Instruction/ maintenance manual of the product KR-115 Roland
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3 Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS,” “USING THE UNIT SAFELY” (p. 4, 5), and “IMPORTANT NOTES” (p. 6, 7). These sections provide important information concerning the proper operation of the unit.
4 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instruc- tions below, and the Owner’s Manual. .......................................................................................................... 001-50 • Connect mains plug of this model to a mains socket outlet with a protective earthing connection.
5 014 • Protect the unit from strong impact. (Do not drop it!) .......................................................................................................... 015 • Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices.
6 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3 and 4, please read and observe the following: Power Supply 3.
7 IMPORTANT NOTES 558a • To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). 559b • When you need to transport the unit, pack it in shock-absorbent material.
8 Introduction Thank you, and congratulations on your choice of the Roland KR Intelligent Piano. While the KR Intelligent Piano certainly allows you to achieve authentic piano performances, it also features easy-to-use Automatic Accompaniment and numerous other useful functions.
9 Introduction ❍ Easy-To-Use “Music Assistant” Automatic Accompaniment Feature You can select from an amazing 500 settings to get automatic accompaniment that perfectly matches the song you are playing.
10 Contents USING THE UNIT SAFELY....................................... 4 IMPORTANT NOTES ................................................. 6 Introduction ...................................... 8 Main Features ........................................
11 Contents Adjusting the Accompaniment Tempo .................. 64 Starting and Stopping the Accompaniment .......... 65 Having the Accompaniment Start Simultaneously When You Play the Keyboard (Sync Start) ......................................... 65 Stopping Automatic Accompaniment .
12 Contents Making Advanced A/V Sync Input Settings ................................................................ 128 Chapter 7 User Program Registration .................................. 129 Saving Performance Settings (User Program) ............
13 Contents User Functions) .................................................. 167 Changing the Bend Range (Pedal Setting) ..... 169 Changing Standard Pitch (Master Tune) ........ 170 Changing the Language (Language)............... 170 Selecting Images To Be Shown on the KR and External Displays (User Image Display).
14 Panel Descriptions * The KR117 is the model that was used for producing all of the panel depictions that appear within this Owner’s Manual. 1. [Power] switch Pressed to switch the power on and off (p. 21). * The KR115’s [Power] switch is located at the left of the keyboard.
15 Panel Descriptions 22. Main Buttons → See the Quick Start [Song/File] button Use this button to select internal songs or songs from external memories (p. 75). [DigiScore] button Displays notations (p. 87). [Visual Lesson] button You can use the practice function.
16 Panel Descriptions Jack Panel (Left Side of Bottom Panel) fig.panelRear 1. Phones jacks A set of headphones can be connected here (p. 23). 2. Mic Volume knob Adjusts the volume level for the microphone (p. 23). 3. Mic jack Used for connecting microphones (p.
17 Panel Descriptions Right Side of Bottom Panel CD Drive (Instrument with Moving Key) fig.panelbottom 16.Access Indicator This indicator will light when the inserted CD is being read. 17.Disc tray Place the CD to be loaded on this tray. 18.Emergency eject hole This hole allows the disc tray to be opened in case of an emergency.
18 Before You Start Playing Before You Start Playing Opening and Closing the Top (KR117) Opening only the front top Children must not be permitted to open or close the top on their own—adult supervision is required. Because the top is very heavy, always use two or more people when opening and closing the top, and be sure to handle it carefully.
19 Before You Start Playing Before You Start Playing Opening and Closing the Top (KR115) Raising the Music Rest 1. Gently raise the music rest, then secure it in place. 2. To collapse the stand, fold in the metal fittings while supporting the stand with both hands and gently fold down the stand.
20 Before You Start Playing Before You Start Playing ■ Using the Music Holders (KR115) You can use the holders to hold pages in place. When not using the holders, leave them folded down. fig.mu_stand4 Installing Batteries in the Remote Control Install the batteries provided in the remote control.
21 Before You Start Playing Before You Start Playing Connecting the Power Cord 1. Connect the supplied power cord to the AC inlet jack. 2. Connect the pedal cord to the Pedal jack. 3. Cramp the power cord and pedal cord with Cord Cramp and screw at A (see the picture above).
22 Before You Start Playing Before You Start Playing About the Pedals The pedals have the following functions, and are used mainly for piano performance. fig.00-08.e Damper pedal (right pedal) While this pedal is pressed, notes will be sustained even after you take your fingers off the keys.
23 Before You Start Playing Before You Start Playing Connecting Headphones The KR has two jacks for plugging in headphones. This allows two people to listen through headphones simultaneously, making it very useful for lessons and performing piano pieces for four hands.
24 Before You Start Playing Before You Start Playing Connecting an External Display You can connect a computer monitor or other such external display to the instrument, and display notations and lyrics on the larger screen, and display whatever images as you like.
25 Before You Start Playing Before You Start Playing About the Touch Screen The KR makes use of a touch screen. This lets you carry out a wide variety of actions just by touching the screen lightly. NOTE The touch screen is operated by touching it lightly with your finger.
26 Before You Start Playing Before You Start Playing ■ Using the Main Icons You can many other screens besides the Basic screen to do things. The on-screen graphics that appear three dimensional work like buttons. These are called “Icons.” The main icons you can use on these screens are as follows.
27 Chapter 1 Chapter 1 Performance Playing the Keyboard Like a Piano (One-Touch Piano) You can create the optimal settings for a piano performance with the press of a single button. fig.panel1-1 1. Press the One Touch Program [Piano] button. A “Piano screen” like the one shown below will appear.
28 Chapter 1 Performance Chapter 1 Performing with a Variety of Tones (Tone Buttons) The KR comes with a many built-in instrument sounds and effects. This lets you enjoy perform in a wide range of musical styles. The built-in sounds are called “Tones.
29 Chapter 1 Performance Chapter 1 You can touch the scroll bar and drag up and down to scroll through the list. You can touch <Effects> to add effect sounds to a variety of tones (p. 46). You can do searches for tones according to search parameters or by name by touching <Search> (p.
30 Chapter 1 Performance Chapter 1 ■ Using Keywords to Search for Tones (Tone Search) You can search for tones that match the conditions you set for instrument or musical style. You can also search the tones using the first character of the tone name.
31 Chapter 1 Performance Chapter 1 Performing with Multiple Sounds Layered Together (Layer) Two tones sounding together when you press a single key is referred to as a “layer performance.” For instance, it’s possible to play the Tones for both Piano and Strings simultaneously.
32 Chapter 1 Performance Chapter 1 Playing Different Tones with the Left and Right Hands (Split) Dividing the keyboard into right-hand and left-hand areas, then playing different sounds in each section is called “split performance.” The boundary key is called the “split point.
33 Chapter 1 Performance Chapter 1 Turning On Layer and Split Performance Simultaneously Turning on either Layer Performance or Split Performance allows you to divide the keyboard into a upper and a lower part and play with two Tones layered in the lower part, and three Tones layered in the upper part.
34 Chapter 1 Performance Chapter 1 Adding Reverberation to the Sound (Reverb) Apply a reverb effect to the notes you play with the KR. Reverb makes it sound as if you are playing in a concert hall. fig.panel1-3 1. Press the [Surround/Reverb] button and watch the its indicator light up.
35 Chapter 1 Performance Chapter 1 3. Touch the slider beneath the icons to adjust the effect selected. Touch and slide the knob on the screen to the right for a deeper reverb, and to the left for less.
36 Chapter 1 Performance Chapter 1 Adding the Surround Sound Effect to the Accompaniment Using External Speakers (Surround) You can connect an amp or external speaker to the Aux Output jacks and play accompaniment and reverb sounds through it.
37 Chapter 1 Performance Chapter 1 ■ Selecting the Part for the Effect 1. Press the [Surround/Reverb] button and watch the indicator light up. 2. Touch <Surround>. 3. On the Surround Screen, press the [Option] button. The following screen appears.
38 Chapter 1 Performance Chapter 1 fig.d-adv3dopt.eps_60 4. Touch <All Parts> or <Layer Part>. When you press the [Exit] button, you return to the Surround Screen. ■ Changing the Amount of Surround Effect 1. Press the [Surround/Reverb] button and watch the indicator light up.
39 Chapter 1 Performance Chapter 1 Using the Internal Speakers to Add Three-Dimensional Spatiality to the Accompaniment Sounds (Advanced 3D) You can add three-dimensional breadth to the sounds you play with automatic accompaniment (p. 57), or to internal songs or music files.
40 Chapter 1 Performance Chapter 1 ■ Selecting the Part for the Effect 1. Press the [Surround/Reverb] button and watch the indicator light up. 2. Touch <Surround> to display the Surround screen. 3. Press the [Option] button. The following screen appears.
41 Chapter 1 Performance Chapter 1 ■ Selecting the tone to which the effect is applied 1. Press the [Surround/Reverb] button and watch the indicator light up. 2. Touch <Surround> to display the Surround screen. 3. Press the [Option] button. 4.
42 Chapter 1 Performance Chapter 1 ■ Making Detailed Settings for Advanced 3D 1. Press the [Surround/Reverb] button and watch the indicator light up. 2. Touch <Surround> to display the Surround screen. 3. Press the [Option] button. 4. Touch to display the following screens.
43 Chapter 1 Performance Chapter 1 Adding Liveliness to the Sound (Dynamic Emphasis) You can add liveliness to the sound to give it superb clarity and distinctness. fig.panel2-8 1 Press the [Sound Control] button, to display the “Dynamic Emphasis screen.
44 Chapter 1 Performance Chapter 1 Adjusting the Sound to Achieve the Preferred Tone Quality (Equalizer) The KR features a built-in, five-band digital equalizer. An equalizer boosts or cuts specific sound pitches (frequency ranges) to adjust the sound balance for the overall performance.
45 Chapter 1 Performance Chapter 1 4. Touch the slider to make adjustment. You can also move the slider with the dial. When you press the [Exit] button, the equalization is placed in effect, and you return to the previous screen. Cancelling the Effect 5.
46 Chapter 1 Performance Chapter 1 Applying Effects to the Sound (Effects) You can apply a wide range of different effects to the notes you play on the keyboard. 1. First, press the Tone button to select a Tone (p. 28). The “Tone selection screen” appears.
47 Chapter 1 Performance Chapter 1 Adding Effects to Mic Vocals (Vocal Effect) With a microphone connected, you can add effects to the microphone vocals. Adding effects to the vocals is referred to as “Vocal Effect.” ❍ How to select Vocal Effect fig.
48 Chapter 1 Performance Chapter 1 Cancelling the Vocal Effect 4. Press the [Vocal Effects] button and watch the indicator light go out. The Vocal Effect function is cancelled. ❍ Adjusting the Echo (Echo) 1. Touch <Echo> in Step 2 of “How to select Vocal Effect” (p.
49 Chapter 1 Performance Chapter 1 2. Touch any one of the icons. Here’s what the different icons do. 3. Sing through the microphone. Your voice is transformed according to the item you selected. Cancelling the Effect 4. Once again, touch the icon you selected in Step 2.
50 Chapter 1 Performance Chapter 1 2. Touch any one of the icons. Here’s what the different icons do. Cancelling the Effect 3. Touch the Harmonist type you selected in Step 2 again. The Harmonist function is cancelled. Press the [Exit] button to go back to the Vocal Effects screen.
51 Chapter 1 Performance Chapter 1 2. Touch <Arranger> or <Song>. 3. Count to four (“One, two, three, four”) into the microphone. Count out the number of beats per measure in the time signature of the selected song or Music Style.
52 Chapter 1 Performance Chapter 1 ❍ Adding Harmonies to a Specified Part (Music Files) When you sing while playing back a specified part from song data, harmony is added based on pitches of the specified part. 1. Select the song to which you want to add harmony.
53 Chapter 1 Performance Chapter 1 ■ Enjoying Karaoke Performances with Music Files 1. Connect a microphone. 2. Adjust the volume level and the amount of echo applied. On the KR, use the Vocal Effect function to adjust the echo (p. 48). You can also enjoy this effect with the Voice Transformer function (p.
54 Chapter 1 Performance Chapter 1 Using the Metronome The KR features a built-in metronome. During playback of the song and accompaniment, the metronome plays at that tempo and beat. fig.panel1-6 ■ Using the Metronome 1. Press the [Metronome] button and watch the indicator light up.
55 Chapter 1 Performance Chapter 1 ■ Changing the Metronome Settings ❍ Adjusting the Tempo You can adjust the tempo of the metronome. The tempo and beat of the metronome changes automatically if you use an Automatic Accompaniment or play back a song.
56 Chapter 1 Performance Chapter 1 ❍ Changing How the Metronome Beat (Pattern) Sounds You can set the Metronome to play at even smaller intervals. 1.
57 Chapter 2 Chapter 2 Automatic Accompaniment Music Styles and Automatic Accompaniment What is Automatic Accompaniment? Press the One Touch Program [Arranger] button for Automatic Accompaniment’s optimum settings.
58 Chapter 2 Automatic Accompaniment Chapter 2 Performing Using Automatic Accompaniment (One-Touch Arranger) Here’s how to create the settings for Automatic Accompaniment. fig.panel2-1 1. Press the One Touch Program [Arranger] button. The Basic screen like the one shown below appears.
59 Chapter 2 Automatic Accompaniment Chapter 2 ■ About Chords A chord is produced when several notes are played simultaneously. Chords are indicated by the pitch of the fundamental note of the chord (the root) and the chord type, which is determined by the other notes of the chord.
60 Chapter 2 Automatic Accompaniment Chapter 2 ■ Viewing Chord Fingerings (Chord Finder) Whenever you are not sure how a certain chord is fingered, you can display the notes of the chord on the screen. 1. On the Basic screen, touch < >. fig.d-arrbasic.
61 Chapter 2 Automatic Accompaniment Chapter 2 Selecting Music Styles (Music Style Buttons) You can select a variety of different Music Styles by pressing the Music Style buttons. Four different preset styles are assigned to the Music Style. fig.panel2-2 1.
62 Chapter 2 Automatic Accompaniment Chapter 2 ■ Using Keywords to Search for Music Styles (Style Search) You can search for Music Styles that match the tempo of the song, musical genre, or other criteria you set. You can also search Music Styles using the first character of the Style names.
63 Chapter 2 Automatic Accompaniment Chapter 2 ■ Selecting Music Styles on External Memories You can play other User Styles saved to external memories (sold separately) or User memory (p. 158). fig.panel2-3 1. Press the Music Style [User] button. fig.
64 Chapter 2 Automatic Accompaniment Chapter 2 Playing Only Music Style Rhythm Patterns You can also play only the rhythm patterns of Music Styles. fig.panel2-4 1. Select a Music Style (p. 61). 2. Press the One Touch Program [Piano] button. The performance is set so that only the rhythm patterns are played.
65 Chapter 2 Automatic Accompaniment Chapter 2 Starting and Stopping the Accompaniment Pressing the One Touch Program [Arranger] button activates Sync Start for the accompaniment (which starts the accompaniment simultaneously when you play on the lower section of the keyboard), and automatically sets an appropriate intro for the accompaniment.
66 Chapter 2 Automatic Accompaniment Chapter 2 ❍ Starting at the Press of a Button 1. Press the [Intro/Ending] button and [Start/Stop] button simultaneously, and the indicators lights go out. The Sync Start function is cancelled. 2. Play a chord on the lower part of keyboard.
67 Chapter 2 Automatic Accompaniment Chapter 2 ■ Having a Count Sound Play at the End of the Intro (Countdown) If an intro plays before your performance, you can have a count-in sound played to the end of the intro, helping you hear when to start playing.
68 Chapter 2 Automatic Accompaniment Chapter 2 Modifying an Accompaniment When you use Automatic Accompaniment, you can easily add Fill Ins to the accompaniment patterns, change arrangements, and make other changes. ■ Changing the Accompaniment Pattern (Fill In Buttons) There are two accompaniment patterns: the Original, and a Variation.
69 Chapter 2 Automatic Accompaniment Chapter 2 ■ Changing Accompaniment Patterns in the Screen You can change accompaniment patterns in intros, fill-ins, endings, and so on by touching the screen. This lets you enjoy even more advanced performances.
70 Chapter 2 Automatic Accompaniment Chapter 2 Adding Harmony to the Right-Hand Part (Melody Intelligence) You can add harmony to the notes you play on the keyboard. While an Automatic Accompaniment is playing, the matching harmony is automatically added to the notes you are playing with the right hand.
71 Chapter 2 Automatic Accompaniment Chapter 2 Playing Sounds in the Left Hand During a Performance (Lower Tone) Normally, when using Automatic Accompaniment in a performance, sounds are not produced by playing the left-hand part of the keyboard.
72 Chapter 2 Automatic Accompaniment Chapter 2 Playing the Piano with Accompaniment Added (Piano Style Arranger) Usually with Automatic Accompaniment, you play chords on the left-hand side of the keyboard and the melody on the right-hand side.
73 Chapter 2 Automatic Accompaniment Chapter 2 Adjusting the Volume Balance for Each Part (Balance) You can adjust the volume balance between the accompaniment and the keyboard, and the volume balance for each of the parts in a Music Style.
74 Chapter 2 Automatic Accompaniment Chapter 2 The volume balance between the performance parts in the Music Style is indicated. When you touch <Keyboard>, a screen like the following appears. fig.d-partbal1.eps_60 This shows the volume balance between the keyboard’s Tones when either layer performance (p.
75 Chapter 3 Chapter 3 Song Playback Playing a Song Now, let’s try practicing while playing back internal songs, commercial music files, and songs saved to external memories. You can use rewind or fast-forward to go to any desired measure, and play back from that point.
76 Chapter 3 Song Playback Chapter 3 < >: The selected song is played back. This changes to < > while the song is played back; playback stops when you touch < >. By touching <File>, you can then view information about the song (p.
77 Chapter 3 Song Playback Chapter 3 ■ Listening to Songs on CDs (Only for Instrument Equipped with CD Drive) Cautions Handling CDs • Do not leave discs exposed to direct sunlight for extended periods. • Handle CDs with your finger and thumb, holding the disc by the center hole and outer rim.
78 Chapter 3 Song Playback Chapter 3 Insert the CD in the CD Drive 1. Press the eject button and open a disc tray. fig. 2. Put a CD on a disc tray. 3. Press the eject button again to close the disc tray. Removing a CD 1. Press the eject button and open a disc tray.
79 Chapter 3 Song Playback Chapter 3 Playing Back Songs on CDs You can play back the CD included with the KR, CDs with player piano CDs, audio CDs, and CD-ROMs to which SMF music files are saved. 1. Place the CD you want to play in the CD drive. 2. Touch < >< > to select “CD” as the genre.
80 Chapter 3 Song Playback Chapter 3 About Audio Files Audio files in the following format can be played back: • “.WAV” extension • 16 bit linear • Sampling rate of “44.1 kHz” • Stereo You cannot use the following functions in playing back audio files.
81 Chapter 3 Song Playback Chapter 3 ■ Using Keywords to Search for Songs (Song Search) You can search for songs that match the conditions you set regarding the song tempo or genre. You can also search the songs using the first character of the song name.
82 Chapter 3 Song Playback Chapter 3 Registering the Songs You Like (Favorites) You can register songs you are currently practicing or enjoy playing to “Favorites,” allowing you to select these songs easily. Selecting the Song 1. Press the [Song] button.
83 Chapter 3 Song Playback Chapter 3 ■ Removing Songs From Favorites This deletes registered songs for Favorites. 1. Touch < > < > in the Song Selection screen to select the “Favorites” from the genre category. fig.d-song-fvrt.eps_60 2.
84 Chapter 3 Song Playback Chapter 3 Using the Remote Control You can use the included remote control to easily start and stop performances and switch songs. ■ How to Use the Remote Control When using the remote control, aim the remote control at the infrared receiver, keeping in mind the range of operation (below).
85 Chapter 3 Song Playback Chapter 3 ■ About the Remote Control You can also switch the functions for the [ ] (Play/Stop) button, the [FUNC 1] [FUNC 2] button, the TEMPO [-] [+] button, and the TRANSPOSE [-] [+] button. Please refer to “Changing the Functions of the Remote Control’s Buttons” (p.
86 Chapter 3 Song Playback Chapter 3 Button Explanation 1 TRANSFORM This changes the vocals from the mic. The setting switches each time you press the button, cycling through male, female, Kids, and normal voice settings. HARMONY This adds harmonies to the mic vocals.
87 Chapter 4 Chapter 4 Practice Functions With the KR, you can enjoy practice using a variety of functions. Displaying the Notation The KR can display notations not only for the internal songs, but for music files and performances recorded with the KR.
88 Chapter 4 Practice Functions Chapter 4 ■ Touching Notes to Confirm the Sounds (Touch the Notes) In the Notation screen, you can have notes played by touching the notes on the screen. When you display the keyboard in the screen (p. 90), the keys on the keyboard for the notes you touch are then shown in the display.
89 Chapter 4 Practice Functions Chapter 4 ■ Making Detailed Settings for the Notation Display You can change the part appearing on the notation display and change the manner in which the notation is displayed. 1. Press the [DigiScore] button to display the Notation screen.
90 Chapter 4 Practice Functions Chapter 4 3. Touch for the parameter being set to select the value. Press the [Exit] button to return to the Notation screen. Item Setting Zoom Sets whether or not the enlarged notation is displayed. On Displays an enlarged notation.
91 Chapter 4 Practice Functions Chapter 4 Pedal Sets the pedal function. Basic Controls each of the pedal movements. Replay You can start and stop playback of song data with the left pedal.
92 Chapter 4 Practice Functions Chapter 4 ■ Saving Notations as Image Data You can take notations that are displayed on the KR and save them to external memories. You can also use saved image data to your computer. 1. Insert the external memory onto which you want to save the image data in the KR’s external memory port.
93 Chapter 4 Practice Functions Chapter 4 6. Touch the respective parameter and set the range of image data and other settings with the dial. 7. Touch <Execute>. The notation is saved to the external memory as image data in BMP (bitmap) format. * You cannot save copyrighted song data.
94 Chapter 4 Practice Functions Chapter 4 Adjusting the Tempo This changes the song and Music Style tempos. If songs seem difficult to play at their original speed, you may find it helpful to first practice with the tempo slowed down. Then, after becoming more familiar with the song, you can practice it at a gradually faster tempo.
95 Chapter 4 Practice Functions Chapter 4 fig.d-usrfunc.eps_60 2. Touch for the Performance Pad to which the function is assigned, then select “Tap Tempo.” 3. Press the [Exit] button; the tempo is indicated in the upper left of the screen. Specifying the Tempo 4.
96 Chapter 4 Practice Functions Chapter 4 Match the Tempo Before You Begin Playing (Count In) When you’re playing along with a song, you can listen to the tempo before you start playing by adding a count-in. This audible count before the song playback is called a “Count In.
97 Chapter 4 Practice Functions Chapter 4 Muting Some Parts Before Playing (Track Buttons) With commercially available music files for piano lessons, the part for each hand can be played back independently. This makes it easy to practice hands separately.
98 Chapter 4 Practice Functions Chapter 4 Setting Markers for Repeated Practice (Marker) By setting markers at points in a song that you want to practice repeatedly, you can then easily go to and repeat play back of the selected measures. ■ Placing a Marker within a Song You can place two separate markers (Marker A and Marker B) in one song.
99 Chapter 4 Practice Functions Chapter 4 Marker A is placed at the beginning of the measure you selected. “- - -” on the screen will change to the number of the measure where you placed the marker. 5. In the same way, touch the Marker B <- - -> to set Marker B.
100 Chapter 4 Practice Functions Chapter 4 ■ Moving a Marker You can move a marker that has been placed in a song. You can also move the section of music defined by Markers A and B forward or back, without changing the number of measures of marked. 1.
101 Chapter 4 Practice Functions Chapter 4 ■ Playing Back the Same Passage Over and Over You can play back a particular passage over and over. This is convenient when you want to focus on a passage. 1. First, set Marker A and Marker B to define the measures you want to repeat.
102 Chapter 4 Practice Functions Chapter 4 Transposing Keyboard Sounds and Songs Played Back (Transpose) By using the “Transpose function,” you can transpose your performance without changing the notes you play.
103 Chapter 4 Practice Functions Chapter 4 3. Touch the screen keyboard or , to select the transposition value. Each time you press or , it transposes the key by a semitone. When you touch , a value of “0” is set. You can also use the dial to change the transposition value.
104 Chapter 5 Chapter 5 Recording and Saving the Performance You can easily record performances using the five track buttons. A recorded performance can be played back to listen to your own playing, or to add additional parts. You can use the KR to make the following kinds of recordings.
105 Chapter 5 Recording and Saving the Performance Chapter 5 Recording a New Song (New Song) This records keyboard performances without the use of the internal songs or Automatic Accompaniment. fig.panel4-1 Settings for Recording Performances 1. Press One Touch Program [Piano] button.
106 Chapter 5 Recording and Saving the Performance Chapter 5 Start Recording 6. Press the [ (Play/Stop)] button. A two-bar count-in plays, then recording starts. Even without pressing the [ (Play/Stop)] button, recording starts when you play the keyboard.
107 Chapter 5 Recording and Saving the Performance Chapter 5 Recording With Accompaniment Try recording a performance along with the Automatic Accompaniment. Settings for Recording Performances 1. Press the One Touch Program [Arranger] button. This chooses the setting for Automatic Accompaniment.
108 Chapter 5 Recording and Saving the Performance Chapter 5 Track buttons assignments for recorded performances Performances that have been recorded using Automatic Accompaniment are assigned to the track buttons as shown below. Track button Performance Recorded [R/Rhythm] The rhythm part of an Automatic Accompaniment is recorded here.
109 Chapter 5 Recording and Saving the Performance Chapter 5 Recording Along with a Song Try recording along with internal songs and songs on external memories. Here, record your right-hand performance along with the song accompaniment. Settings for Recording Performances 1.
110 Chapter 5 Recording and Saving the Performance Chapter 5 Recording stops. Listening to the Recorded Performance 9. Press the [ (Reset)] button, then press the [ (Play/Stop)] button. The recorded performance is played back. When you press the [ (Play/Stop)] button, playback stops.
111 Chapter 5 Recording and Saving the Performance Chapter 5 Erasing Recorded Performances You can use the following method to delete a recorded performance. 1. Hold down the [Song] button and press the [ (Rec)] button. A screen like the one shown below appears.
112 Chapter 5 Recording and Saving the Performance Chapter 5 3. Touch <Rec Stop> to switch between “Arranger Stop” and “Composer Stop.” Recording Songs Starting with Pickups You can record songs that start with pickup beats (songs that start on a beat other than the measure’s first beat).
113 Chapter 5 Recording and Saving the Performance Chapter 5 Using External Memories If you install separately available external memory or a floppy disk drive, you’ll be able to save songs you’ve recorded and listen to commercially available music data.
114 Chapter 5 Recording and Saving the Performance Chapter 5 ■ Formatting Media (Format) The process of preparing external memory or disks so that they can be used with the KR is called “initialization” (formatting). In certain cases, particularly with floppy disks, the media is formatted for a specific type of device.
115 Chapter 5 Recording and Saving the Performance Chapter 5 5. Touch <Media> to select the storage media to be initialized. 6. Touch <Execute>. A confirmation screen appears. If you want to quit the initialization, touch <Cancel>. 7.
116 Chapter 5 Recording and Saving the Performance Chapter 5 Saving Songs A recorded performance is discarded when you switch off the power or choose another song. Storing recorded performances and other data to external memories or the Favorites is called “saving.
117 Chapter 5 Recording and Saving the Performance Chapter 5 Determining the Name of the Song to be Saved 4. Touch <Rename>. The following “Rename screen” appears. fig.d-songname.eps_60 When you touch , the cursor moves. When you touch the icon for the letter or character to be input, the character appears at the cursor location.
118 Chapter 5 Recording and Saving the Performance Chapter 5 Some Tones are unique to the KR. Data that is recorded using these tones may not play back correctly on other Roland Digital Pianos or Music Players.
119 Chapter 5 Recording and Saving the Performance Chapter 5 Deleting Saved Songs This deletes songs that have been saved on external memories, or to Favorites. To delete a song on an external memory, first connect the external memory to the external memory port.
120 Chapter 5 Recording and Saving the Performance Chapter 5 Copying Songs on External Memories to Favorites You can take songs saved on external memories and copy them to Favorites. You can also copy songs in Favorites to external memories. 1. Connect the external memory with the song to be copied to the external memory port.
121 Chapter 5 Recording and Saving the Performance Chapter 5 8. Touch <Execute>. Do not eject the external memory from the external memory port until the copy is finished.
122 Chapter 6 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) With this instrument you can create performance data that, like the CD included with the KR, contains Moving Keys data.
123 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) Chapter 6 1. Press the [Menu] button. The “A/V Sync” display will appear. If the “Composer Menu” screen appears, touch to switch the page. 2. Touch the <A/V Sync Output>.
124 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) Chapter 6 When the transmission of the initial setup ends, the following message appears. 5. When the “Start performance” message appears, start playing the KR. 6. When you have finished the performance, touch <Stop Output.
125 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) Chapter 6 A screen like the one shown below appears. When you touch the <Set Aux Input for Playback>, the screen to change the setting is displayed. Change the setting and the connections.
126 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) Chapter 6 ■ Making Advanced A/V Sync Output Settings 1. Press the [Menu] button. The “A/V Sync” display will appear. If the “Composer Menu” screen appears, touch to switch the page.
127 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) Chapter 6 Playback (Aux Input) ■ Making the Connections fig.05-2-03 fig.05-2-04 1. Press the [Menu] button. The “A/V Sync” display will appear. 2. Touch to switch the page, then touch the <Aux Input>.
128 Chapter 6 Creating Performance Data Including Moving Keys (A/V sync) Chapter 6 3. Touch the <Mode> to select “A/V sync.” When you display the “Song selection screen” after you set “A/V Sync” for the <Mode> setting, and the song category automatically changes to “Aux Input Decode.
129 Chapter 7 Chapter 7 User Program Registration You can register the currently selected tones, transposition and volume balance, and a variety of other settings as “favorite performance settings” (User Program). This allows you to call up the registered favorite performance settings whenever you need them.
130 Chapter 7 User Program Registration Chapter 7 Saving Performance Settings (User Program) Any collection of settings, including those describing the current status of your data selections or settings Automatic Accompaniment, can be saved to the [User Program] button.
131 Chapter 7 User Program Registration Chapter 7 Calling Up Saved User Programs You can easily call up settings saved to the [User Program] button. 1. Press the [User Program] button. The “User Program screen” appears. Touch the scroll bar and drag up or down to scroll through the screen and display other name of User Programs.
132 Chapter 7 User Program Registration Chapter 7 When you touch <Ins>, a space is inserted at the cursor position. 5. When you have finished with the name, press the [Exit] button. Determining the Save Destination 6. Touch <Media> to select the save- destination strage media.
133 Chapter 7 User Program Registration Chapter 7 Deleting Saved User Program Sets You can delete individual User Program sets saved to external memories or in user memory. When deleting a set of User Programs on an external memory, first connect the external memory to the external memory port.
134 Chapter 7 User Program Registration Chapter 7 8. Touch <Execute>. The set of User Programs on the external memory is saved to user memory. * Never turn off the power or eject the external memory from the external memory port while the operation is in progress.
135 Chapter 7 User Program Registration Chapter 7 Simultaneously Switching User Program and Transmitting PC Numbers You can have PC (Program Change) numbers be transmitted to an external MIDI device when you switch the User Program on the KR.
136 Chapter 8 Chapter 8 Creating and Editing Songs Multitrack Recording with 16 Parts (16-Track Sequencer) Multitrack recording always you to listen to previously recorded material while continuing to add performances of other parts. The KR is capable of multitrack recording of up to sixteen parts.
137 Chapter 8 Creating and Editing Songs Chapter 8 fig.d-16tr.eps_50 ■ Modifying the Settings of Each Part You can change the Tones and volume, as well as mute the playback, for each individual part in songs recorded with the 16-track Sequencer and the internal songs.
138 Chapter 8 Creating and Editing Songs Chapter 8 When you press the [ (Play/Stop)] button, you hear what the song sounds like as you change the settings. When you press the [ (Play/Stop)] button, playback of the song stops. 5. Touch to make settings for other parts.
139 Chapter 8 Creating and Editing Songs Chapter 8 ■ Recording a Performance ❍ Start Recording Selecting the Part to Record 1. Display the 16-track Sequencer screen (p. 136). 2. Touch the number for the Part you want to record. The button for the touched part being set turns orange.
140 Chapter 8 Creating and Editing Songs Chapter 8 Changing the Recording Method (Rec Mode) You can use any of the four methods below to record with the KR.
141 Chapter 8 Creating and Editing Songs Chapter 8 ■ Layering a Recording Over Previously Recorded Sounds (Mix Recording) You can record a performance layered over a previously recorded performance. This method is called “Mix Recording.” 1. In the “Rec Mode screen,” select <Mix>.
142 Chapter 8 Creating and Editing Songs Chapter 8 ■ Re-Recording Part of Your Performance (Punch-in Recording) You can re-record part of a passage as you listen to a recorded performance.
143 Chapter 8 Creating and Editing Songs Chapter 8 Press the [Exit] button to return to The “Composer Menu” screen. 2. Begin recording. Begin recording using the procedures described in “Recording While Selecting the Track Buttons (Redoing Recordings)” (p.
144 Chapter 8 Creating and Editing Songs Chapter 8 4. Press the [Exit] button. You are returned to the Chord Sequencer screen. 5. Enter the chord progression and the accompaniment pattern. Refer to “Inputting Chords with the Chord Sequencer.” 6. When you have finished inputting all the data, touch <Execute>.
145 Chapter 8 Creating and Editing Songs Chapter 8 Editing Songs There are many ways you can edit performances recorded using the KR Track button or 16-track sequencer. ■ Basic Operation of the Editing Functions * While songs are being loaded, the measure number in the upper right of the screen is highlighted (text and background are inverted).
146 Chapter 8 Creating and Editing Songs Chapter 8 ■ Copying Measures (Copy) You can copy a portion of a performance to a different bar in the same Part or to a measure in another Part. This is handy when you’re composing a song that repeats a similar phrase.
147 Chapter 8 Creating and Editing Songs Chapter 8 When finished with the Quantize settings, return to the Song Edit screen. ■ Deleting Measures (Delete) You can delete a part of a performance measure by measure. When a portion of a performance is deleted, the rest of the performance is shifted up to fill the gap.
148 Chapter 8 Creating and Editing Songs Chapter 8 ■ Transposing Individual Parts (Transpose) You can transpose specified parts and tracks individually. At Step 3 of “Selecting the Editing Function” (p. 145), select <Transpose>. A screen like the one shown below appears.
149 Chapter 8 Creating and Editing Songs Chapter 8 ■ Exchanging Parts (Part Exchange) You can exchange the notes recorded for a particular part with the notes recorded for another part. This process of exchanging parts is called “part exchange.” At Step 3 of “Selecting the Editing Function” (p.
150 Chapter 8 Creating and Editing Songs Chapter 8 ■ Modifying the Tone Changes in a Song (PC Edit) In some songs, the instrument sound changes during the course of the song (that is, the Tone changes in the middle of a Part). In such songs, an instruction to switch the Tone is inserted at the place where you want the sound to change.
151 Chapter 8 Creating and Editing Songs Chapter 8 5. Touch <Execute>. The beat change starts with the measure you selected. Repeat Steps 3–5 to make beat settings in other measures as needed. Recording the Performance 6. Press the [Exit] button twice.
152 Chapter 8 Creating and Editing Songs Chapter 8 6. When you press the [ (Play/Stop)] button, recording begins. 7. When you get to the place where you want to change the tempo, use the Tempo [-] and [+] buttons or the dial to vary the tempo as desired.
153 Chapter 9 Chapter 9 Creating Music Styles Creating Original Styles (User Styles) Although the KR features a variety of internal Music Styles, you can also create your own. These original Styles are called “User Styles.” You can use either of the two methods described below to create a User Style.
154 Chapter 9 Creating Music Styles Chapter 9 3. Touch <Style Composer>. * If a User Style has already been recorded, a message like the one shown below appears. fig.m-styledel.eps Touch <Cancel> to return to the “Composer Menu” screen.
155 Chapter 9 Creating Music Styles Chapter 9 If you want to hear the muted-out Part, touch <Mute> again. * To mute out a Division that changes after a few seconds (intro, ending, or fill-in), touch <Mute> immediately after switching to the Division.
156 Chapter 9 Creating Music Styles Chapter 9 ❍ Creating Styles in Auto Mode Points to note when creating songs • Use one of the major, minor, or diminished seventh chords to create the song. We recommend using diminished seventh chords to compose the song.
157 Chapter 9 Creating Music Styles Chapter 9 7. Touch <From> and <For>, then use the dial to select the measures to be extracted. Touching <Play> at the bottom of the screen, you can listen to performance of the portion which you chose.
158 Chapter 9 Creating Music Styles Chapter 9 Saving a User Style You can save the User Styles you create to external memories and the user memory. When saved to the user memory, User Styles are not deleted when the power is turned off. You can also select Styles saved to the user memory by pressing the Music Style [User] button.
159 Chapter 9 Creating Music Styles Chapter 9 7. Touch to select the save-destination number. If a Style name is displayed, a style is already saved to that number. If you select a number with a previously saved User Style and then save to that number, the previously saved User Style is deleted.
160 Chapter 9 Creating Music Styles Chapter 9 Copying Styles on External Memories to the User Memory You can take User Styles saved on external memories and copy them to user memory. You can also take User Styles saved in user memory and copy them to external memories.
161 Chapter 10 Chapter 10 Various Settings Changing the Settings for One-Touch Arranger ■ Procedure 1. Press the One Touch Program [Arranger] button to display the Basic screen. fig.d-arrbasic.eps_50 2. Press the [Option] button. A screen like the one shown below appears.
162 Chapter 10 Various Settings Chapter 10 ■ Changing Music Styles Without Changing the Tone or Tempo (One Touch Setting) Normally, when you select a Music Style, the Tone and tempo settings suitable for that Music Style are selected automatically.
163 Chapter 10 Various Settings Chapter10 At Step 3 “Procedure” (p. 161), touch <Arranger Config>. fig.d-arrset.eps_50 Touch of each item to make settings.
164 Chapter 10 Various Settings Chapter 10 Placing a Marker in the Middle of a Measure A marker is normally placed at the start of the selected measure, but you can also set it so that a marker is placed at a position partway through a measure.
165 Chapter 10 Various Settings Chapter10 Other Settings You can change the tuning, the language shown on the display, and other settings to make the KR easier to use. ■ Procedure 1. Switch to the Basic screen, or press the One Touch Program [Piano] button.
166 Chapter 10 Various Settings Chapter 10 3. Touch the name of the parameter you want to set. Refer to the corresponding page for each function. 4. Press the [Exit] button to return to the Functions screen.
167 Chapter 10 Various Settings Chapter10 ■ Assigning Functions to Pedals and Performance Pads (Pedal Setting/User Functions) You can assign a variety of functions to the left and center pedals, the expression pedals, and the performance pads. You can call up the assigned functions just by pressing the corresponding pedal or pad.
168 Chapter 10 Various Settings Chapter 10 * What is the leading bass function? The function that sounds the lowest note of a fingered chord as the bass tone is called “Leading Bass.” When this function is turned on, the Bass Tone changes when chord inversions are used.
169 Chapter 10 Various Settings Chapter10 ❍ Functions that can be assigned (Expression Pedals Only) ■ Changing the Bend Range (Pedal Setting) The effect of smoothly raising or lowering the pitch of a played note is called the “bender effect.
170 Chapter 10 Various Settings Chapter 10 ■ Changing Standard Pitch (Master Tune) “Standard pitch” generally refers to the pitch that is heard when you play middle A. When performing in an ensemble with other instruments, adjust the standard pitch so that the instruments of the ensemble match.
171 Chapter 10 Various Settings Chapter10 fig.d-usrimage2.eps_50 3. Touch the name of the stored image data. When you touch <Preview>, you can then show the selected image data on the display selected in Step 1. 4. Touch <Save>. The selected image data is stored.
172 Chapter 10 Various Settings Chapter 10 * Never turn off the power while the display indicates <Executing...>. Doing so will damage the KR’s internal memory, making it unusable. ■ Restoring the Factory Settings (Factory Reset) You can return the content stored with “Memory Backup” (p.
173 Chapter 10 Various Settings Chapter10 2. Press the [Exit] button to return to the Functions screen. Changing the [ ] (PLAY) Button Functions 1. Touch <PLAY> to assign functions to [ ] (PLAY) button. 2. Press the [Exit] button to return to the Functions screen.
174 Chapter 10 Various Settings Chapter 10 ■ Changing the Infrared Transmission Function Settings Some digital devices equipped with an IrDA (infrared) port are able to transfer song data in SMF format to the KR. For more detailed information, refer to the owner's manual for the digital device.
175 Chapter 10 Various Settings Chapter10 ■ Calibrating the Touch Screen (Touch Screen) If you’ve been using the touch screen for some time, the pointer may be shifted, making the KR react incorrectly. You should correct this displacement when necessary by performing calibration (repositioning).
176 Chapter 10 Various Settings Chapter 10 Using the Track Buttons to Choose the Part That Makes the Keys Move Upon power-up, the instrument is set so the keys move along with the performances of the Whole, Upper, and Lower tracks.
177 Chapter 10 Various Settings Chapter10 Changing the CD Settings (Only for Instrument Equipped with CD Drive) 1. Press the [Menu] button. The “Composer Menu” or the “A/V Sync” screen appears. 2. Touch < > < > to switch the page, then touch <CD>.
178 Chapter 10 Various Settings Chapter 10 Showing a Series of Images on an External Display (Slide Show) You can use the KR to display your favorite images stored on external memory using a connected external display or television set.
179 Chapter 10 Various Settings Chapter10 ■ Setting the Image Display Duration When running slide shows of multiple image files saved on external memory, you can specify the length of time each image is to appear. 1. Press the One Touch Program [Piano] button.
180 Chapter 10 Various Settings Chapter 10 Formatting the User Memory The KR features an internal storage area where you can save recorded performances and User Styles. This space is called the “User Memory.” The following content is stored to the user memory.
181 Chapter 10 Various Settings Chapter10 Adjusting the Piano Designer Resonance You can made precise changes to the Piano Designer “Resonance” setting. More of the resonance effect is applied as the value is increased. 1. Press the [Piano Designer] button.
182 Chapter 10 Various Settings Chapter 10 Detailed Song Playback Settings ■ Changing the Tone Settings When Playing Back Songs (Play Mode) With the normal setting, GS tones (sounds that are compatible with other GS instruments) will normally be used to play back song data.
183 Chapter 10 Various Settings Chapter10 → The screen may be switched when you press the button while the Lyrics screen is displayed. To have the lyrics displayed again, touch < > on the Piano or Basic screen, or stop playback of the song, then press the [ (Play/Stop)] button.
184 Chapter 10 Various Settings Chapter 10 MEMO KR117_115_r_e.book 184 ページ ２００６年２月２７日 月曜日 午前１１時５５分.
185 Chapter 11 Chapter 11 Connecting External Devices You can connect the KR to external devices such as audio equipment, MIDI instruments and computer.
186 Chapter 11 Connecting External Devices Chapter 11 Making the Connections 921 * To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. 1. Turn off the power to the KR and the display to be connected.
187 Chapter 11 Connecting External Devices Chapter11 ■ Explanation of Each Items Mode You can have different images displayed on the television or external display than those appearing on the KR's own display. Notes When Switching the Display on External Displays and Televisions • Lyrics are not displayed with audio CDs.
188 Chapter 11 Connecting External Devices Chapter 11 Connecting MIDI Devices By connecting an external MIDI device and exchanging performance data, you can control one device from the other. For instance, you can output sound from the other instrument or switch Tones on the other instrument.
189 Chapter 11 Connecting External Devices Chapter11 Performing in Ensemble with MIDI Instruments (MIDI Ensemble) You can connect an electronic percussion device or other MIDI instrument to the KR’s MIDI In connector for ensemble playing. Making the MIDI settings for the instrument connected to the MIDI In connector is easy.
190 Chapter 11 Connecting External Devices Chapter 11 Making the Settings 1. Press the One Touch Program [Piano] button. 2. Press the [Option] button. 3. Touch <MIDI Setting> or <Program Change>. 4. Touch to make the setting for each item.
191 Chapter 11 Connecting External Devices Chapter11 ■ Sending Tone Change Messages (Program Change/Bank Select MSB/Bank Select LSB) A Program Change is a message that means “change to the Tone of the specified number.” The device that receives this changes to the Tone of the corresponding number.
192 Chapter 11 Connecting External Devices Chapter 11 Output Jacks (Main Output/Aux Output) You can connect audio equipment using audio cables (sold separately) and play the sounds from the KR through the speakers on the connected equipment, or record your performances on a recording device.
193 Chapter 11 Connecting External Devices Chapter11 1. Turn the volume all the way down on the KR and on the device you’re about to connect. 2. Turn off the power to the KR and other connected equipment. 3. Use audio cables (sold separately) to make the connection.
194 Chapter 11 Connecting External Devices Chapter 11 Connecting External Speakers You can connect external speakers and have what is played on the keyboard be output through the KR’s speakers while the accompaniment is played through the connected external speakers.
195 Chapter 11 Connecting External Devices Chapter11 Connecting a Computer ■ Connect to the MIDI Connectors You can use a USB MIDI interface cable (sold separately) to connect the KR to your computer.
196 Chapter 11 Connecting External Devices Chapter 11 Connection examples fig.comp.e 1. Turn off the power to the KR and the computer. 2. Start up the computer.
197 Appendices Appendices Troubleshooting If you think there’s a problem, read this first. Case Cause/Remedy The power doesn’t come on Is the power cord connected and plugged in correctly? (p. 21) The button doesn’t work Is the panel locked? (p.
198 Troubleshooting Appendices No sound is heard Is the speaker cable connected and plugged in correctly? Is V-LINK switched on? (p. 187) When V-LINK is switched on, the twelve keys at the left end of the keyboard are used to control images, and no sounds are played with these keys.
199 Troubleshooting Appendices A High-pitched whine is produced When listening through headphones: Some of the more flamboyant and effervescent piano tones feature an ample high-end component, which may make the sound appear to have metallic reverberation added.
200 Troubleshooting Appendices KR operation is sluggish when external memory is connected Is <Mode> in the “External Display Setting” set to “Slide Show?”(p. 186) If the connected external memory contains data to be used in a slide show, the slide show will begin automatically.
201 Appendices Error Messages Indication Meaning Error 01: You can only read the music file. It can not be saved. Error 02: An error occurred during writing. The storage media’s protect tab may be in the “Protect” (writing prohibited) position, or the storage media may not yet be initialized.
202 Appendices Tone List [Piano] [Organ] [Guitar / Bass] [Strings] 1 Superior Grd 2 NaturalGrand 3 Vintage EP 4 Natural Hps. 5 Vibraphone 6 MagicalPiano 7 EP Belle 8 Mallet Isle 9 FM E.Piano 2 10 ’60sE.Piano1 11 Music Bell 3 12 Superior+Str 13 Superior+Pad 14 Superior+Cho 15 Ariel Piano 16 Phase Clav.
203 Tone List Appendices [Sax/Brass] [Voice] 44 Contrabass 45 Santur 46 Yang Qin 47 Yang Qin 2 48 Er Hu 49 Soft Pad 50 Soft Pad 2 51 Syn.Strings1 52 Syn.
204 Tone List Appendices 154 Echo Pan 2 155 Big Panner 156 Ai-yai-a 157 Saturn Rings 158 Star Theme 159 Rising Osc 160 Galaxy Way 161 12th Planet 162 PolySweep Nz 163 En-co-re 164 Piano 1 165 Piano 1w 166 Piano 1d 167 Piano 2 168 Piano 2w 169 Piano 3 170 Piano 3w 171 Honky-tonk 172 Honky-tonk 2 173 E.
205 Appendices Drum Set List * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. R&B Snare Rock Snare m 1 Rock Snare m 2 Pop Snare m 1 P.
206 Drum Set List Appendices * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. ---- ---- ---- Bar Chime Snare Roll Finger Snap High Q Slap.
207 Drum Set List Appendices * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. ---- ---- ---- Bar Chime Snare Roll Finger Snap High Q Slap.
208 Drum Set List Appendices * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. ----- ----- ----- Bar Chime Snare Roll Finger Snap High Q S.
209 Appendices Effects List Effect Type Explanation Equalizer This is a four-band stereo equalizer (low, high). Spectrum This is a stereo spectrum. Enhancer Adds sparkle and tightness to the sound. Isolator Adds a special effect to the sound by cutting the volume in varying ranges.
210 Appendices Music Style List (KR117) [Pop/Rock] [Ballad/Acoustic] [Oldies/Country] [Big Band/ Swing] [Gospel/Latin] [Trad/World] 1 '80s Rock 2 Idol Ballad 3 Pop 4 '80s Pop 1 5 Funky Disco.
211 Appendices Music Style List (KR115) [Pop/Rock] [Ballad/Acoustic] [Oldies/Country] [Big Band/ Swing] [Gospel/Latin] [Trad/World] 1 '80s Rock 2 Idol Ballad 3 Pop 4 '80s Pop 1 5 Funky Disco.
212 Appendices Chord List * ● symbol: Indicates the constituent note of chords. * ★ symbol: Chord shown with an “ ★ ”can be played by pressing just the key marked with the “ ★ ” (p.
213 Chord List Appendices * ● symbol: Indicates the constituent note of chords. * ★ symbol: Chord shown with an “ ★ ”can be played by pressing just the key marked with the “ ★ ” (p.
214 Appendices Internal Song List Folks 1 Greensleeves 2 Entertainer 3 Annie Laurie 4 Londonderry Air 5 Ave Maria 6 Amazing Grace 7 Little Brown Jug 8 When The Saints Go Marchin’ In 9 Stagecoach 10 .
215 Internal Song List Appendices 981a * All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
216 Appendices Parameters Stored to Internal Memory Parameters Stored in the User Program → “Saving Performance Settings (User Program)” (p. 130) Parameters Stored in Memory Backup → “Remembering the Settings Even When the Power is Turned Off (Memory Backup)” (p.
217 Appendices Music Files That the KR Can Use What Are Music Files? Music Files contain information describing the details of a musical performance, such as “the C3 key on a keyboard was pressed for this amount of time, using this amount of force.
218 MIDI Implementation Chart Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Prog Change System Exclusive System Common System Real Time Aux Message Notes .
219 Appendices Main Specifications KR117M KR115M KR115 <Keyboard> Keyboar d 88 keys (Progr essive hammer action keyboard with escapement) T ouch Sensitivity 100 levels Keyboar d Mode Whole, Split (adjustable split point), Layer , Arranger , Piano Style Arranger , Manual Drums / SFX <Sound Generator> Conforms to GM2 / GS / XG Lite Max.
220 Main Specifications Appendices 962a * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
221 Index Numerics 16-Track Sequencer ..................................................... 136 A A/V sync ...................................................................... 122 AC Inlet ............................................................
222 F Factory Reset ................................................................ 172 Factory Setting Touch Screen .......................................................... 175 User Memory ......................................................... 180 Favorites .
223 Percussion ...................................................................... 29 Performance Pad ................................................... 69, 167 Phones jack ..................................................................... 23 Phones Jacks .
224 T Tap Tempo ..................................................................... 94 Television ..................................................................... 186 Temperament ............................................................... 166 Tempo .
As of December 10, 2005 (ROLAND) Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
To resize thickness, move all items on the front cover and center registration marks to left or right..
/ * 04017912 - 03 * Owner’s Manual 04017912 ’06-03-3N Owner’s Manual To resize thickness, move all items on the front cover and center registration marks to left or right /.
An important point after buying a device Roland KR-115 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Roland KR-115 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Roland KR-115 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Roland KR-115 you will learn all the available features of the product, as well as information on its operation. The information that you get Roland KR-115 will certainly help you make a decision on the purchase.
If you already are a holder of Roland KR-115, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Roland KR-115.
However, one of the most important roles played by the user manual is to help in solving problems with Roland KR-115. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Roland KR-115 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
