Instruction/ maintenance manual of the product 16 Nady Systems
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D D i i g g i i C C o o m m p p 1 1 6 6 18-bit Digital Compressor OWNER’S MANUAL NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET , EMER YVILLE, CA 94608 T el: 510.652.2411 • Fax: 510.652.5075 • www .nady .com SERVICE FOR YOUR NADY AUDIO PRODUCT (U.
19 Specifications ELECTRICAL Frequency Response .................................................................................. 2dB from 20 Hz to 20 KHz Signal-to-Noise Ratio (process) ..............................................................>82dB linear , 20 Hz - 20 KHz Distortion.
18 Block Diagram 3 W arning ..................................................................4 Installation Inspection ................................................................5 Desktop Use .....................................................
17 AGC EXP SPEED CMP SPEED EXP THR CMP THR THR HOLD EXP RA TIO (dB/s) (dB/s) (dB) (dB) (dB) (In:Out) AGC 1 3.5 23 -61 -26 -44 1:2 AGC 2 3.5 19.5 -34 -29 -32 1:2 AGC 3 3.5 19.5 -42 -26 -38 1:2 AGC 4 4 24 -34 -29 -31 1:2 AGC 5 3.2 24 -44 -29 -31 1:2 AGC 6 3.
16 This type of dynamic process is very useful for the dynamic control of instruments or “ single ” sounds. Mono 2 Band + 5 Bands EQ Compressor Presets There are 8 presets available using the abov.
15 brilliance. It is well suited for processing dynamic and brilliant recordings, increasing their "punch". 6) Kick Drum: In this preset, mid-low range is emphasized, while high and mid frequencies are slightly attenuated. This special preset is extremely well suited for drum recordings.
14 This technique helps avoid the common "pumping" effect which often arises when applying a dynamic process to a sound signal. Once the input signal is split into 2 "sub-bands", t.
13 Dynamic Compression Process As the name implies, compression reduces the dynamic range of a signal. It is used extensively in audio recording, production work, noise reduction, and live performance applications, and needs to be used with care.
12 Stereo AGC The DigiComp 16’s dynamic process algorithm also includes a stereo Automatic Gain Control (AGC) "block" that, if used, is able to maintain almost stable the mean amplitude of.
11 Insert jacks on the back of a mixer provide a way of "inserting" external processing equipment into the signal path. The insert occurs after the input amplifier , and before the channel fader; essentially it is the same as connecting the source (instrument or mic) into the DigiComp 16 before the mixer's channel input.
An important point after buying a device Nady Systems 16 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Nady Systems 16 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Nady Systems 16 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Nady Systems 16 you will learn all the available features of the product, as well as information on its operation. The information that you get Nady Systems 16 will certainly help you make a decision on the purchase.
If you already are a holder of Nady Systems 16, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Nady Systems 16.
However, one of the most important roles played by the user manual is to help in solving problems with Nady Systems 16. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Nady Systems 16 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
