Instruction/ maintenance manual of the product FLEX 416 ARRI
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Quiet, Bright and Light ARRIFLEX 416.
2 35 F ormat F ea tures in a Super 16 Camer a Continuous advances in lenses, lm stock and postpr oduction technologies hav e elevated the Super 16 lm f ormat to new lev els of image quality and production efciency .
3 ARRI | ARRIFLEX 416 Main F eatur es n 35-style Vie wnder · brighter , higher contrast, higher resolution · bigger exit pupil allows more e ye mov ement · multi-color RGB ARRIGL OW · acc.
4 I Can See Clearly Now T o capture the images you w ant, you hav e rst to see them clearly . So viewnder quality is crucial if an operator is to accurately app- raise images, especially with 16 mm.
5 ARRI | ARRIFLEX 416 The ARRIFLEX 416 cameras' optical vie w- nder uses a completely new optical design, resulting in signicantly higher contrast, higher resolution and a brighter image.
6 u Mirror Shutter A half-moon shaped mirror rotates in front of the lm gate at the camera speed. Half of the time the mirror cov ers the lm and the light from the taking lens is reected up into the viewnder . During that time, the lm is transported one frame further .
7 ARRI | ARRIFLEX 416 Advantages of Optical V iewnders Optical viewnder s, as used in all ARRI cameras, provide by f ar the most comfortable, accurate and efcient w ay to work when capturing images. Operators see a bright and sharp, full color image and are able to accurately judge focus.
8 RGB ARRIGL OW With the ne w RGB ARRIGLOW , you can choose any color y ou like. Set ev enly illuminated framelines in magenta when shooting green screen, red for jungle or yello w for blue skies. Y ou can, of course, also mix your o wn ARRIGL OW grey .
9 ARRI | ARRIFLEX 416 Mix Y our Own RGB ARRIGLOW Color n Use magenta for green screen n Red for jungle n Y ellow for blue skies n Mix your own gre y HDTV 1.
10 T he Sound of Silence The 416 cameras use a completely ne w sound insulation design that makes the 416 and 416 Plus as quiet as an ARRIC AM and allows the 416 Plus HS to record a very stable image ev en at higher frame rates. An inner skeleton is suspended by symme- trically positioned rubber insulators in an outer shell.
11 ARRI | ARRIFLEX 416 The magazine is driv en by an internal silent motor and uses the same insulating technique as the camera body , ensuring completely quiet operation.
QUIET BRIGHT & LIGHT.
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14 ARRIFLEX 416 Models ARRIFLEX 416 Super silent and equipped with basic electronics A RRIFLEX 416 Plus Super silent & exible with built -in accessory electronics and radio for wireless remote .
15 ARRI | ARRIFLEX 416 Compact, Lightweight and F ast One of the reasons cinematographers and producer s with demanding schedules choose to shoot Super 16 is the faster pr oduction pace afforded by smaller and lighter equipment. A Super 16 camera ts into any location, can be mounted to almost anything and can be quickly used on the shoulder .
16 PL Mount and Lenses The 416 cameras use the industry standard 54 mm stainless steel PL mount. T he stable backfocus aff orded by the PL mount and by the robust camera construction is a hallmark of all ARRI lm cameras.
17 ARRI | ARRIFLEX 416 The Ultra Primes: T2.8/8, T2.1/10, T2/12, T1.9/14, T1.9/16, T1.9/20, T1.9/24, T1.9/28, T1.9/32, T1.9/40, T1.9/50, T1.9/65, T1.9/85, T1.9/100, T1.9/135 and T1.9/180 mm The Ultra 16 lenses: 6, 8, 9.5, 12, 14, 18, 25, 35 and 50 mm, all T1.
18 Control and P ow er The simple to use contr ol panel on the 416 range should be familiar to any one who has ever w orked with a modern ARRI camera, since the 416 cameras hav e inherited the 235's control panel design and illuminated buttons.
19 ARRI | ARRIFLEX 416 The OBB-2 connects to the 416 cameras thr ough a new , but backwards-compatible pow er connector..
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21 ARRI | ARRIFLEX 416 T he 416 Camera System The ARRIFLEX 416 cameras are complemented b y a range of new and existing accessories that follo w the same design philosophy used in the creation of the 416 body and magazines: increasing efciency on the set.
22 T echnical Data ARRIFLEX 416 ARRIFLEX 416 Plus ARRIFLEX 416 Plus HS Fps 1-75 1-150 Speed can be varied while camera runs Ramps possible with Remote Control Unit RCU-1, W ireless Remote Control WRC-1, WRC-2 and Iris Contr ol Unit ICU-1 Shutter Manually adjustable to: 45, 90, 135, 144, 150, 172.
23 ARRI | ARRIFLEX 416.
Thi s AR RIFL E X 41 6 pr od uc t br oc hur e (K5. 40 4 59.0 ) is pu bli sh ed by A rn ol d & Ric hte r Cin e Techni k, A pr il 01, 200 8 © AR RI /20 0 8 Techni ca l dat a an d of fe rin gs ar e sub je ct to c ha nge w it hou t not ic e. A ll ri ght s re se r ved .
An important point after buying a device ARRI ARRIFLEX 416 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought ARRI ARRIFLEX 416 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data ARRI ARRIFLEX 416 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, ARRI ARRIFLEX 416 you will learn all the available features of the product, as well as information on its operation. The information that you get ARRI ARRIFLEX 416 will certainly help you make a decision on the purchase.
If you already are a holder of ARRI ARRIFLEX 416, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime ARRI ARRIFLEX 416.
However, one of the most important roles played by the user manual is to help in solving problems with ARRI ARRIFLEX 416. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device ARRI ARRIFLEX 416 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
