Instruction/ maintenance manual of the product Ultramatch Pro SRC2496 Behringer
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U ser Manual UL TR AM A T CH PRO S RC2 496 A ud i oph i le 2 4 -Bi t/96 kHz A/D -D / A & Sa mpl e Ra te C on v er t er.
2 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual T able of C on tents Important Safet y Instructions ...................................... 3 Legal Disclaimer ............................................................. 3 Limited warranty ............
3 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual Impor tant Safety Instructions LEGAL DISCLAIMER LIMITED W ARR ANTY T erminals marked with this symbol carry electrical current of su cient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed.
4 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual 1. Introduc tion The BEHRINGER UL TR AMA TCH PRO is a fully dig ital signal proce ssor integrat ing 2 4 -bit A /D and D /A converter s.
5 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual 2 .1.1 Monitor and input sections (4) (5) (7) (9) (11) (13) (15) (16) (8) (10) (12) (14) (19) (18) (21) (20) (23) (25) (22) (24) (26) (27) (28) (17) (6) Fig.
6 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual (18) The S A MP LE R AT E s witch sele cts t he sampling rate to wh ich the input signal is to be conver ted or made available at t he output s. For this purp ose, theSRC24 9 6 must be se t to internal mode, i.
7 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual (29) (30) (31) (36) (37) (38) (32) (35) (33) (34) Fig. 2 .7 : Wor dcloc k conne cto r (30) T he BNC connec tor WORDCLO CK is a high-imp edance connec tor with no internal ter minating impedance (75 Ohms) .
8 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual DA T-Recorder BEHRINGER EURORACK UB2222FX-PRO Channel input Microphone BEHRINGER XM1800S Subgroup outputs Analog inputs/L+R UL TRAMA TCH PRO Digital input/Sound card Digital Audio Workstation Digital outputs Fig.
9 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual 3. 2 Sample rate con version No mat ter what ty pe of digital audi o signal you feed into th e UL TRAMAT CH PRO, it will conver t it to a common s tandard for mat.
10 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual So much for the theory. In practice, a lit EMPHASIS LED does not necessarily show that the emphasis function has really been applied. In several situations the emphasis bit was set during the mastering and editing process due to defective hardware/software—without any treble boost applied.
11 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual applic ation. Theref ore, programmer s continue to ex periment with t he most varie d of algorithms, end ing up , however , always having to make a comp romise bet ween comput ation eor ts and s ound qualit y .
12 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual ◊ When usi ng the XLR connec tor s in an unbala nced conf igurati on, pins 1 and 3 on th e connec tors in serted m ust be inter connec ted! shield signal ow sleeve tip mixing console subgroup output UL TRAMA TCH PRO analog input 1 2 3 Fig.
13 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual signal ow Wor d clock output device A Wor d clock input UL TRAMA TCH terminating resistor Fig. 5.6: U nbalan ced conn ect ion (ter minati on ) of th.
14 UL TRA MA TCH PRO S RC 2 4 9 6 U ser M an ual Analog Inputs T yp e XLR, balanced Input imp edance 20 kohms Converter 2 4 -bit /96 kHz 1 28/64 times oversampling delta-sigma AKM A /D converter Input.
15 UL T RAMA TC H PRO SRC2 496 U s er Man ual FEDERAL C OMMUNICA TIONS C OMM IS SIO N C OMPLI ANCE INF ORMA TI ON Responsible Par ty Name: MUSIC G roup Se rvice s US Inc. Address: 1 891 2 Nor th Cree k Parkway, Suite 2 00 Both ell, WA 980 1 1 , USA Phone/Fax No .
W e Hear Y ou.
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