Instruction/ maintenance manual of the product AP-SNCL-M40GS Smart-AVI
Go to page of 108
( c ) 20 1 0 S m a r tAVI S i g n a g e P R O M a n u a l.
.
I C o n te n ts I ( c ) 2 0 1 0 S m ar t A V I T a b l e o f C o n t e n ts I n tr o d u c ti o n 1 D i sc l a i m er n o ti c e 2 L i m i te d w a r r a n ty s ta te m e n t 3 1 . C o n te n ts o f b o x 4 2 . I n st a l l i n g S i g n a g e M a n a g e r 5 3 .
S m ar tA VI S i gn ag e P r o M a n u a l I I ( c ) 2 0 1 0 S ma r t A V I 7 . S c r e en C o n fi g u r a ti o n 6 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I n tr o d u c ti o n 1 ( c ) 2 0 1 0 S ma r t A V I § I n t r o d u c ti o n C on g ra tul a ti on s o n y o ur purc ha s e o f the S ig na g eP ro Di g it al S ig na g e S o l uti o n. Pl e a s e re a d the i ns truc ti on s c a re f ul l y be f o re us ing .
S m ar tA VI S i gn ag e P r o M a n u a l 2 ( c ) 2 0 1 0 S ma r t A V I § D i s c l a i m e r n o ti c e T he i nf o rma ti on c ont ai ne d in thi s d o c ume nt i s s ubj e c t to c ha ng e wi tho ut no ti c e .
L i m i te d w a r r an ty s ta te m e n t 3 ( c ) 2 0 1 0 S ma r t A V I § L i m i t e d w a r r a n t y st a te m e n t A. Ex te nt o f L imi te d Wa rra nty 1 .
S m ar tA VI S i gn ag e P r o M a n u a l 4 ( c ) 2 0 1 0 S ma r t A V I § 1 . C o n te n ts o f b o x 1 - S ig na ge Pro C l i e nt 1 - S ig na ge Pro S of twa re C D 1 - Po w e r C ord 1 - Uni qu .
2 . I n sta l l i n g S i g n ag e M an ag e r 5 ( c ) 2 0 1 0 S ma r t A V I § 2 . I n st a l l i n g S i g n a g e M a n a g e r T his q ui ck s e tup g ui de wi l l i ns truc t y o u o n ho w to i.
S m ar tA VI S i gn ag e P r o M a n u a l 6 ( c ) 2 0 1 0 S ma r t A V I f ig ure 1 . 0. 2 No te : I f y o u wi ll be us i ng S ig na g e Pro a c ro s s mor e tha n on e ne two rk, re f er to po rt 1 33 2 5 whe n co nf ig urin g y our ro ute r po rt f o rwa rd i ng .
2 . I n sta l l i n g S i g n ag e M an ag e r 7 ( c ) 2 0 1 0 S ma r t A V I 3 . T he ne xt wi nd o w wi l l be to c ho o s e c o mpon e nts , ma ke s ure “ S ig na g e S e rve r” i s c he c ke d. ( f ig ure 2 . 0 . 2 ) 4. C hoo s e the i ns ta l la tio n l o c a tio n y o u wo uld l ike to in s ta l l th e S ig na g e S e rve r.
S m ar tA VI S i gn ag e P r o M a n u a l 8 ( c ) 2 0 1 0 S ma r t A V I f ig ure 2. 0. 2.
3 . S et ti n g u p th e S i g n ag eP r o C l i e n t 9 ( c ) 2 0 1 0 S ma r t A V I § 3 . S e tt i n g u p t h e S i g n a g e P r o C l i e n t 1 . Co nne c t the p o we r s upp l y c a ble to the S ig na g e Pro c li e nt a nd pl ug t he c a ble i nto a gr oun d e d po we r out le t.
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 ( c ) 2 0 1 0 S ma r t A V I § 3 . 1 S e tt i n g s a n d C o n fi g u r a ti o n s o f C l i e n t O nc e y o u’ ve lo g g e d i n, us e the ke y s d e s c ri b e d i n ta ble 3 . 3 to na vig a te the va ri ous me nus a nd f unc ti on s .
3 . S et ti n g u p th e S i g n ag eP r o C l i e n t 1 1 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 3 . 1 . 5 B) Ne two rk C o nf ig u ra ti o n m e nu ( AL T + C T RL + 3 ): M a nua l l y e nte r y o ur I P a dd re s s or us e DH CP S e rve r ( f i g ure 3 .
S m ar tA VI S i gn ag e P r o M a n u a l 1 2 ( c ) 2 0 1 0 S ma r t A V I § T a b l e 3 . 2 Q u i c k K e y s a n d F u n c ti o n s o f S i g n a g e P r o C l i e n t Ke y s F unc ti on s tha t y.
4. A d d i n g y o u r c om p a n y l o g o 1 3 ( c ) 2 0 1 0 S ma r t A V I § 4 . A d d i n g y o u r c o m p a n y l o g o O ne o f the ma j o r f unc ti o ns o f di g it a l s ig na g e is to g e t y our me s s a g e o ut a nd to i nc re a s e yo ur bra nd re c o g ni tio n.
S m ar tA VI S i gn ag e P r o M a n u a l 1 4 ( c ) 2 0 1 0 S ma r t A V I f ig ure 4. 0. 2 7 . C l i ck on " I ns ta l l f ro m US B" , S e le ct the ‘ L o g o ” ta b.
4. A d d i n g y o u r c om p a n y l o g o 1 5 ( c ) 2 0 1 0 S ma r t A V I f ig ure 4. 0. 3 8 . S e l e c t the s a mple _ l o g o in d ia lo g bo x a nd c li c k ‘ Ok ’ ( f ig ure 4. 0 . 3 ) 9 . Yo u ca n i ns ta ll mo re lo g o s f ro m US B th umb d ri ve by pre s s in g " I ns ta ll f ro m US B" butto n.
S m ar tA VI S i gn ag e P r o M a n u a l 1 6 ( c ) 2 0 1 0 S ma r t A V I § 4 . 1 S a m p l e . sl o g o fi l e w i th o u t c l o c k S a m pl e . s lo go fi le wit h o ut c lo c k S a m pl e . s lo go fi le wit h c lo c k pi c ture = l o g o na me .
4. A d d i n g y o u r c om p a n y l o g o 1 7 ( c ) 2 0 1 0 S ma r t A V I § 4 . 2 F i e l d v a l u es fo r . sl o g o fi l e s T he f o l lo wi ng ta b l e d e s c ri be s the d i f f e re nt f ie l d s i n the . s l o go f il e a nd the i r me a ni ng.
S m ar tA VI S i gn ag e P r o M a n u a l 1 8 ( c ) 2 0 1 0 S ma r t A V I § 4 . 3 A d d T i m e a n d D a te to . s l o g o Yo u ha ve the o ptio n o f a dd i ng tim e a nd d a te to y our l o g o by a dd i ng o ne of the f o l lo wi ng f i e ld s to y o ur .
4. A d d i n g y o u r c om p a n y l o g o 1 9 ( c ) 2 0 1 0 S ma r t A V I c o rre s pon d ing s tri ng s f or the c urre nt l o c a le . No o n is tre a te d a s p m a nd mi dn i gh t a s a m. % P L i ke % p but i n lo we rc as e : a m o r pm o r a c o rre s po nd i ng s tri ng f o r the c urre nt l oc a l e .
S m ar tA VI S i gn ag e P r o M a n u a l 2 0 ( c ) 2 0 1 0 S ma r t A V I § 5 . Wi r e l e s s C o n fi g u r a ti o n I mpo rta nt: Be f or e c onf ig uri ng Wir el e s s ne two rk c on ne c ti o .
5 . Wi r el e ss C o n fi gu r at i o n 2 1 ( c ) 2 0 1 0 S ma r t A V I f ig ure 5 . 0. 2 5 . S e l ec t Enc ry p ti o n Ty pe ( WPA 1 /2 s ta nd s f o r WPA o r WPA 2) a nd e nte r the a pp r o pria te e nc ry pti o n ke y . ( f ig ure 5 . 0 . 2) 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 2 2 ( c ) 2 0 1 0 S ma r t A V I § 5 . 1 C o n n e c ti n g to a H i d d e n N e two r k 1 . T urn O f f th e S i g na g e Pro c l ie nt. 2 . I ns e rt the US B wi re le s s ad a pte r in to a ny a va i l abl e US B s lo t o n y our S ig na g e Pro c l i e nt.
5 . Wi r el e ss C o n fi gu r at i o n 2 3 ( c ) 2 0 1 0 S ma r t A V I f ig ure 5 . 1 . 3 6 . Ty pe the na me of th e ne two rk a nd cl i c k o n C on ne c t. ( f ig ure 5 . 1 . 3 ) f ig ure 5 . 1 . 4 7 . N o w y ou w i l l s ee the ne w ne two rk i n yo ur li s t wi th " Hi d d e n N e two rk" na me .
S m ar tA VI S i gn ag e P r o M a n u a l 2 4 ( c ) 2 0 1 0 S ma r t A V I f ig ure 5 . 1 . 5 8 . S e le c t E nc ry pti o n Ty p e ( WPA 1 /2 s ta nd s f or WP A or WP A2) a nd e nte r the a p pro p r i a te e nc ry pti o n ke y . ( f ig ure 5 . 1 .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 2 5 ( c ) 2 0 1 0 S ma r t A V I § 6 . S c h e d u l e s , Ta s k s , Te m p l a te s , R S S 1 . Do ubl e c l i c k o n the S ig na g e S e rve r S ta tio n Ma na g e r i c o n e ithe r on y o ur d e s kto p or s ta rt me nu.
S m ar tA VI S i gn ag e P r o M a n u a l 2 6 ( c ) 2 0 1 0 S ma r t A V I 3 . O nc e the S ig na g e S e rve r S ta ti o n M a na g e r i s l o ad e d . Yo u wil l s e e the f ol l ow i ng : C on ne c te d S ig na g e Pro c li e nts . L o opba c k I P.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 2 7 ( c ) 2 0 1 0 S ma r t A V I § 6 . 1 U se r M a n a g e r O ur us e r ma na g e r a ll o ws S i g na g e Pro us e rs to ma na g e a nd c on tro l the ir ow n us e r d a ta ba s e . E a c h us e r c re a te d i s a ll o we d a s e t o f pe rmi s s i ons .
S m ar tA VI S i gn ag e P r o M a n u a l 2 8 ( c ) 2 0 1 0 S ma r t A V I 6 . 1 . 4 C li c k ' S av e' . Yo u wi l l the n s e e the ne w us e r in the l i s t. ( f i g ure 6 . 1 . 3 ) T o c re a te a ne w us e r, ri g ht c l i c k o r cl i ck on ' Us e r' the n ' N e w Us e r.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 2 9 ( c ) 2 0 1 0 S ma r t A V I f ig ure 6 . 1 . 3.
S m ar tA VI S i gn ag e P r o M a n u a l 3 0 ( c ) 2 0 1 0 S ma r t A V I § 6 . 2 T a s k M a n a g er T he ma in f e a ture of S ig na g e Pro is the T as k M a na g e r. T his is whe re y ou s e t up a nd ma na g e a l l o f y o ur pre s e nta tio ns .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 1 ( c ) 2 0 1 0 S ma r t A V I § 6 . 2. A C r ea te a n e w T a sk f i g ure 6 . 2. 2 1 . Expl or e T as k ta b a nd s e le ct ‘ New T a s k’ .
S m ar tA VI S i gn ag e P r o M a n u a l 3 2 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 2. 3 2 . S e l e c t the ty pe o f f il e y ou ar e g oi ng to us e .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 3 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 6 . 2. 4 3 . S e l e c t the f i l e l o c a te d o n y our ha rd dr i ve ( f ig ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 3 4 ( c ) 2 0 1 0 S ma r t A V I § 6 . 3 S c h e d u l e s - C r ea ti o n , E xp o r t, I m p o r t A s c he dul e i s whe re y o u c o mbi ne a ll o f the d i f f e re nt ta s ks th a t y o u’ ve c re a te d i n c ha pte r 6 .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 5 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 6 . 3. 2 a . To d o th is y ou m us t us e y o ur mo us e to hi g hl i gh t o ne o f the ta s ks y o u c re a te d in the pre vi o us s te p. ( f ig ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 3 6 ( c ) 2 0 1 0 S ma r t A V I e nti re ly . § 6 . 3 . A M o d i fy i n g Ta sk s wi th i n t h e S c h e d u l e O nc e yo u ha ve a d de d y o ur ta s k.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 7 ( c ) 2 0 1 0 S ma r t A V I a . S c he d ule s ta rt ty pe : Thi s f e a ture s e le c ts ho w the s c he dul e wi l l o pe ra te . ( f ig ure 6 . 3 . 6 ) · Ru n a t u s e r lo g o n: T hi s wi l l s ta rt the s c he d ule as s o on a s the us e r i s l o g g e d o n.
S m ar tA VI S i gn ag e P r o M a n u a l 3 8 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 6 . 3. 7 § 6 . 3 . B R u n S c h e d u l e a fte r a p o w e r fa i l u r e I f yo u ne e d a s c he d ule to s t.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 9 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 1 S e co nd , y o u ne e d to c li c k on the “ pro pe rti e s ” o f the S c he d ul e a nd g o to th e Da y a nd Ti me ta b o n to p . ( f i g ure s 2 a nd 3 ) .
S m ar tA VI S i gn ag e P r o M a n u a l 40 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 2.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 41 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 3.
S m ar tA VI S i gn ag e P r o M a n u a l 42 ( c ) 2 0 1 0 S ma r t A V I § 6 . 3 . C E xp o r t S c h e d u l e a n d u p l o a d i t to a n o ffl i n e b o x v i a U S B fi gu r e 1 1 ) O pe n S ig na g e Pro Ma na g e r, go to " Run" a nd c li c k o n the " T a s k Ma na g e r" .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 43 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 2 3 ) G o t o the pro pe rti e s of the S c he d ul e, c hoo s e a n a pp r o pria te ta s k a nd m o ve it t o the ta s k- l i s t by pre s s in g the s ma ll a rro w b ut to n.
S m ar tA VI S i gn ag e P r o M a n u a l 44 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 3 4) G o to the " Da y a nd Ti me " pro p e rti e s o f the s c he d ule a nd in th e " S c he dul e S ta rt T y p e " s e l e c t " Run a t Us e r l o g o n" .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 45 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 4 5 ) G o ba c k to the " Ta s k Ma na g e r" , c li c k o n " F i l e " o n the to p me nu ba r a nd ch o os e " Expo rt S c he d ule " .
S m ar tA VI S i gn ag e P r o M a n u a l 46 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 5 6 ) S e l e c t the s c he dul e s tha t y ou wa nt to e xpor t a nd c he ck th e box w hi c h s ta te s " C opy to i nte rna l s to ra g e " .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 47 ( c ) 2 0 1 0 S ma r t A V I § 6 . 3 . D I m p o r t a S c h ed u l e 1 ) G o to th e " Tas k M an a ge r " a n d c l i c k o n th e " I m p o r t S ch ed u l e " .
S m ar tA VI S i gn ag e P r o M a n u a l 48 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 2 Th e p r o c es s o f i m p o r ti n g sc h e d u l e s a n d ta sk s.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 49 ( c ) 2 0 1 0 S ma r t A V I § 6 . 4 S u p e r S c h e d u l es S upe r S c he d ul e s we re de s ig ne d t o a ll o w m ul ti ple s c he d ule s to run i n o ne , a ls o a l l ow i ng a d ra g a nd d ro p f ri e nd ly us e r in te rf a c e .
S m ar tA VI S i gn ag e P r o M a n u a l 5 0 ( c ) 2 0 1 0 S ma r t A V I § 6 . 5 T e m p l a te C r e a to r T he T e mpla te c re a to r is po we rf ul f e at ure of S i gn a g e Pro . T e mpl a te s a ll o w us e rs to c re a te a nd a s s i g n re g i o ns .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 1 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 2 3 . O nc e the Te mpla te C re a to r wi nd o w i s o pe n y o u c a n no w cr e a te re g i o ns .
S m ar tA VI S i gn ag e P r o M a n u a l 5 2 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 3 4. T o c re a te y o ur f i rs t re g io n c li c k o n the ‘ Ad d V i e w’ i c o n a nd d ra g y o ur mo us e a c ro s s the whi te d is pla y e d i to r.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 3 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 4 5 . Yo u ma y c o nti nue a d di ng , d e l e ti ng , re s iz ing , a nd mo vin g re g i o ns unti l y o u a re s a ti s f i e d wi th the re s ult s .
S m ar tA VI S i gn ag e P r o M a n u a l 5 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 5 6 . Yo u c a n a l s o a s s ig n a ba c kg ro und i ma g e to y o ur la yo ut by c li c ki ng the ‘ Pro pe rti e s ’ ic o n a nd s e le c ti ng an im a g e f ro m y o ur ha rd d ri ve .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 5 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 6 7 . On c e y o u a re s a ti s f ie d wi th y o ur l a y o ut, s a ve the te mpl a te f il e o n y o ur c o mpute r ha rd dr ive . ( f ig ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 5 6 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 7 8 . Fr om the ‘ S c he d ul e Pro pe rti e s ’ di a lo g d o uble c l ic k o n a ny o f the ta s ks f or t his s c he d ule . T his wi ll brin g up the ‘ S c he d ul e T a s k Pro pe rti e s ’ d i a lo g .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 7 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 8 9 . S e le ct the vie w f ro m the dr o pdo wn me nu y ou whe re y o u wo uld l ike the ta s k d is pla y e d. T he n c li c k “ o k” ( f i g ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 5 8 ( c ) 2 0 1 0 S ma r t A V I § 6 . 5 . B L a y o u t e xa m p l e A ty pic a l l ay out us i ng Appli c a ’ s te mpl a te cr e a to r.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 9 ( c ) 2 0 1 0 S ma r t A V I § 6 . 6 C r ee p i n g L i n e E d i to r S ig na g e Pro ’ s C re e ping L ine Ed i to r e na b l e s y o u to c re a te a s c ro ll in g ma rq uis a ny whe re o n y o ur s c re e n.
S m ar tA VI S i gn ag e P r o M a n u a l 6 0 ( c ) 2 0 1 0 S ma r t A V I 2 . I n the ‘ Ge ne ra l’ ta b C re epi ng L ine Pro pe rty S he e t y o u a re g i ve n s e ve ra l o ptio ns ; f i g ure 6 .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 1 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 5 · I nput t e xt: T ype y o ur te xt d ir e c tly int o the e d i to r. ( f ig ure 6 . 6 . 3 ) · Us e RS S : I nput th e UR L o f the RS S f e e d o f y o ur ch o ic e .
S m ar tA VI S i gn ag e P r o M a n u a l 6 2 ( c ) 2 0 1 0 S ma r t A V I § 6 . 6 . C Wi n d o w a n d Tr a n sp a r en c y f i g ure 6 . 6 . 8 I n the T e xt Wi nd o w an d T ra ns par e nc y d i a lo g bo x y o u a re g i ve n s e ve ra l a dj us tme nt o ptio ns .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 3 ( c ) 2 0 1 0 S ma r t A V I Abo ve a re s o me e xa mpl e s of d i f f e re nt tra ns p a re nc y s e tti ng s ( f i g ure 6 . 6 . 9 ) § 6 . 6 . D S e t th e p o si t i o n o f c r e e p i n g t ex t f i g ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 6 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 1 1 Yo u a l s o ha ve the a bil i ty to ad j us t the he ig ht a nd wi dt h o f y o ur te xtbo x a s we ll . ( f i g ure 6 . 6 . 1 1 ) No te : Yo u c a n pr e vie w yo ur c h a n ge s a nyt im e by c li c k in g t h e ‘ P r e vie w’ b u t to n.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 5 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 1 4 3 . I n th e C re e ping L i ne M an ag e r, y o u c a n a d d e xi s ti ng C re e pi ng Li ne s or c re a te ne w o ne s . T o c re a te a ne w on e , c l ic k o n ' Ed i t.
S m ar tA VI S i gn ag e P r o M a n u a l 6 6 ( c ) 2 0 1 0 S ma r t A V I i n a di f f e re nt T a s k tha t is runni ng i n on e S ch ed ule , c li c k on ‘ S to p pre vio us C re e pin g L i ne s .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 7 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 1 2.
S m ar tA VI S i gn ag e P r o M a n u a l 6 8 ( c ) 2 0 1 0 S ma r t A V I § 7 . S c r e e n C o n fi g u r a t i o n - O nc e y o u t urn o n the c l i e nt, yo u a re g re e te d wi th the S i g na g e Pro S pla s h S c re e n.
7 . Sc r e e n C on fi g u r a ti o n 6 9 ( c ) 2 0 1 0 S ma r t A V I · C o nf ig ur e ke ybo a r d S e tti ng s to c o nf ig ure ke ybo ar d. · C o nf ig ur e m o n ito r E a c h tim e y o u c o n.
S m ar tA VI S i gn ag e P r o M a n u a l 7 0 ( c ) 2 0 1 0 S ma r t A V I f ig ure 7. 5 · C o nf ig ur e s c r e e n E a c h tim e y o u c o nne ct a ne w d is pla y to th e S i g na g e Pro C l ie nt y o u wi l l ne e d to a dd o r e d it the s c re e n s e tti ng s .
7 . Sc r e e n C on fi g u r a ti o n 7 1 ( c ) 2 0 1 0 S ma r t A V I · S c re e n M od e s – C o nf ig ure s the vi de o m o de f or yo ur d is pla y. - Us e the up/d ow n ke y s to s c ro ll f o r the d e s i re d re s o l uti o n. - Us e the s pa c e ba r to c he c k the d e s i re d re s o l uti o n.
S m ar tA VI S i gn ag e P r o M a n u a l 7 2 ( c ) 2 0 1 0 S ma r t A V I § 7 . 1 R o ta ti n g a S c r e en I n thi s c ha pte r we wi l l d e s cr ibe ho w to r o ta te the ima g e on the S ig na g e Pro C l i e nt s cr e e n a nd ho w to a pply te mpla te s to i t.
7 . Sc r e e n C on fi g u r a ti o n 7 3 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 2 3 ) S e l e c t " OK " a nd pre s s " Ent e r" , it wi l l c re a te xor g.
S m ar tA VI S i gn ag e P r o M a n u a l 7 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 3 4) Af te r yo u ty pe " a xo rg c f g " c o mma nd yo u wi l l be g ive n th e f o ll o win g .
7 . Sc r e e n C on fi g u r a ti o n 7 5 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 4 5 ) S e l e c t " Ed i t Mo ni to r0 " a nd c l ic k o n " O K" .
S m ar tA VI S i gn ag e P r o M a n u a l 7 6 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 5 6 ) S e le c t the ho ri zo nta l s y nc ra ng e th a t c or re s po nd s to y o ur mo nit o r. I t is re c o mme nd e d th a t y o u s e l e c t a s y nc ra ng e tha t a cc om mo d a te s t he hi g he s t re s o l uti o n f or yo ur d i s pl a y .
7 . Sc r e e n C on fi g u r a ti o n 7 7 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 6 7 ) S e le c t the ve rti c a l re f re s h ra te tha t c o rre s po nd s to y o ur mo nit o r - I f y o u a re uns ure o f thi s s e tti ng , pl e a s e re f e r to y o ur di s pl ay ma nua l.
S m ar tA VI S i gn ag e P r o M a n u a l 7 8 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 7 8 ) E ac h tim e y o u co nne c t a ne w d i s pl a y to the S ig na g e Pro C l i e nt y o u wi ll ne e d to a d d o r e d it the s c re e n s e tti ng s .
7 . Sc r e e n C on fi g u r a ti o n 7 9 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 8 9 ) S e le c t " E d it S c re e n" an d c l i c k " O K".
S m ar tA VI S i gn ag e P r o M a n u a l 8 0 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 9 1 0) S el e c t a p pro p r i a te ro ta tio n di re c ti o ns , s uc h a s c lo c kwi s e o r c o unte rc lo ck wi s e , a nd c l ic k o n " N e xt" .
7 . Sc r e e n C on fi g u r a ti o n 81 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 0 1 1 ) F oun d a ny unne c es s a ry re s o l utio ns th a t a re c he ck e d a nd unc he c k it by s e le ct ing the m a nd pre s s i ng the " S pa c e ba r" .
S m ar tA VI S i gn ag e P r o M a n u a l 8 2 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 1 1 2) F ind th e re s o l uti o n y o u a re us in g on y our S c re e n, s e le c t i t a nd Che c k the box ne xt to it by pre s s i ng o n " S p a ce ba r" .
7 . Sc r e e n C on fi g u r a ti o n 83 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 2 1 3 ) S e l e c t " Wri te xor g. c o nf a nd q uit" a nd c li c k on " O k" .
S m ar tA VI S i gn ag e P r o M a n u a l 8 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 3 1 4) Wri te c o nf ig ura tio n f il e by c l i ck i ng o n " O k" .
7 . Sc r e e n C on fi g u r a ti o n 85 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 4 Re boo t th e c li e nt. Af te r re boo tin g the cl i e nt, the s c re en s ho ul d d is pla y the ro ta te d pic ture .
S m ar tA VI S i gn ag e P r o M a n u a l 8 6 ( c ) 2 0 1 0 S ma r t A V I < d iv i d =" 1 " s ty l e =" l e f t: - 1 px; to p: 1 5 0 px; wi dt h: 7 6 9 px; he i g ht: 48 0 px; pos .
7 . Sc r e e n C on fi g u r a ti o n 87 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 5.
S m ar tA VI S i gn ag e P r o M a n u a l 8 8 ( c ) 2 0 1 0 S ma r t A V I T he f ina l l ay out o f th e ro ta te d s cr e e n.
7 . Sc r e e n C on fi g u r a ti o n 89 ( c ) 2 0 1 0 S ma r t A V I § 7 . 2 I n st a l l i n g a n d R e m o vi n g F o n ts 1 . L og g i ng into the c o nf ig ura tio n c o ns o le . · On c e y o u turn o n the c li e nt, y o u a re g re e te d w ith the S ig na g e Pro S pla s h S c re e n.
S m ar tA VI S i gn ag e P r o M a n u a l 9 0 ( c ) 2 0 1 0 S ma r t A V I S ig na g e Pro inte rf a c e ..
8 . U p d at i n g th e Si gn ag e P r o C l i en ts Vi a Sc h e d u l e 9 1 ( c ) 2 0 1 0 S ma r t A V I § 8 . U p d a ti n g th e S i g n a g e P r o C l i e n ts Vi a S c h e d u l e 1 . S e le c t Run the n c li c k " Ta s k ma na g e r" 2 .
S m ar tA VI S i gn ag e P r o M a n u a l 9 2 ( c ) 2 0 1 0 S ma r t A V I f ig ure 9 . 0. 2 S c re e n tha t a tta ch e d to the S i g na g e Pr o C l ie nt wi l l be c o me R ED s a y in g no t to s hutd o wn the pl a y e r.
9 . U p d a te c l i e n ts f i r m war e vi a U SB 9 3 ( c ) 2 0 1 0 S ma r t A V I § 9 . U p d a te c l i e n ts fi r m w a r e v i a U S B Im po r ta n t: Y o u wo ul d ne e d a US B t hu m bd r iv e th a t i s a t l e a s t 2 gb in c a pa c it y.
S m ar tA VI S i gn ag e P r o M a n u a l 9 4 ( c ) 2 0 1 0 S ma r t A V I f ig ure 1 0 . 0. 3 - O n y o ur PC , g o to S T ART - >R UN- >C MD ( f i gu re 1 0 .
9 . U p d a te c l i e n ts f i r m war e vi a U SB 9 5 ( c ) 2 0 1 0 S ma r t A V I f ig ure 1 0 . 0. 4 4. Af te r the US B wri ti ng i s d o ne , brin g t he US B to th e S i g na g e Pro c l ie nt a nd in s e rt i nto the US B po rt.
S m ar tA VI S i gn ag e P r o M a n u a l 9 6 ( c ) 2 0 1 0 S ma r t A V I § S p e c i f i c a ti o n s F o r m Fa c to r uAT X ( 6 . 75 i nc he s by 6 .
S p e c i fi c at i on s 97 ( c ) 2 0 1 0 S ma r t A V I F o r m a ts S up po r te d • Vi d e o ( AVI , MP EG 1 , MPE G 2, MPE G 4, WM V, F L A, DI VX) , • F la s h ( S WF ) • S til l I ma g e s.
S m ar tA VI S i gn ag e P r o M a n u a l 9 8 ( c ) 2 0 1 0 S ma r t A V I § S a m p l e N e two r k C o n fi g u r a t i o n #1 C o nf ig u r a ti o n #1 R o ut e r /S wit c h/H ub wit h DH C P S e r ve r in th e a s a m e n e two r k * 1 .
S am p l e N e two r k C on fi g u r a ti o n #1 9 9 ( c ) 2 0 1 0 S ma r t A V I * S a me Ne two rk me a ns tha t C l i e nt a nd S e rve r a re in o ne bro a d c a s t d o ma in, s o the y c a n c o mmuni c a te t o e a c h o the r wi tho ut g a te wa y.
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 0 ( c ) 2 0 1 0 S ma r t A V I § S a m p l e N e two r k C o n fi g u r a t i o n #2 C o nf ig u r a ti o n #2 R o ut e r /S wit c h/H ub wit h o ut a D.
S am p l e N e two r k C on fi g u r a ti o n #2 1 0 1 ( c ) 2 0 1 0 S ma r t A V I 2 . Do uble - c l ic k o n the N e two rk C o nne c tio ns I c on. 3 . R i g ht- c li c k o n the L oc a l Ar e a C o nne c ti o n I c on ( or y o ur cur re nt c o nne c tio n) a nd c l ic k Pr o pe rti e s .
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 2 ( c ) 2 0 1 0 S ma r t A V I 4. S e le c t I nte rne t Pro to c o l ( TC P/I P) a nd C li c k the Pro pe rti e s But to n.
S am p l e N e two r k C on fi g u r a ti o n #2 1 0 3 ( c ) 2 0 1 0 S ma r t A V I 5 . Ent e r the I P Ad dr e s s , S ubne t Ma s k, De f a ult G a te wa y an d D N S S e rve rs . Fo r a n e xa mpl e pl e a s e s e e the be g i nni ng o f thi s c ha pte r whe re i t s a y s " Ma nua l l y a s s i gn I P ad dr e s s to the s e rve r" .
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 4 ( c ) 2 0 1 0 S ma r t A V I T he c o mma nd f o r the ne two rk co nf ig ura tio n o n the S ig na g e Pro i s " C tr l Al t + 3" .
An important point after buying a device Smart-AVI AP-SNCL-M40GS (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Smart-AVI AP-SNCL-M40GS yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Smart-AVI AP-SNCL-M40GS - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Smart-AVI AP-SNCL-M40GS you will learn all the available features of the product, as well as information on its operation. The information that you get Smart-AVI AP-SNCL-M40GS will certainly help you make a decision on the purchase.
If you already are a holder of Smart-AVI AP-SNCL-M40GS, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Smart-AVI AP-SNCL-M40GS.
However, one of the most important roles played by the user manual is to help in solving problems with Smart-AVI AP-SNCL-M40GS. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Smart-AVI AP-SNCL-M40GS along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
