Instruction/ maintenance manual of the product DGX-300 Yamaha
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êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl © 2002 Yamaha Corporation Ç·-Ò‡ÈÚ ÍÎÛ·‡ β·ËÚÂÎÂÈ ÔÓÚ‡ÚË‚Ì˚ı ÒËÌÚÂÁ‡ÚÓÓ‚ Yamaha PK CLUB (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ): http://www.
2 PLEASE KEEP THIS MANUAL This product utilizes batteries or an e xternal power supply (adapter). DO NO T connect this product to any po wer supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Y amaha.
3 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approv ed by Y amaha may v oid your authority , granted b y the FCC, to use the product.
4 åÖêõ ÅÖáéèÄ ëçéëíà ÇçàåÄ íÖãúçé èêé óàí ÄâíÖ èÖêÖÑ ùä ëèãì Ä í ÄñàÖâ * ëÓı‡ÌËÚ ˝ ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓ ÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ.
5 ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÔÓÒΠÓÍÓ̘‡ÌËfl ‡·Ó Ú˚. èË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ.
6 èÓÁ‰‡‚ÎflÂÏ Ò ÔÓÍÛÔÍÓÈ ÒËÌÚÂÁ‡ÚÓ‡ Yamaha DGX-500/300 Portable Grand ™ ! Ç˚ ÒÚ‡ÎË ‚·‰ÂθˆÂÏ ÔÓÚ‡ÚË‚ÌÓ„Ó ÒËÌÚÂÁ.
7 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ............................ 8 ç‡ÒÚÓÈ͇ ............................................................... 10 • í·ӂ‡ÌËfl Í ˝ÎÂÍÚÓÔËÚ‡Ì˲........
8 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ q Ç˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl [STANDBY/ON] w ÑËÒÍ ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛ [MASTER VOLUME] ᇉ‡ÂÚ Ó·˘Û˛ „ÓÏÍÓÒÚ¸ ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300.
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ 9 !9 äÌÓÔ͇ [SYNC STOP] ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Sync Stop (ÒÚ. 43). @0 äÌÓÔ͇ [SYNC START] / [PAUSE] ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Sync Start (ÒÚ.
10 ç‡ÒÚÓÈ͇ ùÚÓÚ ‡Á‰ÂÎ ÒӉ ÊËÚ ËÌÙÓχˆË˛ Ó Ì‡ÒÚÓÈÍ ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300 ‰Îfl ÔÓË„˚‚‡ÌËfl. è‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ‚ÌËχÚÂθÌÓ ÔÓ ˜ËÚ‡ÈÚ ˝ÚÓÚ ‡Á‰ÂÎ.
ç‡ÒÚÓÈ͇ 11 ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÖÒÎË ÔÓ‰Íβ˜ÂÌ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ËÎË ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ·‡Ú‡ÂË, ÔÓÒÚÓ Ì‡ÊÏËÚ ‚˚Íβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ ÓÌ Á‡ÙËÍÒËÓ‚‡ÎÒfl ‚ ÔÓÁˈËË ON.
12 Live!Gnd 001 001 z w z q z ç‡ÊÏËÚ ÍÌÓÔÍÛ [PORTABLE GRAND]. x à„‡ÈÚ ̇ Í·‚˯‡ı. ïÓÚËÚ ÛÁ̇ڸ ·Ó θ¯Â? ëÏ.
ò‡„ 1 íÂÏ·˚ 13 q ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE]. Live!Gnd 001 Ç˚·Ó ‰Û„Ëı ÚÂÏ·Ó‚ DGX-500/300 ËÏÂÂÚ 619 ‡ÎËÒÚ˘Ì˚ı ÚÂÏ·Ó‚ ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚. èÓÔÓ·ÛÈÚ ÌÂÍÓÚÓ˚ ËÁ ÌËı ÔflÏÓ ÒÂȘ‡Ò.
14 é·ÁÓ ò‡„ 2 èÂÒÌË Live!Gnd 001 001 z x w q zx x c e ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ‚Íβ˜ÂÌÓ 100 ÔÂÒÂÌ, ‚ ÚÓÏ .
ò‡„ 2 èÂÒÌË 15 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Disk Song ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ ÔÂÒÌË Ò ‰ËÒÍÂÚ˚, ‚Íβ˜ÂÌÌÓÈ ‚ ÍÓÏÔÎÂÍÚ, ËÎË ‰Û„Ëı ‰ËÒÍÂÚ.
16 é·ÁÓ Live!Gnd 001 001 x zb z v z ç‡ÊÏËÚ ÍÌÓÔÍÛ [M.D.B.] (MUSIC DATABASE). x Ç˚·ÂËÚ ÏÛÁ˚͇θÌÛ˛ ·‡ÁÛ ‰‡ÌÌ˚ı. ëÓ‰ÂʇÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı (ÒÚ.
ò‡„ 3 åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı 17 ä‡Í ÔÓÒÏÓÚ ڸ ‡ÍÍÓ‰˚ ‚ ÒÎÓ‚‡Â ì‰Ó·Ì‡fl ÒÎÓ‚‡Ì‡fl ÙÛÌ͈Ëfl (Dictionary) Ó·Û˜‡ÂÚ Ë„Â ‡ÍÍÓ‰‡ÏË, ÔÓ͇Á˚‚‡fl ÓÚ‰ÂθÌ˚ ÌÓÚ˚.
18 é·ÁÓ Live!Gnd 001 001 v z x x z z Ç˚·ÂËÚ ӉÌÛ ËÁ ۘ·Ì˚ı ÔÂÒÂÌ. ì͇Á‡ÌËfl ÔÓ ‚˚·ÓÛ ÔÂÒÂÌ ÒÏ.
ò‡„ 4 ìÔ‡ÊÌÂÌËfl 19 éˆÂÌ͇ (Grade) ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ‚ÒÚÓÂÌÌÛ˛ ÙÛÌÍˆË˛ ÓˆÂÌÍË, ÍÓÚÓ‡fl ÒΉËÚ Á‡ ‚.
20 é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠëËÌÚÂÁ‡ÚÓ DGX-500/300 ÓÒ̇˘ÂÌ ·Óθ¯ËÏ ÏÌÓ„ÓÙ ÛÌ͈ËÓ̇θÌ˚Ï ‰ËÒÔÎÂÂÏ, ̇ ÍÓ ÚÓÓÏ ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ‚‡ÊÌ˚ ̇ÒÚÓÈÍË ËÌÒÚÛÏÂÌÚ‡.
é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠ21 r í ‡ÍÚ èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÎË ÒÚËÎfl ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÍÛ˘ËÈ ÌÓÏ ڇÍÚ‡.
22 îÛÌ͈Ëfl Portable Grand ùÚ‡ Û ‰Ó·Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÚÂÏ· ÓflÎfl.
îÛÌ͈Ëfl Portable Grand 23 3 ÇÍβ˜ËÚ ÏÂÚÓÌÓÏ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [METRONOME]. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] ¢ ‡Á.
24 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â Ç DGX-500/300 ÂÒÚ¸ 619 ÚÂÏ·Ó‚ (Á‚Û˜‡ÌËÈ ËÌÒÚÛÏÂÌÚÓ‚). ÇÒ ÓÌË ·˚ÎË ÒÓÁ‰‡Ì˚ ÔË ÔÓÏÓ˘Ë ÒÎÓ ÊÌÓÈ ÒËÒÚÂÏ˚ ÚÓÌ-„Â̇ÚÓ‡ AWM (Advanced Wave Memory) ÍÓÔÓ‡ˆËË Yamaha.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 25 íÂÏ· ÏÓÊÌÓ ‚˚·‡Ú¸ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË: 1) ‚‚ÂÒÚË ÌÓÏ ÚÂÏ·‡ ̇ ˆËÙÓ‚ÓÈ.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 26 îÛÌ͈Ëfl Dual V oice îÛÌ͈Ëfl Dual Voice ÔÓÁ‚ÓÎflÂÚ ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡ — .
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 27 2 Ç˚·ÂËÚ ӉËÌ ËÁ Ô‡‡ÏÂÚÓ‚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó Ë ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÚÂÏ·Ó‚.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 28 Split V oice îÛÌ͈Ëfl ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Split Voice ÔÓÁ‚ÓÎflÂÚ Ì‡Á̇˜ËÚ¸ ‰‚‡ ‡ÁÌ˚ı ÚÂÏ·‡ ‰Îfl ÓÚ‰ÂθÌ˚ı ӷ·ÒÚÂÈ Í·‚ˇÚÛ˚.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 29 îÛÌ͈ËË T ranspose Ë T uning èË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ Transpose Ë Tuning Ú‡ÍÊ ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ‚˚ÒÓÚÛ ÚÂÏ·‡ Ë Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‚ÛÍ ‚ÒÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 30 ■ îÛÌ͈Ëfl Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • .
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 31 臇ÏÂÚ PITCH BEND RANGE ëËÌÚÂÁ‡ÚÓ DGX-500/300 ÓÒ̇˘ÂÌ ÍÓÎÂÒÌ˚Ï Â„ÛÎflÚÓÓÏ [PITCH BEND], ÍÓÚÓ˚È ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚ ‚Ó ‚ÂÏfl Ë„˚.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 32 îÛÌ͈Ëfl T ouch Ë Ô‡‡ÏÂÚ T ouch Sensitivity îÛÌ͈Ëfl Touch ÔÓÁ‚ÓÎflÂÚ ‰Ë̇Ï˘ÌÓ Ë ÚÓ˜ÌÓ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË.
33 ùÙÙÂÍÚ˚ ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ·Óθ¯ÓÈ Ì‡·Ó ˝ÙÙÂÍÚÓ‚, Í ÓÚÓ˚ ÏÓ ÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Û ÎÛ˜¯ÂÌËfl Á‚Û͇ ÚÂÏ·Ó‚.
ùÙÙÂÍÚ˚ 34 ùÙÙÂÍÚ DSP Ç ‡Á‰ÂΠDSP (ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Ò˄̇ÎÓ‚) Ô‰ÒÚ‡‚ÎÂÌ˚ ËÒ͇ʇ˛˘ËÂ Ë ıÓÓ‚˚ ˝ÙÙ.
ùÙÙÂÍÚ˚ 35 ùÙÙÂÍÚ˚ Harmony ÉÛÔÔ‡ Harmony ‚Íβ˜‡ÂÚ ‡ÁÌÓÓ·‡ÁÌ˚ ˝ÙÙÂÍÚ˚, ÛÎÛ˜¯‡˛˘Ë ËÒÔÓÎÌÂÌËÂ, ÍÓ„‰‡ ËÒÔÓθÁÛ˛ÚÒfl ‡ÁÌ˚ ÒÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ùÙÙÂÍÚ˚ 36 ■ í ËÔ˚ ˝ÙÙÂÍÚÓ‚ ● í ËÔ˚ ‚·‡ˆËË ● í ËÔ˚ DSP çÓÏ íËÔ Â‚Â·Â‡ˆËË ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌË 1 Hall 1 Hall1 ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
ùÙÙÂÍÚ˚ 37 ● í ËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony çÓÏ íËÔ Harmony ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌË 1 Duet Duet íËÔ˚ Harmony 1 – 5 ÓÒÌÓ‚‡Ì˚.
38 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÂÒÚ¸ „ÓÚÓ‚˚ ÒÚËÎË (‰Ë̇Ï˘ÂÒÍË ÒÓ ˜ÂÚ‡ÌËfl ËÚ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 39 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ÑÎfl ÛÔ‡‚ÎÂÌËfl ÒÚËÎÂÏ ËÒÔÓθÁÛ˛ÚÒfl ÒÎÂ‰Û˛˘Ë ÍÌÓÔÍË Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 40 èÂʉ ˜ÂÏ Ì‡ÊËχڸ ÍÌÓÔÍÛ [START/STOP], ÏÓÊÌÓ ‚˚·‡Ú¸ „·‚ÌÛ˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË [MAIN A/B].
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 41 á‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl (Intro) ì Í‡Ê‰Ó„Ó ÒÚËÎfl ÂÒÚ¸ Ò‚Ó ÒÓ·ÒÚ‚ÂÌÌÓ ‚ÒÚÛÔÎÂÌË ËÁ ‰‚Ûı ËÎË ˜ÂÚ˚Âı Ú‡ÍÚÓ‚.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 42 3 àÁÏÂÌËÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ Ù ÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 43 îÛÌ͈Ëfl Sync Stop ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ Û‰Ó·ÌÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÔÂ͇ÚËÚ¸ (ËÎË ÔË.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 44 àÁÏÂÌÂÌË ÚÂÏÔ‡ íÂÏÔ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡Ô‡ÁÓÌ 32 – 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 45 ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Main A/B Ë ‚ÒÚ‡‚ÍË) ÇÓ ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl ÏÓÊÌÓ ‚ÌÓÒËÚ¸ ËÁÏÂÌÂÌËfl ‚ ËÚÏ/ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MAIN/AUTO FILL].
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 46 ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 47 Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ – Multi Fingering ÖÒÎË Á‡‰‡Ì‡ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 48 ç‡Á‚‡ÌË ‡ÍÍÓ‰‡/[ëÓ͇˘ÂÌËÂ] èflÏÓ ËÁÎÓÊÂÌË ÄÍÍÓ‰ (C) ÑËÒÔÎÂÈ å.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 49 ìÒÚ ‡Ìӂ͇ Ô‡‡ÏÂÚ‡ Split Point 臇ÏÂÚ Split Point (íӘ͇ ‡Á‰ÂÎÂÌËfl) Á‡‰‡ÂÚ Í·‚Ë¯Û Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ ÌÓÚ˚ ‰Îfl ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 50 ëÎÓ‚‡Ì‡fl Ù ÛÌ͈Ëfl (Dictionary) î‡ÍÚ˘ÂÒÍË, ÒÎÓ‚‡Ì‡fl ÙÛÌ͈Ëfl — ˝ÚÓ ‚ÒÚÓÂÌ̇fl ÍÌË„‡ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ‚ˉÂÚ¸ ÌÓÚ˚ ‡ÍÍÓ‰‡.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 51 4 èÓË„‡ÈÚ ‡ÍÍÓ‰. ë˚„‡ÈÚ ‡ÍÍÓ‰ (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ‰ËÒÔÎÂÂ) ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ Í·‚ˇÚÛÂ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 52 í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ Ó˜Â̸ ·Î‡„ÓÁ‚Û˜Ì˚ ËÌÚ‚‡Î˚ Ë ‡ÍÍÓ‰˚.
53 àÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı ÖÒÎË ‚˚ ı ÓÚËÚ ˄‡Ú¸ ÏÛÁ˚Í Û ÓÔ‰ÂÎÂÌÌÓ„Ó Ì‡Ô‡‚ÎÂÌËfl, .
àÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı 54 4 èÓ‰Óȉfl Í ÏÂÒÚÛ ‚ ÌÓÚ‡ı, Ó·ÓÁ̇˜ÂÌÌÓÏÛ ÒÚÂÎÍ ÓÈ ‚‚Âı, ̇ÊÏËÚ ÍÌÓÔÍÛ [ENDING]. ëÚËθ ÔÓË„˚‚‡ÂÚ ÍÓ̈ӂÍÛ Ò ËÚ‡‰‡Ì‰Ó.
55 ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ — ˝ ÚÓ „˷͇fl Ë Û ‰Ó·Ì‡fl ÙÛÌ͈Ëfl, Í ÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ ÔÂÂ̇ÒÚÓËÚ¸ ÒËÌÚÂÁ‡ÚÓ DGX-500/300 Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË.
ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ 56 àÒÔÓθÁÓ‚‡ÌË ̇·Ó‡ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË 1 Ç˚·ÂËÚ ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
57 Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÂÒÚ¸ ·Ë·ÎËÓÚÂ͇ ËÁ 105 ÔÂÒÂÌ. é̇ ‚Íβ˜‡ÂÚ 100 ÔÂÒÂÌ, Í ÓÚÓ˚ ÔÓ͇Á˚‚‡˛Ú ·Ó„‡ÚÓÂ Ë ‰Ë̇Ï˘ÂÒÍÓ Á‚Û˜‡ÌË ËÌÒÚÛÏÂÌÚ‡.
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 58 3 ÇÍβ˜ËÚ ‚˚·‡ÌÌÛ˛ ÔÂÒÌ˛. ç‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ì‡ ‰ËÒÔΠÓÚÓ·‡Ê‡˛ÚÒfl ÌÓχ Ú‡ÍÚÓ‚ Ë ‡ÍÍÓ‰˚.
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 59 3 èËÓÒڇ̇‚ÎË‚‡ÈÚ ËÎË ÔÂ͇˘‡ÈÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÍÓ„‰‡ ı ÓÚËÚÂ. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [PAUSE] ËÎË [START/STOP].
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 60 3 ç‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ [VOICE] Ì ÏÂÌ ÒÂÍÛ̉˚. ç‡ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl Ò.
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 61 êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË ÔÂÒÌË ÉÓÏÍÓÒÚ¸, Ò ÍÓÚÓÓÈ ÔÓË„˚‚‡ÂÚÒfl ÔÂÒÌfl, ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸.
62 á ‡ÔËÒ¸ ÔÂÒÂÌ ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ÏÓ˘Ì˚Â Ë ÔÓÒÚ˚ ‚ ËÒÔÓθÁÓ‚‡ÌËË Ò‰ÒÚ‚‡ Á‡ÔËÒË ÔÂÒÂÌ, ÍÓ ÚÓ.
á‡ÔËÒ¸ ÔÂÒÂÌ 63 2 Ç˚·Ó ÌÓχ ÔÓθÁÓ‚‡ÚÂθÒÍ ÓÈ ÔÂÒÌË ‰Îfl Á‡ÔËÒË Ç˚·ÂËÚ ÔÂÒÌ˛ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚: 201 - 205.
á‡ÔËÒ¸ ÔÂÒÂÌ 64 ■ á‡ÔËÒ¸ ‰ÓÓ ÊÍË ÏÂÎÓ‰ËË (1 - 5) ÑÎfl Á‡ÔËÒË ‚‡¯ÂÈ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ÂÒÚ¸ ÔflÚ¸ ÌÂÁ‡‚ËÒËÏ˚ı ‰ÓÓÊÂÍ. é·˚˜ÌÓ ‚˚ Á‡ÔËÒ˚‚‡ÂÚ Ëı ÔÓÒΠÁ‡ÔËÒË ‰ÓÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
á‡ÔËÒ¸ ÔÂÒÂÌ 65 ì ‰‡ÎÂÌË ÔÂÒÌË éÔ‡ˆËfl Û‰‡ÎÂÌËfl ÔÂÒÌË Song Clear ÔÓÎÌÓÒÚ¸˛ Û‰‡ÎflÂÚ ‚Ò ‰‡ÌÌ˚ ‚˚·‡ÌÌÓÈ ÔÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl ÒÓ ‚ÒÂı ‰ÓÓÊÂÍ.
á‡ÔËÒ¸ ÔÂÒÂÌ 66 é˜ËÒÚ͇ ‰ÓÓÊÍË éÔ‡ˆËfl Track Clear ÔÓÎÌÓÒÚ¸˛ Û‰‡ÎflÂÚ ‚Ò ‰‡ÌÌ˚Â Ò Û͇Á‡ÌÌÓÈ ‰ÓÓÊÍË ‰Îfl ‚˚·‡ÌÌÓÈ ÔÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl, Ì Á‡Ú‡„Ë‚‡fl ‰Û„Ë ‰ÓÓÊÍË.
67 ê ‡Áۘ˂‡ÌË ÔÂÒÌË îÛÌ͈Ëfl Ó·Û˜ÂÌËfl Lesson — ˝ÚÓ ÌÂÓ·˚˜‡ÈÌÓ Á‡ÌËχÚÂθÌ˚È Ë ÔÓÒÚÓÈ ÒÔÓÒÓ· Ó·Û˜ÂÌËfl ˜ÚÂÌ˲ ÌÓÚ Ë Ë„Â Ì‡ ËÌÒÚÛÏÂÌÚÂ.
ê‡Áۘ˂‡ÌË ÔÂÒÌË 68 2 Ç˚·ÂËÚ ԇÚ˲, ̇‰ ÍÓ ÚÓÓÈ ıÓÚËÚ ÔÓ‡·Ó Ú‡Ú¸ (‰Îfl ΂ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË), Ë ÛÓÍ. ÑÎfl ‡Áۘ˂‡ÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [R].
ê‡Áۘ˂‡ÌË ÔÂÒÌË 69 Ç˚·Ó ۘ·ÌÓÈ ‰ÓÓÊÍË ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÌÓÏ ‰ÓÓÊÍË ÔÂÒÌË, Á‡„ÛÊÂÌÌÓÈ Ò ‰ËÒÍÂÚ˚ (ÚÓθÍÓ SMF, ÙÓÏ‡Ú 0).
ê‡Áۘ˂‡ÌË ÔÂÒÌË 70 ìÓÍ 2 – 臂ËθÌ˚ ÌÓÚ˚ ÇÓ ‚ÂÏfl ˝ÚÓ„Ó ÛÓ͇ ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÔÓ‰ÓÎʇÂÚ ‚ÓÒ.
ê‡Áۘ˂‡ÌË ÔÂÒÌË 71 3 à„‡ÈÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡Ú˲. èÂÒÌfl ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ ‚ÒÚÛÔËÚÂθÌÓÏÛ Ò˜ÂÚ˜ËÍÛ (Á‡Ú‡ÍÚÛ), Ë Ì‡ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚.
ê‡Áۘ˂‡ÌË ÔÂÒÌË 72 îÛÌ͈Ëfl ÓˆÂÌÍË (Grade) îÛÌ͈Ëfl Ó·Û˜ÂÌËfl ËÏÂÂÚ ‚ÒÚÓÂÌÌÛ˛ ÙÛÌÍˆË˛ ÓˆÂÌÍË (Grade), ÍÓÚÓ‡fl .
73 éÔ‡ˆËË Ò ‰ËÒÍ ÚÓÈ ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ‚ÒÚÓÂÌÌ˚È ‰ËÒÍÓ‚Ó‰. ë ÔÓÏÓ˘¸˛ ˝ ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÏÓ ÊÌÓ.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 74 àÒÔÓ Î¸ÁÓ‚‡ÌË ‰ËÒÍ Ó‚Ó‰‡ (Floppy Disk Drive, FDD) Ë ‰ËÒÍ ÂÚ˚ (Floppy Disk) é·‡˘‡ÈÚÂÒ¸ ·ÂÂÊÌÓ Ò ‰ËÒÍ ÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓ ÎÌflÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓ ÊÌÓÒÚË.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 75 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ÍÓÏϘÂÒÍ.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 76 ëÓ ı‡ÌÂÌË èÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl (#201 - #205) ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ̇ ‰ËÒÍÂÚÂ. 1 ÇÒÚ‡‚¸ Ú ‚ ‰ËÒÍÓ‚Ó‰ ÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍ ÂÚÛ.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 77 ÖÒÎË ‚˚ ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚ ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘Â„Ó Ù‡È·, ‚˚·ÂËÚ ˝ÚÓÚ Ù‡ÈÎ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-].
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 78 5 Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÒÓ ı‡ÌÂÌËfl (Save). ç‡ÊÏËÚ ÍÌÓÔÍÛ [+] («YES»), Ë Ì‡˜ÌÂÚÒfl ÓÔ‡ˆËfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. éÚÏÂÌËÚ¸ ̇˜‡ÚÛ˛ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl Ì‚ÓÁÏÓÊÌÓ.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 79 ᇄ ÛÁ͇ ëÓı‡ÌË‚ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ÏÓÊÌÓ ÒÌÓ‚‡ Á‡„ÛÁËÚ¸ Ëı ‚ ÒËÌÚÂÁ‡ÚÓ DGX-500/300.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 80 Utility – ÙÛÌ͈Ëfl Delete ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û‰‡ÎflÚ¸ ÓÚ‰ÂθÌ˚ هÈÎ˚ ÔÓθÁÓ‚‡ÚÂÎfl, ÒÓı‡ÌÂÌÌ˚ ̇ ‰ËÒÍÂÚÂ. 1 ÇÒÚ‡‚¸ Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍ Ó‚Ó‰.
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 81 Utility – ÙÓχÚËÓ‚‡ÌË ÌÓ‚ÓÈ ‰ËÒÍÂÚ˚ 1 ÇÒÚ‡‚¸ Ú ÌÂÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍ Ó‚Ó‰. Ç‚ÂıÛ ‰ËÒÔÎÂfl ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Format?».
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 82 Utility – ÔÂÂÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ ùÚ‡ ÓÔ‡ˆËfl ÔÓÎÂÁ̇, ÂÒÎË ÌÛÊÌÓ ·˚ÒÚÓ ÒÚÂÂÚ¸ ÌÂÌÛÊÌ˚ هÈÎ˚ Ò ‰ËÒÍÂÚ˚.
83 îÛÌ͈ËË MIDI ëËÌÚÂÁ‡ÚÓ DGX-500/300 – ˝ÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓÂ Û ÒÚÓÈÒÚ‚Ó Ò ‡Á˙ÂχÏË MIDI IN Ë MIDI OUT Ë ‡Á΢Ì˚ÏË ÙÛÌ͈ËflÏË ÛÔ‡‚ÎÂÌËfl ‰Îfl MIDI-ËÌÚÂÙÂÈÒ‡.
îÛÌ͈ËË MIDI 84 MIDI ÓÁ̇˜‡ÂÚ Musical Instrument Digital Interface (ñËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚).
îÛÌ͈ËË MIDI 85 èÓ‰Íβ˜ÂÌËÂ Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ èÓ‰Íβ˜Ë‚ MIDI-‡Á˙ÂÏ˚ ÒËÌÚÂÁ‡ÚÓ‡ Í ÍÓÏÔ¸˛ÚÂÛ, ‚.
îÛÌ͈ËË MIDI 86 ãÓ͇θÌÓ ÛÔ‡‚ÎÂÌË ùÚ‡ ÙÛÌ͈Ëfl ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË ÒËÌÚÂÁ‡ÚÓ‡ DGX- 500/300 Ò Í·‚ˇÚÛ˚. ùÚÓ Û‰Ó·ÌÓ ÔË Á‡ÔËÒË ÌÓÚ ‚ MIDI-ÒÂÍ‚ÂÌÒÂ.
îÛÌ͈ËË MIDI 87 èÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û‡ˆËË îÛÌ͈Ëfl Initial Setup Send ˜‡˘Â ‚ÒÂ„Ó ÔËÏÂÌflÂÚÒfl ÔË Á‡ÔËÒË ‚ ÒÂÍ‚ÂÌÒ ÚÂı ÔÂÒÂÌ, ÍÓÚÓ˚ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ÒËÌÚÂÁ‡ÚÓÂ.
îÛÌ͈ËË MIDI 88 5 燘ÌËÚ Á‡ÔËÒ¸ ̇ ÒÂÍ‚ÂÌÒÂÂ, Á‡ÚÂÏ ÔÓ¯ÎËÚ ‰‡ÌÌ˚ Initial Setup. 燘ÌËÚ Á‡ÔËÒ¸ ̇ ÒÂÍ‚ÂÌÒÂÂ.
89 ì ÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl èË ‚Íβ˜ÂÌËË ËÎË ‚˚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/ 300 ͇ÍÓÂ-ÚÓ ‚ÂÏfl ÒÎ˚¯‡ÚÒfl ˘ÂΘÍË.
90 ëÓ ı‡ÌÂÌËÂ Ë ËÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı ■ ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı • • • • • • • • • • • • • • • • • • • • •.
91 ëÔËÒÓÍ ÚÂÏ·Ó‚ ■ å‡Í ÒËχθ̇fl ÔÓÎËÙÓÌËfl • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • å‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300 – 32 ÌÓÚ˚.
ëÔËÒÓÍ ÚÂÏ·Ó‚ 92 086 000 114 062 Techno Brass FLUTE 087 000 114 073 Sweet Flute 088 000 112 073 Flute 089 000 112 072 Piccolo 090 000 112 075 Pan Flute 091 000 112 074 Recorder 092 000.
ëÔËÒÓÍ ÚÂÏ·Ó‚ 93 188 000 096 014 Church Bells 189 000 097 014 Carillon 190 000 000 015 Dulcimer 191 000 035 015 Dulcimer 2 192 000 096 015 Cimbalom 193 000 097 015 Santur ORGAN 194 000.
ëÔËÒÓÍ ÚÂÏ·Ó‚ 94 297 000 032 039 Smooth Synth Bass 298 000 040 039 Modular Synth Bass 299 000 041 039 DX Bass 300 000 064 039 X Wire Bass STRING 301 000 000 040 Violin 302 000 008 040 .
ëÔËÒÓÍ ÚÂÏ·Ó‚ 95 408 000 000 081 Sawtooth Lead 409 000 006 081 Sawtooth Lead 2 410 000 008 081 Thick Sawtooth 411 000 018 081 Dynamic Sawtooth 412 000 019 081 Digital Sawtooth 413 000 020 081 Big Lead 414 000 024 081 Heavy Synth 415 000 025 081 Waspy Synth 416 000 040 081 Pulse Sawtooth 417 000 041 081 Dr.
ëÔËÒÓÍ ÚÂÏ·Ó‚ 96 ● ëÔËÒÓÍ ÚÂÏ·Ó‚ DJ 523 000 035 104 Sitar 2 524 000 096 104 Tambra 525 000 097 104 Tamboura 526 000 000 105 Banjo 527 000 028 105 Muted Banjo 528 000 .
ëÔËÒÓÍ ÚÂÏ·Ó‚ 97 ● ëÔËÒÓÍ ÚÂÏ·Ó‚ DJ çÓÏÂ ÚÂÏ·‡ 615 616 617 618 619 MSB/LSB/PC 0/123/118 0/123/119 0/123/120 0/123/121 0/123/122 çÓÏÂ ÌÓÚ˚ .
98 ëÔËÒÓÍ ÒÚËÎÂÈ ëÂËÈÌ˚È ÌÓÏ ç‡Á‚‡ÌË ÒÚËÎfl 8 BEAT 001 8BeatModern 002 60 ’ sGtrPop 003 8BeatAdria 004 60 ’ s8Beat 005 8Beat 006 OffBeat 007 60 ’ s.
99 ëÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı çÓÏ ·‡Á˚ ‰‡ÌÌ˚ı ç‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ı POP HITS 001 AlvFever 002 Croco Rk 003 DayPdise 004 Eas.
100 ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı • ëÂ˚È ÙÓÌ « » ÔÓ͇Á˚‚‡ÂÚ, ˜ÚÓ Á‚ÛÍ ·‡‡·‡Ì‡ Ú‡ÍÓÈ ÊÂ, Í‡Í ‚ ̇·ÓÂ Û ‰‡Ì˚ı «Standard Kit 1». • ä‡Ê‰˚È ÔÂÍÛÒÒËÓÌÌ˚È ÚÂÏ· ËÒÔÓθÁÛÂÚ Ó‰ÌÛ ÌÓÚÛ.
ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı 101 Voice No. 123 129 130 131 132 133 134 MSB/LSB/PC 127/000/000 127/000/27 127/000/32 127/000/40 127/000/48 126/000/000 126/000/001 Keyboard MIDI Key .
102 í ‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI YAMAHA [ Portable Grand™ ] Date:12-MAR-2002 Model DGX-500,DGX-300 MIDI Implementation Chart Version : 1.
í ‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI 103 èêàåÖóÄçàÖ *1 èÓ ÛÏÓ Î˜‡Ì˲ (̇ÒÚÓÈÍË ÔÓËÁ‚Ó‰ËÚÂÎfl) ÒËÌÚÂÁ‡ÚÓ DGX-500/300 Ó·˚˜Ì.
í ‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI 104 ● REVERB ● CHORUS ● DSP TYPE MSB TYPE LSB 00 01 02 08 16 17 18 19 20 000 No Effect 001 (1)Hall1 (2)Hall2 002 Room (3)Room1 (4)Room2 003 Stage (5)Stage1 (6)Stage2 004 Plate (7)Plate1 (8)Plate2 005.
105 • ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛ͈ËË.
106 x x x x èËÍÂÔËÚ ۄÎÓ‚˚ ÒÍÓ·˚. èËÍÂÔËÚ ۄÎÓ‚˚ ÒÍÓ·˚ y Í ·ÓÍÓ‚˚Ï Ô‡ÌÂÎflÏ Ò ÔÓÏÓ˘¸˛ Ò‡ÏÓÂÁÓ‚ 3,5 x 16 ÏÏ e .
107 v v v v èÓÒÚ‡‚¸ Ú Í·‚ˇÚÛÛ Ì‡ ÔÓ‰ÒÚ‡‚ÍÛ ÄÍÍÛ‡ÚÌÓ ÔÓÏÂÒÚËÚ Í·‚ˇÚÛÛ Ì‡ ·ÓÍÓ‚˚ ԇÌÂÎË.
108 í  ıÌ˘ÂÒÍË ı ‡‡ÍÚÂËÒÚËÍË ä·‚ˇÚÛ‡ • DGX-500 ........ 88 Í·‚˯ Òڇ̉‡ÚÌÓ„Ó ‡Áχ (A-1 - C7), Ò ÙÛÌ͈ËflÏË Touch Response Ë Dynamic Filter. • DGX-300 .
109 ëËÏ‚ÓÎ˚ +/-, ÍÌÓÔÍË .................................... 25 D DEMO, ÍÌÓÔ͇ .............................. 14 Dictionary ........................................ 50 DISK ORCHESTRA ...................... 73 DSP .................
L imited W arr anty 90 D A YS LABOR 1 YEAR P AR TS Y amaha Corporation of America, hereafter referred to as Y amaha, warrants to the original consumer of a product included in the categories listed below , that the product will be free of defects in materials and/or workmanship for the periods indicated.
HEAD OFFICE Y amaha Corporation, Pro Audio & Digital Musical Instrument Di vision Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 T el: 053-460-3273 [PK] 22 For details of products, please contact your nearest Y amaha or the authorized distributor listed belo w .
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An important point after buying a device Yamaha DGX-300 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Yamaha DGX-300 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Yamaha DGX-300 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Yamaha DGX-300 you will learn all the available features of the product, as well as information on its operation. The information that you get Yamaha DGX-300 will certainly help you make a decision on the purchase.
If you already are a holder of Yamaha DGX-300, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Yamaha DGX-300.
However, one of the most important roles played by the user manual is to help in solving problems with Yamaha DGX-300. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Yamaha DGX-300 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center