Instruction/ maintenance manual of the product MICROKORGXL140210 Korg
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Precautions Location Using the unit in the following locations can result in a malfunction. • In direct sunlight • Locations of extreme temperature or hu midity • Excessively dusty or dirty loca.
Table of Contents 3 T able of Contents Introduction ........................................... 5 1. Main features ...... ................................ ............... 5 2. Front and rear panels ...... ........... ............ .......... 6 Front panel .
microKORG XL 4 4. Vocoder parameters .......... ................ ............. 55 Front panel vocoder parameters .............................................................. 55 5. Global parameters ............. ................ ............. 57 6. MIDI parameters .
Introduction 5 Introduction Introduc tion Thank you for purchasing the Korg microKORG XL . In order to take full advantage of your new instrument, please read this manual carefully and use the product as directed.
microKORG XL 6 2. Front and rear panels Fron t p an e l 12 3 45 6 78 9 1 0 11 12 13 14 15 16 17 18 1. [VOLUME] knob This adjusts the volume of the OUTPUT jacks (L/MON O, R) and head- phone jack. 2. [TEMPO] knob This adjusts the tempo (speed) of the arpeggiator , LFO, or delay ef fect.
Introduction 7 8. [VOCODER] (AUDIO IN THRU) button This turns the vocoder on/off ( J p. 13). (When on, the LED above the but - ton will be lit.) By holding down the [EXIT/SHIFT] button and pressing this button, you can switch the AUDIO IN THRU setting ( J p.
microKORG XL 8 Rear panel 6 7 8 9 1 3 4 5 2 1. [HEADPHONES] jack Y ou can connect headphones to this ja ck (stereo 1/4"). 2. OUTPUT [L/MONO], [R] jacks Y ou can connect powered monitors, a stereo amp , mixer , or multi-track recorder to these jacks.
Preparations 9 Prepara tions 1. Connec tions MIDI IN MIDI OUT USB Mic Mic Computer connect AC adaptor (included) to electrical outlet Monitor speakers (amplified) Headphones MIDI keyboard, sound module, rhythm machine, etc. The illustration belo w shows a typi cal example of connections for the microKORG XL .
microKORG XL 10 2. T urning the pow er on Before y ou turn on the power Make sure that the power switch is off (the outward position) before you prepare the power supply . Connecting the AC adapter 1. Make sure that the microKORG XL is powered- off. 2.
Preparations 11 T urning the po w er off After completing any necessary operations such as saving your edited pro- gram, turn off the power using the following procedure. Never turn off the power while data is bein g saved (i.e., while execut - ing the Write operation).
microKORG XL 12 Qu i c k s ta rt 1. Demo per formance Listening to the demo The microKORG XL contains demo songs that show off its sounds ( J p. 98 “3.Demo Song”). 1. Hold down the [ EXIT/SHIFT] bu tton and pr ess the [ARP ON] button. The demo performance will begin.
Quick start 13 Playing a v ocoder program A vocoder modifies the signal from an oscillator or other source (the “car- rier”) by applying the spectral characte r istics of an external input source such as a human voice (the “modulator”).
microKORG XL 14 3. Modifying the sound T o make your performance more expr essive , you can modi fy the sounds of the microKORG XL by using the [1]–[3] knobs, the [PITCH] wheel, the [MOD] wheel, and by how you pla y the keyboard. T ry out various ways to play each program you select.
Quick start 15 Using the [ OCTA VE] le ver to swit ch oc tav es The area of pitches assigned to the keyboar d can be changed in one- octave steps over a range of +/–3 oct aves.
microKORG XL 16 Using the k nobs to modify the sound Performance edit parameters When the [KNOB FUNCTION SELECT] dial is set to “ASSIGN,” “FIL TER,” “AMP EG ,” “EFFECT ,” or “ARP ,” you can use knobs [1]–[3] to control the performance edit functions.
0 Attack Level Time Note on Note off Level [1]: Attack Time [3]: Sustain Level [2]: Decay Time [4]: Release Time [1] [3] [4] [2] EG2 Quick start 17 P er formance editing when ASSIGN is selected If the [KNOB FUNCTION SELECT] dial is set to “ASSIGN,” the most useful parameters for the currently selected program will be assigned to the knobs.
microKORG XL 18 4. Pla ying arpeggios Using the arpeggia tor The arpeggiator is a function that automatically plays a br oken chord (arpeggio) when you hold down a chord on the keyboard.
Editing the sound 19 Editing the sound 1. Ho w a program is or ganized Before you start editing, you’ll need to understand the basics of how the sounds are created. Once you understand how the microKORG XL ’s sounds are structured, you’ll be able to freely create the sounds you want.
microKORG XL 20 Oscillator (OSC1, OSC2, NOISE) Oscillator 1 (OSC1) lets you choose from seven types of oscilla tor algo- rithm such as the sawtooth wave or square w ave familiar from analog syn- thesizers, as well as formant wa ve, noise, and PCM/DWGS, and also lets you select the input signal from the AUDIO IN jack.
Editing the sound 21 Arpeggiator (ARPEGGIA TOR) The arpeggiator automatically generates an arpeggio (broken chord) when you hold down a chord on the keyboard. For programs t hat use two tim- bres, you can apply the arpeggiator to ei ther or both timbr es.
microKORG XL 22 Carrier (CARRIER) The most suitable choice as a carrier is a waveform that contains large numbers of overtones, such as a sawtooth wave or pulse wave.
Editing the sound 23 3. Full E dit mode If you set the [KNOB FUNCTION SELECT] dial to “FU LL EDIT ,” all o f the parameters will be available for editing. NOTE This inc ludes the MIDI-r elated se ttings (GLOBAL). Editing in Full Edit mode 1. Select the program that you want to edit.
microKORG XL 24 If the parameter value does not change when y ou turn the kno b Suppose that you’ve turned knob [1] to edit a certain parameter , and that the knob is in the position shown.
Editing the sound 25 The LED of the selected timbre will light-up, and that timbre will be the one affected by your editing. NOTE The TIMBRE SEL ECT LED won’t light if t he COMMON page “VO - IC.MOD E” pa rameter is SINGLE . The LED of the tim bre being edited will l ight if you’ ve selected LA YER, SPLIT , or MUL TI as the voice mode ( J p.
microKORG XL 26 3. Connect an audio signal from your external device to the input, and adjust the AUDIO IN [LEVEL] knob as high as possible without allowing the “C LIP” indicator to appear in the display . 4. Play th e keyboard while listening to the sound.
Editing the sound 27 3. Use knob [3] to turn the selected step on/of f. TYPE: UP LAST STEP: 8 In the display , enabled steps are indicated as “O” (on). If you turn knob [3] to change the indication to “–” (off), that step will be a rest. NOTE The number of av ailabl e steps is spe cified by the ARP page “LAST .
microKORG XL 28 5. O ther func tions Initializing a program Here’s how to initialize the settings of the currently selected program. 1. In Full Edit mode, turn knob [1] to select “IN IT .PROG .” 2. T urn knob [2] to make the display indicate “SURE Y/N.
Editing the sound 29 Procedure for transmission Connect the microKORG XL ’s MIDI OUT connector to the MIDI IN of the device that will be receiving the MIDI data dump, and set both devices to the same MIDI channel. If you want to use a USB connection, co nnect the microKORG XL to your computer via a USB cable.
microKORG XL 30 2. Use knob [2] to select the desired type of preload dat a. 1 PROG: Only the data for the currently selected program w ill be loaded (the parameters of the NAME–VC BANK pages and the settings of the front panel buttons and knobs) . ALL PROG: All program data will be loaded.
Saving (Writing) 31 Sa ving ( Writing) 1. S aving the settings y ou’v e edit ed If you’ve edited a program and would like to u se that edited program again in the future, you’ll need to save (write) it. Likewise, if you’ve edited settings in the GLOBAL–USR.
microKORG XL 32 P arameter Guide 1. Timbre parameters NAME The microKORG XL lets you assign a name of up to eight characters to each program. In Play mode, the display will show the program number an d program name. T o edit the program name 1. Use knob [1] to select the NAME page.
Parameter Guide 33 T2MIDI.CH (Timbre 2 MIDI channel) .................... ......... [ GLOBAL, 01…16] When the “VOIC.MODE” is set to either Layer or Multi, this parameter can be used to set the MIDI channel for timbre 2. If you choose Global, the MIDI channel of timbr e 2 will match the global MIDI channel.
microKORG XL 34 KNOB Here you can assign the parameter that will be controlled by kn obs [1]–[3] when you set the [KNOB FUNCTION SELECT] dial to ASSIGN. Y ou can make assignments for knobs [1]–[3] independently for timbre 1 and timbre 2; the knobs will control t he timbre that’s selected by the [TIMBRE SELECT] lever .
Parameter Guide 35 UNISON Here you can adjust settings for the Un ison function which “stacks” voices at the same pitch to create a richer sound. MODE ............ ............... ............ ............... [ OFF , 2 V OICE , 3 VOICE , 4 VO ICE] When the Unison Switch is turned on, y ou can specify the numbe r of voices that will be stacked.
microKORG XL 36 TRANSPOS (Transpose) ..................... ............... ............... ....... [–48...+48] Adjusts the pitch of the oscillators in semitone steps.
OSC2 OSC1 Cross Mod Depth OSC2 output OSC1 output OSC1 Freq Mod OSC1–1 OSC1–2 OSC1–3 OSC1 Output Unison Detune OSC1–4 OSC1–5 Parameter Guide 37 UNISON : Unison simulates skew ing the pitc h of five stacked oscillators from within a single oscillat or , to create a richer sound.
microKORG XL 38 1. When W ave: Saw , Pulse , T riangle, Sine and OSC1 Mod: W av eform Control1: W AVEFORM ........... ............... ............ ....
Parameter Guide 39 3. When W ave: Noise, and OSC1 Mod: Wav eform Control1: Resonanc e .................... ............... ............... .......... [000…127] This parameter adjusts the amount of re sonance of the filter provided within the noise oscillator .
microKORG XL 40 Control2: L FO 1 Intensi ty ........ ............... ............ ............... .... [000…127] This parameter adjusts the depth of the additional modulation applied by LFO1 to the cross modulation effect. 7. When W ave: Saw , Pulse , T riangle, Sine and OSC1 Mod: Unis on Control1: Detune .
Parameter Guide 41 RING : Oscillator 2 will be used as a ring modulator . By adjusting “SEMI- TONE” or “TUNE” you can create metallic sounds with little sense of pitch. This is useful for sound effects. Ring modulation generates the sum and difference of the oscillator 1 and 2 waveforms.
microKORG XL 42 PUNCH.L VL (Punch Le ve l) .................... ............... ............... .... [000…127] Creates a more “snappy” attack by adjus ting the amount of pulse waveform that is added to the oscillator output only during the attack.
Parameter Guide 43 ROUTING .............. ............ ............... .... [SINGLE, SERIAL, P ARALLEL, INDIV ] S pecifies the routing (connection) between filter 1 and f ilter 2. EG1 INT (EG1 Intensity/Filter1) ........... ............ ..............
microKORG XL 44 Increasingly negative (–) settings will allow a correspondingly greater effect in the opposite direction. KEY TRK (Keyboard T racking/Filt er1) ....... ............ ............. [–2.00...+2.00] This specifies how keyboard tra cking (the keyboard location that you play) will affect the cutoff frequency .
Parameter Guide 45 With positive (+) settings, the volume will increase as you play above the C4 note on the keyboard, and will decrease as you play below C4. With negative (–) settings, the volume will decrease as you p lay above the C4 note on the keyboard, and will increase as you play below C4.
microKORG XL 46 POSITION .......... ............... ............ ............... ........... [PRE F ILT1, PRE AMP ] S pecifies the position at which the dr ive or wave shape functions will be applied. PRE FILT1 : Drive or wave shape will be applied bef ore filter 1.
Parameter Guide 47 VEL INT ( Velocity Intensity) .................... ............... ............... . [–63...+63] This specifies how your keyboard velocity (playing streng th) will affect the amplitude of EG1. Higher settings of th is parameter will allow changes in your keyboard velocity to produce gr eater differences in EG amplitude.
microKORG XL 48 LFO 1, LFO 2 Each timbre contains two LFOs. An LFO produces a cyclic change that can be used to modulate the pitch, tone, or volume of the sound . NOTE LFO1 and LFO2 can b e used as Virtu al Patch s ources to apply modula - tion to a variety of p aram eters.
Parameter Guide 49 ON : The LFO will be synchronized to the [TEMPO] knob or to MIDI Clock messages from an external device. NOTE If “BPM SYNC” is On, select ing LFO1FREQ or LFO2FREQ as “DEST” i n P A T CH 1–6 w ill have no ef fect. FREQ (Frequency) .
microKORG XL 50 DEST (Destination) .................... ............... ............ ......... [PITCH…P .INT6] Selects the parameter (destination) that will be controlled by the modula- tion. For example if you select Tune, modulation will be applied to the over- all pitch of the timbre.
Parameter Guide 51 EQ (Equalizer) 3dB 3dB Low EQ Frequency High EQ Frequency 0dB +Gain –Gain EQ Here you can adjust the equ alizer se ttings. The equalizer is a shelving type. L O FREQ (Low EQ Frequency) ...................... ............... ..... [0020…1000Hz] S pecifies the frequency of the low equalizer .
microKORG XL 52 2. Arpeggio parameters Front P anel Arpeggio P arameters [TEMPO] knob S pecifies the playback tempo of the arpeggiator . NOTE The speed of mo dulation s equences and LFOs for which “BPM Sync” is On will be synchroniz ed to the tem po you sp ecify here.
Parameter Guide 53 TRIGGER : The notes you are holding down will be played simultaneously at the tempo and “RESOLUTN” timing. The “OCT .RANGE” setting will be ignored. NOTE If you are hol ding down more note s than the maximum polyp hony of the timbre, the low est pitches you are ho lding dow n will be playe d, up to the maximum polyphony .
microKORG XL 54 ARP .STEP (Arpeggiator Step) Here you can turn each step of the arpeggio pattern on/off. This is a way to give more variety to arpeggios that might become boring. TRIGGER .............. ............ ............... ............... ....
Parameter Guide 55 4. V ocoder paramet ers Front panel v ocoder parameters [VOCODER] button This switches the V ocoder function on/off. Off (LED unlit): V ocoder is of f. The program will not use the vocoder . On (LED lit): The vocoder is on. The pr ogram will be a vocoder prog ram, and the vocoder parameters wi ll be available for editing.
microKORG XL 56 VC FIL T ( V ocoder Filter) Here you can adjust the settings for the car rier’s sixteen band-pass filters and modulator ’s envelope filter . Y ou’ ll be using these parameters fre- quently , since they play an important role in determining the character of the vocoder .
Parameter Guide 57 VC BAND ( V ocoder Band) These parameters specify the output level and panning (stereo position) for each of the carrier ’s sixteen band-pas s filters (the synthesis filter). LEVEL1...16 .... ............... ............... ......
microKORG XL 58 VEL.CURVE ( Velocity Curve) ..... ............ ............... .......... [1…8, CONST127] 4 5 Strength (MIDI Velocity) ppp MIN (1) Velocity MAX (127) 3 8 7 6 2 1 fff (1) (127) 1 2, 3 4 5 6 7 8 CONST127 Different velocity curve lets you t ailor the response o f the keyboard to your own playing style.
Parameter Guide 59 PROTECT ................. ............... ............... ............... ............... ..... [OF F , O N ] This specifies whether internal memory will be pro tected. OFF : Y ou’ll be able to write to internal memo ry . ON : The following Write operations will be prohibited.
MIDI OUT MIDI IN TG OUTPUT DUMP IN etc... KBD/KNOB OUT DUMP OUT etc... USB MIDI RX (EXT) USB MIDI TX (INT) USB MIDI TX (EXT) USB MIDI RX (INT) microKORG XL MIDI OUT microKORG XL KBD/KNOB microKORG XL .
Parameter Guide 61 SYS EX (System Ex clusive) ....... ............... ............ .......... [DISABLE, ENABLE] Selects whether MIDI system excl usive messages will be transmitted and received. DISABLE : MIDI system exclusive messages will not be transmitted or received.
microKORG XL 62 USR.SC ALE (User Sc ale) Here you can specify a user -defined scale. Y ou can specify a pitch adjust- ment of –63 to +63 cents for each note in the octave (C–B). KEY .................. ............ ............... ............... .
Effect guide 63 Eff ec t guide 1. About the effects As effects, the micro KORG XL provides a two-band EQ and two master effects. Y ou can use the EQ to modi fy the sound of each timbre, and use the master effects to apply spatial-type processing to the overall sound.
microKORG XL 64 About the delay time TM RA TIO (Time Ratio) For delay effects, the actual delay time will be the delay time multiplied by the “TM RA TIO.
Effect guide 65 2. Effec t P arameters • [Parameter name] : These are the parameters that can be assigned to [CTRL-1] or [CTRL-2]. ( J p. 63 “Effect knob assignments” ) 1.
microKORG XL 66 FL T T Y PE (Filter T ype) .............. ............... ............ ............... ............ ......... [LPF24 (–24dB/oct), LPF18 (–18dB/ oc t), LPF12 (–12dB/oct), HPF12 (–12dB/oct), BPF12 (–12dB/oc t)] Selects the filter type.
Effect guide 67 KEY SYNC (LFO KeySync) ................ ............... ............ ............... .. [O F F, ON ] S pecifies how the LFO will be reset at note-on. NOTE This pa rameter will b e displayed an d can be set if “M OD SRC ” is LFO. Note on Note on Note on Note all off With OFF , the LFO phase will not be reset when note-on occurs.
microKORG XL 68 B1 T YPE ..................... ............ ............... ............ ...... [P EAKING , SHELV L O] Selects the EQ type of Band 1. B1 FREQ (B1 Frequenc y) ................ ............ ............... .... [20Hz…20.0kHz] Sets the center frequency of Band 1.
Effect guide 69 B1 FREQ (B1 Frequenc y) ................ ............ ............... ....... [20Hz…20kHz] Sets the center frequency of Band 1. B1 Q ........... ............... ............ ............... ............ ............... .. [00.5…10.
microKORG XL 70 FS.MOD .INT (Fs Modula tion Intensity) ....... ............... ......... [–63…+63] Sets the depth of sampling frequency LFO modulation.
Effect guide 71 FEEDBACK ................... ............ ............... ............... .......... [000…127] Sets the amount of feedback for the left and right channels.
Left Right Dry / Wet Dry / Wet Stereo In - Stereo Out LFO Spread LFO Shape Pan Pan LFO MOD Depth Delay Delay High Damp High Damp Feedback Trim Trim microKORG XL 72 DRY/WET .......... ............... ............ ............... .. ["DRY " , 99:1…1:99, "W ET"] Sets the balance between the effect and dry sounds.
Effect guide 73 9. MOD .DEL AY (Stereo Modula tion Delay) Left Right Feedback LFO Spread Dry / Wet Dry / Wet Stereo In - Stereo Out Delay Delay LFO This is a stereo modulation delay .
microKORG XL 74 LO DA M P ........... ............ ............... ............ ............... .......... [000…100%] Sets the damping amount in the low range. TRIM .......... ............... ............ ............... ............ ...............
Effect guide 75 DELAY ............. ............ ............... ............ ............... ... [00.0…30.0ms] Sets the delay time in millisecond steps. MOD .DEPTH (Modulati on Depth) .............. ............ ............. [000…127] Sets the depth of LFO modulation.
microKORG XL 76 SYNC.NOTE (LFO Sync Note) ............. ............ ............... ...... [8/1…1/64] Sets the LFO frequency as a proportion of the tempo set by the [T EMPO] knob. NOTE This pa rameter will b e displayed an d can be set if “LF O SYN C” is ON.
Effect guide 77 KEY SYNC (LFO KeySync) ................ ............... ............ ............... .. [O F F, ON ] S pecifies whether the LFO will be reset by note-on. J p. 67 “KEY SYNC (LFO KeySync)” INI.PHASE (LFO Init Phase) .................
Left Right Dry / Wet Dry / Wet Stereo In - Stereo Out Pre LPF Ring Modulator Pre LPF Ring Modulator Note No. OSC Mode Fixed Note (Key Follow) Fixed Frequency Pitch Note Offset, Fine Oscillator LFO microKORG XL 78 DRY/WET .......... ............... ...
Effect guide 79 17. GRAIN.SFT ( Grain Shifter) + Left Right Sample Cycle Dry / Wet Dry / Wet Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out LFO Grain Shifter This effect samples extremely brief fragments of the sound at a specified interval, and plays them as a loop.
microKORG XL 80 MIDI 1. Using the microK ORG XL with other MIDI devices (MIDI) Here you can adjust MIDI-related settings for the microKORG XL . MIDI stands for Musical Instrument Digital Interface, and is a world-wide standard for exchanging various types of musical data between electronic musical instruments and computers.
MIDI 81 Connecting an external MID I sequencer or computer etc. If you want to record your performance on the microKORG XL ’s keyboard into your external MIDI sequencer/com puter (via a MIDI interfa.
microKORG XL 82 • Normally when controlling the microKORG XL ’ s tone generator from an external MIDI device, you will set “POSIT ION” to PRE TG . The various set - tings listed above will affect the MIDI data that is received. The transmitted data will be processed as “TRANSPOS”: 0 and “VEL.
MIDI 83 Using the external MIDI device as master and the microKORG XL as slave Connect the microKORG XL ’s MIDI IN connector to your external MIDI device’s MIDI OUT connector . Use knob [1] to select the MIDI page, use knob [2] to select “CLOCK,” and use knob [3] to select “EXT MIDI”; the microKORG XL will be the slave.
microKORG XL 84 Program change, Bank select Program change [ Cn, pp] (n: channel, pp: program number ) When you switch programs, a program chan ge message with a program number for the corresponding program 1 –128 (A1 1 –B88) will be transmit- ted.
MIDI 85 •E x p r e s s i o n ( C C # 1 1 ) [Bn, 0B, vv] When expression messages are received, the volume of a t imbre will be controlled. The volume will be at maximum if the maximum value (127) is received, and at zero if the minimum value (0) is received.
microKORG XL 86 3. P arameters transmitted and receiv ed via NRPN Front panel knobs and buttons other than the controls listed above are assigned NRPN (Non Registered Parameter No.). NRPN messages can be used freely by any musical inst rument manufacturer or model.
MIDI 87 GA TE values Va l u e (transmitte d, r eceived) Gate Ti me [%] Va l u e (transm itted, r eceived) Gate Ti me [%] Va l u e (transmitted, re ceived) Gate Ti m e [%] Va l u e (transmitted, re ceived) Gate Ti me [%] For example if you want to switch the arpeggiator on/off from an external MIDI sequencer , make the following settings.
microKORG XL 88 Con tro ll in g t he Vi r t ua l Patc h1 …Patc h6 De st in ati on • Dest1…Dest6: [Bn, 63, 04, Bn, 62, 08…0D, Bn, 06, mm] (n: channel, mm: parameter value) Controlling the v ocoder parameters These messages are transmitted and received on the Global MIDI channel.
MIDI 89 Vocoder Switch V ocoder switch: [Bn, 63, 05, Bn, 62, 04, Bn, 06, mm] (n: channel, mm: parameter value) Ot her controls These messages are transmitted and re ceived on the Global MIDI channel. V oice Mode (C OMMON page “VOIC.MODE”) V oice Mode (“VOIC.
microKORG XL 90 4. Front panel knob/butt on control change assignments Control changes can be assigned to each front panel knob/button of the microKORG XL so that the changes in sound as controlled by knob/button operations can be transmitted as perfor mance data.
MIDI 91 FIL TE R2 CUTOFF CC#30 0...127 0...127 RESO CC#68 0...127 0...127 TYPE CC#29 0...42: LPF , 43...83: HPF , 85...127: BPF 0...42: LPF , 43...83: HPF , 85...127: BPF EG1 INT CC#69 0/1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63 0/1: –63, 2: –62.
microKORG XL 92 OSC 2 “SEMITONE” v alues The following table shows how the control change values transmitted/ received by the OSC2 page “SEMITONE” setting correspond to the value of the parameter .
MIDI 93 “SYNC.NOTE” value when LFO 1/ 2 or DELAY “BPM SYNC” = ON If BPM SYNC is on, the “FREQ” parameter of LFO 1/2 and the delay parameter of the master effect s will change to “SYNC.
microKORG XL 94 Appendices 1. T rouble shooting Before you suspect a malfunction, please check the following points. P owe r does not turn on Is the AC adapter connected to an AC outlet? J p. 9 Is the POWER switch turned on (pressed inward)? J p.
Appendices 95 Can't write programs or global settings Is the GLOBAL page PROTECT setting OFF? If the edited program or global setting did not remain, did you use knob [1] to specify the d.
microKORG XL 96 2. Program List No. Program Name Genre Category V oice Mode Arpegg io A1 1 SYNBRASS VINT AGE POL Y SYNTH Single Of f A12 MG BASS VINT AGE BASS Single Off A13 ROBOSYNC VINT AGE LEAD Sin.
Appendices 97 NOTE The sounds A18, A28, A48, A58, A68, A78 , A88, B1 8, B28, B48, B58, B68, B78, and B88 are pr ograms that u se the mic i nput (au dio input) . In order to pl ay these soun ds, you must connect a mic or exte rnal audio d e - vice to the microKORG X L and play t he keyboard whi le sound i s being input.
microKORG XL 98 3. Demo Song No. Song Name A uthor 1 2 3 4 5 6 7 8 9 10 All Demo Songs: ©2008 KORG Inc. —All rights reserved. RADIOTEK KORG CLUBST AR Henning V erlage SNOW KORG BADGIRLZ KORG TRANCER Henning V erlage EVOL TION Hennin g V erlage TLKBOXER KOR G DEEPSEA KORG PUZZLES KORG PREVIEW H.
Appendices 99 4. Specific ations and options Sound generation system MMT (Multiple Modeling T echnology) Programs Number of timbres Maximum 2 (when using Layer , S plit, or Multi) Polyphony 8 voices (.
microKORG XL 100 5. Index A AC adapter ............................................ 10 ADSR ....................................................... 46 Amp (AMP)..................................... 19, 20 ARPEGGIATOR ....................... 21, 26, 82 Arpeggio parameter.
Appendices 101 Appendices.
microKORG XL 102.
4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan IMPORT ANT NO TICE T O CONSUMERS © 2008 KORG INC. This product has been manuf actured according to strict specifications and voltage require- ments that areapplicable in the country in which it is intended that this product should be used.
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