at r eq ui r e it t o re ce iv e MI DI d at a fr o m th e h os t ap pl ic at io n.
31 Wh en y o u ha v e pl ay e d th e e nt ir e m el od y , p r es s th e L ea rn Sc al e F ro m MI DI b utt o n ag ai n t o e nd th e p ro ce ss . Th e E dit Sca le D is pl ay wi ll n o w co n tai n a s ca le c on ta i ni ng o n ly t ho se n o te s t ha t ap pe ar ed i n y o ur m el ody .
32 C r e a t e Vi b r a t o F u n c t i o n s Th e co nt r ol s i n th i s se ct io n ar e d es ig ne d t o a dd a s yn th es i z ed v ib ra to to th e i np ut .
33 no ne t o th e f ul l a mo un ts s e t i n th e v ar io us Am ou nt p ar am e te rs - f or a to ta l o f 1 . 75 se con ds f ro m th e b eg in ni ng of th e no t e t o t he t i me f ul l vi br at o d ep th wa s r ea ch ed. P it c h Am o un t Se ts th e am ou n t th a t th e p it ch c ha ng es .
34 T h e P i t c h C h a n g e M e t e r T he P i tc h C ha n ge A m ou n t In d ic at o r Th e Pi t ch C ha ng e In di ca to r s ho ws yo u ho w m uch th e pi t ch i s b ei ng c ha ng ed, me as ur e d in ce n ts ( 1 0 0 c en ts = on e s em it o ne ) .
35 G r a p h i c a l M o d e C o n t r o l s Th e C l o c k Co nt ro l s S yn c t o h os t tr a ns po rt ( ho st d ep en d en t ) If yo ur ho st p r ov id es v al i d ti me in f or ma ti on , on ce yo.
36 NO TE : As t h e v ar i ou s ho s t de v el op er s ar e co ns t a nt l y u pda t i ng t h ei r ap pl ica t i on s ’ f u nc t io na li t y , i t m a y be n ece ss ar y t o up da t e t o t he la t es t v e r si on o f y ou r h os t t o u se H os t C lo ck Mo de .
37 Ne xt, st art p la yba ck of t h e au di o. A gr ap hi c r ep re s en ta ti on o f t he pi tc h a nd i ts a m pl it ud e en v e lop e wi l l be d ra wn to th e di sp la y a s th e a udi o p la ys . Wh en a l l of th e a udi o y ou wa nt t o co rr ec t ha s p la ye d, s t op p la yb ac k.
38 an d a ss ig ne d a c us t om R e t un e Spe ed to ea ch on e . T hi s i s an in cr edi bl y po w er f ul cap abi l it y f or in s ur i ng t h at y ou r co r r ec t io ns ar e as n a t ur a l an d s eam l es s as pos si bl e .
39 Co mb in ed w it h Au t o - T u ne 7’ s f or ma nt co rr ec ti on an d th r oa t mo de li ng c apa bi l it ie s, i t pr o vi de s an ea sy , i nt ui t iv e me t ho d of mod ify in g th e p it ch of in di vid ua l n ot e s or ph ra se s.
40 a s pec ifi c pe rfo rm an ce . Th e Nu mb er o f N ot e Ob je cts co nt r ol l e ts y ou giv e A ut o- T un e 7 s om e gu i dan ce i n m ak in g t he se d ec is io ns . NO TE : T hi s f u nc t ion is o nl y a v ai la bl e w he n so me tr ack ed a ud io h as b ee n s el ec t ed w i t h t he I-Be am to ol .
41 R et u ne S p ee d Th e Re t un e Sp ee d s ett in g i s us ed on ly du ri ng t he pi t ch c or re ct io n pr o ces s. It’ s s im il ar i n fu nc ti on but s epa ra t e fr o m th e R et u ne S pe ed c on tr o l in Au t om at ic Mod e.
42 co n ta in i ng b ot h v i br a t o an d i n te nd ed pi t ch ch an ge a nd th e A dj us t V ib r a to f un ct i on w i ll sc al e t h e vi br at o w h il e le a vi ng th e i n te nd ed pi t ch cha ng es al on e. Bu t a gai n, de pen di ng on th e a ct u al p er f or m an ce , so me t i me s t hi s w il l w or k b e tt e r t ha n o t he r s.
43 S ho w MI DI Wh en t he Sh ow MI DI b utt o n is bl ue , a n y MI DI da ta th a t ha s pr e vi ou sl y be en re co rd ed w il l be di spl a ye d as re d bo x e s on t he Pi tc h Gr ap h. Cl ic ki ng t he Sh ow MI DI b utt o n wi ll to gg le i ts s ta t e.
44 T h e P i t c h a n d E n v e l o p e G r a p h D i s p l a y s T he P i tc h G ra p h Di sp la y Th e Pi t ch G ra ph d is pl ay s th e p it ch co nt o ur o f th e a ud io t o b e pr o ce ss ed a .
45 Cl i ck t he Sho w La ne s b utt o n t o t ogg le i ts sta t e . Th e bu tt on w il l t ur n bl u e wh en S ho w La ne s mo de i s o n (b ut o f c ou rs e wh en Sho w La ne s mo de i s o n, t he Pit c h Gr ap h is fu ll of Lan es , so it ’ s p re tty h ar d t o g et co nf us ed abo ut wh ic h mo de y o u’ re in ) .
46 A ll /T ie B u tt on s Th e E nv e lop e G rap h’ s ho ri z on ta l ( ti me ) s ca le i s co n tr ol le d b y th e “ Al l” an d “Ti e ” bu tto n s. Cl i cki n g th e Al l bu tt on cau se s t he e n v el ope gr ap h t o di sp la y a ll of t h e cu rr e nt ly t ra ck ed a udi o .
47 T h e G r a p h i c a l T o o l s Th e gr ap hi ca l t ool s a r e us ed i n c on ju nc ti on w it h th e e di t bu tt on s t o cr e at e o r mo di fy th e de s ir ed co rr ec ti on obj ec ts .
48 Th e Sn ap T o No t e mo de d oe s no t a ff ec t th e Cu rv e T ool . On ly o n e pi tc h c on t ou r ob je ct ( Li ne , Cu rv e, or No te ) c an e x is t a t an y t im e po in t o n t he Pi t ch G ra ph .
49 Th e e xt en t t o wh i ch y o u can dr ag s el ec te d ob je ct s is con s tr ai ne d b y th e po si t io n of n ei gh bor in g u ns el ec te d ob je ct s. Cl i cki n g on t h e ba ck g ro un d o f th e P it ch G ra ph de se l ect s a ll s el ec t ed o bj ect s.
50 de si r e d ce n t r al p i tc h, ju st gr a b t he a pp r op r ia t e en d o f t h e fir s t o r la s t ce n t r al p i tc h No t e a nd dr ag i t o v er a ll of t he o t he r No t e s.
51 T h e E d i t B utt o n s On ce s om e a ud io h as bee n t ra ck e d an d/o r co rr ec ti on obj ec ts c r ea te d, t h ey c an b e a ffe ct ed or edi t ed i n v ar io us wa ys w it h t he E d it B utt o ns . Th e E di t Bu tt on s ar e c on t e xt s en si ti v e, i .
52 • Cl i ck t he Pa st e b utt on (t he c u rso r w il l t ur n i nt o t he Pa st e c ur so r) . • Pr e ss a nd h ol d y ou r l eft (o r on ly ) mo us e bu tt on . A g ra ph ic r e pr es e nt at io n o f th e ob je ct (s ) t o b e pa st ed wi ll app ea r .
53 T i m e S h i ft i n g O v e rv i e w As m en t io ne d ba ck i n C hap t er 2, i n o rd er t o d o it s t im e s hi fti ng ma gi c, A ut o - T un e 7 m us t fir st cr e at e a c op y o f an y a ud io yo u wi s h t o ed it . As y ou mi gh t i ma gi ne , t he se au di o fil es can be qu it e l ar ge .
54 ca n ac co mpl i sh t h is i n m os t ca se s, b ut it’ s i mpo rta nt to k eep in m i nd t ha t i f y ou r se ss io n i s pa rti cu la rl y co mp le x, wit h m an y t ra ck s an d l ot s o f o t.
55 Th e P it c h G r a p h D i s p l a y In th e pr o ces s o f t im e s hi fti ng , th e a rti cu la ti on an d t ra ns ie n t pr o fil e of yo ur au di o is typi ca ll y mo r e r el ev a nt t ha n i ts p it c h co nt o ur .
56 T he C l ea r Al l B ut to n Cl i cki n g th e C lea r Al l b utt on cl ea rs a ll ti me e di ts f ro m th e t ra ck, es se nt i al ly r e st or in g t he t i mi ng o f th e o ri gi na l a udi o .
57 ANO T HE R NO TE : Y o u w il l fin d t ha t t he en v el ope di spl a y in th e P i t ch E di t Gr aph pr o v id es a us ef ul r ef er en ce f or s el ec t in g t he i n it i al r ang e a nd e x ac t l y t he r igh t po in t t o m o ve .
58 ( si ng le ) I-bea m a nd c li ck in g a nd d ra gg in g th e mo us e w il l s el ect a ne w r an ge . • Wh en ev e r th e c ur so r is ov e r an ar ea th at I S lo ca te d wi th i n an e xi st i.
59 • Ea ch i n sta nc e o f Au t o - T u ne 7 t ha t i s u se d f or t im e sh i fti ng w il l h av e i ts ow n da ta f o lde r . So if , f or e xam pl e , yo u h av e i ns ta nc es of A ut o- T un .
60 NO TE : Wh il e t h e “ Se t up F o lde r L o ca t ion … ” f un ct i on i s o nl y a v ai lab le be f o r e t r ac k in g a ny au dio , i f y o u in i t ia ll y t r a ck a udi o t o t h e de .
61 T o r en am e a d at a f ol der , si mp ly ty pe t he n e w na me in t h e f ol der na me fi el d a nd c li ck t h e Re na m e Fo lde r b utt o n. D el et e A ll D a ta Fi l es It is i mp ort an t.
62 S et up F o l de r Lo ca t i on … If th e w or st h as h ap pe ne d an d t he c or re ct d at a f ol de r ha s a ctu al ly be en p er ma ne nt ly d el e t ed, y ou w il l h av e t o r e-t ra ck y ou r a ud io a nd re ma k e an y p r ev io us edi ts .
63 C h a p t e r 4 : A u t o - T u n e 7 T u t o r i a l s Th is c ha pt e r i nt r od uce s y ou to ho w Au t o - T un e 7 w o rk s by gu id in g y ou t h ro ug h a n um be r of br ie f t ut or ia ls . Th es e t ut or ia ls ma k e us e o f a n um be r o f a udi o a nd M ID I fil es .
64 pi t ch c ha ng es . Th is p ar am e te r c on tr o ls h o w ra pi dl y th e p it ch cor r ect i on i s ap pl ie d t o t he i nco mi n g pi t ch . The un it s ar e m i ll is ec on ds .
65 6. St op pla yb ac k an d c li ck t he T ra ck P it ch bu tt on a ga in to st op th e tr ac ki ng fu nc ti on . 7 . Cl ic k t he I mp ort A ut o b utt o n.
66 as th e s cal e de v el op s on Au to- T un e 7’ s vi rtu al k ey boa r d an d i n th e Sc al e Ed it wi nd ow . As e ac h no t e i s s un g, i t is add ed t o t he s ca le u n ti l th e s ca le i nc lu de s e ve ry no t e t ha t ap pe ar s in th e me lo dy .
67 T ut o r i a l 6 : G r a p h i c a l M o d e B a s i c s Th is t u to ri al wi ll i n tr od uc e y ou t o t h e ba si c Gr ap hi ca l Mod e f un ct io ns , ag ai n u si ng t h e “ A 2- A3 -A 2 s we ep ” fil e f ro m T ut or ia l 1 . Be gi n t he t u to ri al by d oi ng t h e f ol lo wi ng : 1 .
68 No w t ha t w e ha v e so me cor r ect i on o bj ect s o n th e P it ch Gra ph Dis pl ay , th is wo ul d be a goo d t im e t o be co me f am i li ar w it h t he f u nct io ns of th e Ar ro w a nd Sci ss or s T oo ls .
69 T ut o r i a l 8: M a k e C u rv e F u n c ti o n Th is t u to ri al wi ll i n tr od uc e y ou t o t h e Ma k e Cu rv e fu nc ti on . Th e Ma k e Cu rv e fu nc ti on giv e s y ou p r eci s e co nt r ol o v er pi tc h ac cu ra cy a nd i nfle ct io n.
70 2. Mak e su r e Sn ap T o No t e i s en ga ged an d us e t he Lin e T ool to dr aw a ho ri z on ta l li n e at C3 as sh ow n be lo w: 3. Se t th e R et u ne S pee d t o 20 an d pl ay bac k th e s ou nd .
71 7 . Us e t he I-Be am T ool to dr ag a s e lec ti on in th e P it ch or E n ve lo pe G ra ph a s s ho wn : 8. Cl ic k th e I mp ort A ut o b utt on .
72 T ut o r i a l 1 0: M a k e N o t e s F u n c ti o n Th is t u to ri al wi ll h e lp y ou bec om e f am il ia r w it h Au t o - T un e 7’ s n ew N ot e s co rr ec ti on obj ec ts an d h ow th ey ar e u se d f or p it c h co rr ec ti on a nd s el ect iv e p it c h sh if ti ng .
73 Cl i ck o n th e n ot e a n d dr ag i t up two s em it on e s t o A3. P la y th e fi le a nd l i st e n t o th e m el od ic c ha ng e. 1 2. Se le ct t he Sci ss or s t ool an d cl ic k o n th e A3 no t e a t ab ou t th e 8.3 se con d po i nt (a t th e pr o no un ced pi tc h pe ak ) t o cu t i t in t o tw o no t e s.
74 20 . The eas i es t so lu ti on , o f co u rs e, i s t o s el ec t th e r ig ht sca le . C ha ng e th e K e y an d Sca le f ro m G C hr om at i c t o G Ma jo r . Cl ic k Ma k e No t es a ga in . Se t t h e Nu mbe r o f No t e Ob je cts t o 20. V oi là .
75 1 . Adj u st t he zo om a nd sc ro ll con t r ol s t o f ocu s on ba rs 3 t h ro ug h 5. P la y t he t ra ck an d no t e th a t th e e nd o f t he s ec on d ph r as e (t he en d o f th e w or d “ i ll us io n ), is s u sta i ne d t oo l on g.
76 Li st e n t o th e t ra ck t o b ec om e fa m il ia r wi th it . W e ’ r e go i ng t o u se th e Mo v e Re gi on t o ol t o mo v e t he s ec on d no t e o f t he p att e rn a nd ch an ge t h e f ee l o f th e ba ss li ne .
77 C h a p t e r 5 : T h e A u t o - T u n e V o c a l E f f e c t In ad dit i on t o i ts a do pt io n a s th e w or ld wid e s ta nda r d in pr o f es si on al pi tc h co rr ec ti on , Au t o - T un e h as a l so g ai ne d r en ow n a s th e t oo l o f ch oi ce f o r wh at ha s be co me o ne of t h e si gn at u re vo cal so un ds o f ou r t im e.
78 3. T rac k y ou r a ud io . 4. Cl ic k th e Ma k e No t e s bu tt on . If ne ce ssa ry , ad ju s t th e Nu mb er of N ot e O bj ec ts c on tr o l t o ge t a s a ccu ra t e a r ep r es en ta t io n o f th e de si r ed t ar ge t n o te s a s po ss ib le .
79 C h a p t e r 6 : T h e A u t o - T u n e 7 S c a l e s Th e f ol lo wi ng ar e b ri ef de scr ip t io ns o f t he sc al es a v ai la bl e i n Au t o - T un e 7 : M o d e r n E q u a l T e m p e r .
80 C o n t e m p o r a ry T u n i n g s E qu al t e mpe r ed s ca le s wi th a la rg e n um be r o f t on es a r e typ ica l ly u se d t o pl ay com mo n t on al h ar mo n y wi th g r ea te r p ur ity o f i n te rva ls an d c ho rd s.
81 I n d e x A Adjust V ibrato 4 1 All/ Tie Buttons 46 Amplitude Amount 33 Antares Audio T echnologies i i, 1 Antares Online Comm unit y 6 Arrow T ool 48 Authoriz ing Aut o - T une 7 6 Automa tic Mode.
82 E Edit Buttons 51 Clear All Button 5 1 Cut And Copy Buttons 51 Nudge Buttons 52 Paste Button 51 Redo Button 5 1 Select All B ut ton 5 1 Snap T o Not e Button 51 Undo Bu t ton 51 Edit Functions 23 E.
83 MIDI Function s 30, 42 Instance ID 30 Learn Scale F rom MIDI 3 0 Make Notes From MI DI 43 Octave As Played/A ll Octav es 3 1 Recording MIDI Inf ormation 4 2 Show MI DI 43 T arge t Not es Via MIDI 3.
84 Scale Selection 1 8 Scissors T ool 50 Selectable Clock Source 35 Select All B ut ton 5 1 Select Pit ch Ref erence 18 serial number 1 Set All 27 Set Major / Set Mi nor 27 Setup Folder Location… 62.
An important point after buying a device Antares Auto-Tune 7 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Antares Auto-Tune 7 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Antares Auto-Tune 7 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Antares Auto-Tune 7 you will learn all the available features of the product, as well as information on its operation. The information that you get Antares Auto-Tune 7 will certainly help you make a decision on the purchase.
If you already are a holder of Antares Auto-Tune 7, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Antares Auto-Tune 7.
However, one of the most important roles played by the user manual is to help in solving problems with Antares Auto-Tune 7. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Antares Auto-Tune 7 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
