Instruction/ maintenance manual of the product V1253 Kodak
Go to page of 78
Ko d a k E a s yS ha r e V 1253 zo om di gi tal c ame ra U s e r ’ s gu id e ww w. kod a k .c o m F o r in te r ac tiv e tuto ri a ls : ww w. kod a k .
E a s tma n Ko d a k C o mp a n y Roc he s te r , Ne w Yo rk 14650 © Ea s tma n K od a k C omp a ny , 2007 A l l s cr e en im a ge s ar e si m ula t ed . K o d ak , Ea sy Sh a r e , a n d Per f ec t To u c h ar e t r a d em ar k s of E as t m an K o d ak C o m p a n y .
Pr o d u c t f eat u r es ww w . ko d ak. c o m/g o / su p p o rt i Fr ont v ie w NO T E : 6 , 7 , a nd 8 a r e a l so B a t te r y C ha r g i ng li gh t s .
ii ww w . ko d ak. c o m/g o / su p p o rt Pr o d u c t f eat u r es Ba ck v i e w 1 L C D 7 J oy st i ck ; O K b ut ton (pr e ss) 2 R ev i e w b u tt o n 8 S h a re b u tt o n 3 Speake r 9 B at t er .
ww w . ko d ak. c o m/g o / su p p o rt iii T a bl e of con t ent s 1 1 Se t t i n g u p yo u r c am er a ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... .1 At t a ch i n g t h e s t r ap .. .. .. .. .
iv ww w . ko d ak. c o m/g o / su p p o rt T a b le of c ont e n ts U nd e r s t an d i ng t h e r e v i e w i co n s .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. ... 2 8 4 Do i n g m o r e w it h y o u r c a me r a .
ww w . ko d ak. c o m/g o / su p p o rt 1 1 S e t t i ng up your c a m e r a IM P O RTA N T: F o r p ac kag e c o n t en t s, see y o u r p r o d u c t p ac ka g e. Atta ch i n g th e st rap L o a di ng t he K L I C -7 004 ba t t e r y F o r in f orma tion on re p l a cing ba tte rie s a n d e xte n ding ba tte ry li f e , s e e pa ge 6 1 .
2 ww w . ko d ak. c o m/g o / su p p o rt S e tti ng up y ou r c a m e ra C h a r gin g t h e ba t te r y C har g e u n t i l al l 3 B a tt e r y C h a r g i n g l ig h t s are lit .
S e t t i ng up y our c a m e r a ww w . ko d ak. c o m/g o / su p p o rt 3 C h arg in g th e b att er y usin g o ther accessor i es Tu rn i n g o n th e ca m e ra P re s s the On / Off bu tto n to tu rn th e c ame ra on i n A u to mode .
4 ww w . ko d ak. c o m/g o / su p p o rt S e tti ng up y ou r c a m e ra Se tti n g th e la n gu a g e a n d d ate /ti m e NO T E : T o c h ange l a ngua ge i n t he fut ur e , se e p a ge 3 6 . T o ch ange da t e & tim e , se e pa ge 36 . S t orin g pi c ture s on a n S D o r M MC c ar d Y ou r c a me ra h a s inte rn a l m e mo ry .
ww w . ko d ak. c o m/g o / su p p o rt 5 2 T akin g p ic tur es/v id eo s Ta k i n g a p i ct u r e 1 P re s s th e On /Off o r A u t o /S C N b utt o n to tu rn on t he ca m e r a . 2 Co m p os e t h e p i c t u r e. 3 P re s s the S hu tte r b utto n hal fw ay to fo cus a nd s e t e xp os u re .
6 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s Usin g t h e fra m i n g m a r k s to t a k e pict u r e s F r a mi n g ma rk s i n dica te th e ca me ra focu s are a . I n A u to mo de ( a n d in SCN m o de s d e s i gne d for pi ct ure s of pe opl e ), th e ca mer a a tt e mpt s to foc u s on fa ce s.
T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 7 Usin g t h e 3 X op tic a l z oom 1 U se t h e L C D t o f r a m e y o u r s ub j ec t . 2 To z o o m i n , p r es s Telep h o t o ( T) . T o zo om o ut, p r e s s Wi de A ngl e ( W ).
8 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s U sing t he se lf- t im e r Us e the se lf- ti me r w he n you w ant to be i n cl ude d i n a pi ctu re , or to e nsu re a ste a dy S hu t te r bu tton pr e s s . Plac e the c a me ra on a tr i p od o r f la t s urf a ce .
T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 9 Usin g the fla s h Y ou r ca me ra s a ve s t he f l a s h s e tt i n g, e ve n a fte r y ou tu r n o ff the c a me ra . T o ma k e th e ca me ra re tu rn to its d e f a ult se ttin g s ( s uch a s A u to f l a s h) , tur n o ff M a inta in S e tting s ( se e pa ge 34 ).
10 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s Using di ffe re nt m ode s Ch o os e t he m o d e t h a t be st su i t s y ou r s u bj e c ts a n d su r r o un d i n gs. U s e t h i s mode Fo r Aut o Gene r a l pi ct ur e tak i ng — of fe r s a n e x cel l e nt bal a nc e of i ma ge qual i ty and e ase of us e .
T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 11 U s in g Scen e ( SC N ) m o d es Ch o os e a Sc en e m o d e— fo r g r ea t p i c t u r es in pr a c t i c al l y an y s i t u at io n! 1 P re s s the A uto / S C N b u tto n u ntil th e S ce n e ico ns a p pe a r on the LC D .
12 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s Ma n ne r/ Mu s eu m Qu i e t oc casi o ns, l i k e a w e d di ng o r l e c t u r e . F l a sh and soun d a r e d isa b l ed . Pla c e t he c am er a o n stead y s urf ac e or t r ip od .
T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 13 U sing c a m e r a H e lp T o be tte r und e rs t a n d ea ch men u opti on , us e came ra He l p . H i ghl ight a me nu ch oi ce , th e n pr e s s t he Z oom te l e ph ot o (T ) but ton.
14 ww w . ko d ak. c o m/g o / su p p o rt 3 W o rki n g with pi c t u re s / v ide os Re v i ew i n g p i c t u r es / v i d eo s 1 P re s s the Re vi e w b utto n. 2 P re s s fo r p re vi ous/ ne x t pi ctur e / v ideo . M a gn i f y i n g a pi c t ur e 1 P r es s T t o m ag n i f y 1 X – 8 X .
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 15 D e le ting pic t u r e s/ v ide os 1 P re s s the Re vi e w b utto n. 2 P re s s for pr e vi ou s/n ext pic ture /vi de o . 3 P re s s the D e le te b u tto n. 4 Follo w t h e sc r een p r o m p t s .
16 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Us i n g th e m en u b u tto n i n r evi e w 1 P re s s the Re v ie w butt o n, th e n the M e nu but t on.
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 17 C ropp i n g pic ture s Y ou ca n crop a pi c ture s o that on l y t he de sir e d po rti on of th e pi ctu re re mai n s. 1 P re s s the Re vi e w butto n , th e n t o f i n d a pi ct u r e t o cr o p .
18 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Pla y ing a s o und ta g 1 P re s s t he R e vi e w butt o n, t h e n t o f i nd a ta gg e d p i c t ure . 2 Pr e s s to pl a y t h e s o un d t a g. 3 Pr e s s to a d j u s t th e v o l u m e .
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 19 E ditin g vide os Y ou ca n do i ncre di bl e thi ngs w i th you r vi de os ! Making a p ict u re fro m a v id eo Y ou ca n choo se a s i ngle f r a me from a vi de o , the n mak e a p i ctur e sui ta bl e f or a 4 x 6 -inch ( 10 x 15 c m) p rint.
20 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Making a v id eo ac tio n p ri n t F r om a vi d e o , yo u c a n ma k e a 4-, 9-, or 16-u p p ictur e , s u ita ble f o r a 4 x 6-i n ch ( 10 x 15 cm) p rin t. 1 P re s s th e Re v i e w butt on, the n to fi n d a vi de o .
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 21 Us i ng v i de o bo ok m a r k s Y ou ca n se t b ook mark s a t i nt ere s ti ng pl a c e s i n yo ur vi d e o , th en j ump f r om one b ook ma rk to a no the r . S e tt in g bo ok m a r k s 1 P re s s the Re vi e w b utto n, th e n to f ind a vide o.
22 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s R un n ing a s l id e sho w U s e S lid e S h o w t o d is p la y y o u r p ic t u r e s / vid eo s o n t h e LC D . NO T E : If y o u hav e a K odak E a sy S h a r e H DT V dock , se e i ts G e t t i ng S t a r te d G ui de .
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 23 C h oo s i ng a s li de s ho w transit ion C hoo se h ow the s l ide s how tr a ns i ti ons f r om one p i cture to ano t he r . 1 O n the S li de S h ow me nu, pr e s s to hig hli ght T r a n s i ti on , the n pre ss th e OK bu t t o n.
24 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s D is p lay i ng p ictur es /v id eo s on a telev is ion Y ou ca n di spl a y pi ctur e s /v ide os on a t e l e v isi on , com pu t e r m o ni tor , o r a ny de v ic e e qui p pe d w i th a v ide o i n put.
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 25 R u nni ng a slid e s ho w w it h t he p ho to fr ame d o ck 2 Y our pa ck a g e may i ncl u de a n E as yS ha r e pho to fra m e do ck 2. ( T o purc h as e a c ce ss ori e s, v i si t w w w .
26 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s V ie wing pi c tur e s/ vid e os in diff e r e n t w a ys Vie wing as th um bnails ( mu lti- up ) 1 P re s s the Re vi e w b utto n. 2 P re s s W t o c ha n ge fr om s i ngle - pi ct ure vi e w to mul ti - up th umbna il s .
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 27 S e le c t ing m ult iple pic t u r e s/ vid e o s U s e t h e mu lt i-s ele c t f ea t u r e w h e n y o u h a ve t w o o r m o r e p ic t u r e s/v id eo s t o p r in t , t r a n s f er , d elete, etc .
28 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Unde r sta n din g the r ev i e w icons Pi ctur e s Vid e o s Em ai l t ag Fa vo r i te ta g P ri n t ta g / n u.
W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 29 Und e rs tand ing the b lur w a rn i ng icons I f th e f e a tu r e i s tu rn e d on ( s e e pa ge 33 ) , a bl ur a l e rt ic on i s disp l a ye d duri n g p i c t u r e r e v i ew a n d q u i c kv ie w.
30 ww w . ko d ak. c o m/g o / su p p o rt 4 Do in g mo re w it h yo u r c a m e ra Us i n g th e m en u b u tto n to c h a n g e s e tti n g s Y ou ca n cha nge s et t ings to ge t the b es t re s ul ts fr om y our c a me r a.
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 31 Bu rst C ame r a t a k e s up t o 3 pi ct ur e s w hi l e t h e S hut t e r but t on i s pr e s se d. C apt ure a n e v e n t, suc h as a pe r s on s w i n gi ng a gol f cl ub .
32 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra Using t he c ap t u r e plus t ab A F Co n tro l C hoos e a n au to- f ocu s se t t i ng .
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 33 E x p o s u re M e te ri n g Ev alu at e lig ht lev els at s pec if ic ar eas of a sc e n e . M ul t i -Pa t t e r n (de f a ul t )— e v a l uates l i ght i n g c ondi t i ons t hr o ugho ut the i m a ge t o gi v e a n opt i m um pi ct ure e x po sur e .
34 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra U s in g th e v i de o ta b Ma in t a in S e t tin g s Ch oo s e wh ic h set t in gs ar e s av ed , ev en af t er t h e c am er a is tu rn e d o f f . Av a i la b l e o nly i n Au t o m od e.
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 35 C ust omizing you r c a m e ra Us e S e t up to cus t omi ze y our ca m e r a .
36 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra O r i e nt at i o n S e n s or O r ien t pic t u r es/ v ideo s so t h a t t hey ar e d i s p l a ye d w i th th e c o r re c t s i d e u p . O n ( d ef au l t ) Off Ca me ra S o u n d s Ch o os e s o un d ef f e c t s .
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 37 Fo r m a t C A U T I ON: F o r m a t t i n g d e le t e s a l l pi ct u r e s / v id e os , i n c l u di n g t hos e t h at ar e p r o t ec t ed . R em o v i ng a c a rd d ur in g fo rm at ti n g m a y da m a g e t h e ca rd.
38 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra T a k ing pa no r a m ic p ic t ur e s Us e pa nor a ma to “s t it ch” up to 3 pi ctu re s i n to a pa nora mi c sce ne . NO T E : F or be st r e su l t s, use a t rip od.
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 39 Usin g e xposu re com pe n sa tion to a d j u st pi c ture b r ight ne ss B e fo r e you ta k e a pi ct ure , yo u ca n a dj u st e xpos ure compe ns a ti on to ma k e pi ct u re s da r k e r o r l i gh t e r.
40 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra S ha r in g your p ic t ur e s P re s s the S ha re bu tton to ta g yo ur pic tu re s / vi de o s . Whe n the y a re tr a n sf e rre d to you r co mpute r , y ou ca n s har e the m .
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 41 S e c on d— t a g p i c tu r e s / v id e o s o n y o ur c a m e ra 1 P re s s t he S ha re bu tt on . Pr e ss t o f i nd a pi ctu re /vi de o. 2 P re s s to h i g hl ight E mai l , th en pre s s t he OK butt o n.
42 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra Thi r d —t r ansf er and emai l Wh e n yo u t ran sfe r t he ta gg e d pi c ture s/ v ide os to yo u r c omput e r , E a s yS har e s of tw are p rompt s y ou t o se nd the pi ctur e s /v i de os .
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 43 P re ve n t in g c a me ra f a vo ri te s f ro m s yn c h ro ni z i n g w it h th e s of tw a re I f y o u do n ’t w a nt to us e t he f a v o r i t e s f e a tu r e : 1 O p en E as y S h ar e s o f t w ar e.
44 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra Tagg i ng p ict ur es/vid eo s fo r alb um s Us e the Album fe a ture t o t ag the p ic tur e s /v ide os in you r c ame ra w i t h a l bum na mes .
D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 45 Pr e- t ag g ing fo r alb u m n am es U se t he Set A l b u m f e at u r e t o p r e- s e l ec t a l b u m n am e s b e f o r e y o u t ake pic t u r es/ v id eo s.
46 ww w . ko d ak. c o m/g o / su p p o rt 5 T ra n s f er r in g and p r in t in g pi c t u re s C A U T I ON: B e f o re c o n n e c tin g a n y c a bl e s , i n s t a ll th e s o f tw a re th a t w a s i n cl ude d wi t h y o ur ca m e ra. F a i l ur e t o d o so ma y ca use t he s o f t wa r e t o lo a d in c o r r e c t ly .
T r a n s fer r in g a nd pr i nt i n g pi ct ur e s ww w . ko d ak. c o m/g o / su p p o rt 47 T r ans f e r rin g p i c t u r es / v id e o s U s in g th e U SB cab le I f y o u do no t h a v e a n E a s yS h a r e do c k , u s e a K o da k U S B c a bl e, m o d e l U - 8 a n d t h e U SB / A/ V ad ap t e r .
48 ww w . ko d ak. c o m/g o / su p p o rt T r a n s f e r r i ng a nd pr i nt i ng pi c t u r e s U s i n g o t h e r op t i on s Y ou ca n al s o us e th e s e K od ak p r odu ct s to t ra ns fe r y.
T r a n s fer r in g a nd pr i nt i n g pi ct ur e s ww w . ko d ak. c o m/g o / su p p o rt 49 C on n e c t in g t h e c am e r a t o a P i ct Br id ge e n a b l e d pr in ter 1 T urn o f f t he ca me ra a n d p ri n te r . 2 Co n ne c t t h e a p p r o p r i at e U S B c ab le f r o m t h e c a m er a t o t h e p r i n t e r .
50 ww w . ko d ak. c o m/g o / su p p o rt T r a n s f e r r i ng a nd pr i nt i ng pi c t u r e s Using a p r inter that is n ot P ictB rid ge enab led A ft e r you t ra n s fe r pi c ture s f rom the ca m e r a to yo ur com pute r , y ou ca n pri n t t he m from E a s yS h a re s of tw a re .
ww w . ko d ak. c o m/g o / su p p o rt 51 6 T r ou b le s h o ot in g Ca m e ra pr ob lem s St at us So l ut io n Cam e r a d oes no t tu rn o n ■ Mak e s u r e t h e b at t er y is c ha r g ed a nd ins t alled c o r r ec t ly ( s ee page 1 ). ■ T u rn th e ca m er a o f f , th e n o n a g a i n .
52 ww w . ko d ak. c o m/g o / su p p o rt T r ou bl e sh oot i ng C o mp u t er /c o n n ec t i vi ty p r o b lems B at t er y lif e is sh o r t ■ Mak e s u r e t h e c o r r ec t b a t t er y t y pe is in s t alled ( see pag e 61 ).
T r ou bl e s h o ot i ng ww w . ko d ak. c o m/g o / su p p o rt 53 P i c tu r e qu a li ty pr ob l e ms Co m pu t er d oes n ot c ommu ni cat e w i t h th e c a m er a ■ Make s ure t h e b at t er y is c ha r ged an d in st alled c orr ec t ly ( see pa ge 1 ).
54 ww w . ko d ak. c o m/g o / su p p o rt T r ou bl e sh oot i ng Di re c t p r i n ti n g ( P ic tB r id ge e n a b le d pr in te r ) p ro b l e m s Pi c tur e i s t oo l i g ht ■ R e p osi tio n t he cam e ra t o r e duc e th e amou nt of a v a i l abl e l i ght .
ww w . ko d ak. c o m/g o / su p p o rt 55 7 Ge tti n g h e lp Ca me ra So f t w ar e Ot h e r Em ail, wr it e, or p ho n e K o da k w w w .k od a k .com /go /co ntac t Get s uppo r t f or y our p r od uct (F A Q s , t r o ubl e sh oot i n g i n f or m a tio n , a r ra n g e f o r rep a ir s , et c.
56 ww w . ko d ak. c o m/g o / su p p o rt Gett ing h e l p NO T E : If y o u hav e que stions conce r n i ng t hi s produ ct , yo u ma y spe a k w i t h K oda k cus t om er su pport .
ww w . ko d ak. c o m/g o / su p p o rt 57 8 Ap p e nd i x C a m e ra s pe c ific a t ions CC D — 1/ 1. 7 2 i n . C C D , 4: 3 a s pe c t r a tio ISO sp eed— A uto : 64–400; M a n u a l : 80, 100, 200, 4 00, 800, 16 00, 3200 (IS O 320 0 a va i la b l e f o r p i c tur e size s o f 3.
58 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x 2. 1 M P (16: 9) : 19 20 x 1080 pi xe ls 1. 2 M P (4: 3) : 128 0 x 960 pi xe ls V i de o c a pt ur e — 1280 x 720 ( HD 720p ) HQ @ 30 f p s 12.
Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 59 C o m m uni ca t i on w it h co m put e r — U S B 2 . 0 high s p e ed (P I M A 15740 p rot oco l ) ; vi a US B cab l e mode l U- 8; E a sy S h.
60 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x Upgr a din g y our s oftwa re a n d fi r m wa re D ow n l o a d th e l a test ve rs ion s o f th e s of tw a re inc l u de d on the K o da k E a s yS ha re s of tw a re C D a nd th e came ra f i rmw a re ( th e s of tw a r e th a t r uns on th e ca me r a ).
Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 61 ■ K e e p ba t te r i e s o u t o f the rea ch of ch i ldr e n . ■ D o n ot a ll o w ba tte rie s to to uch me ta l obje c ts , inc lud i n g coins . Ot he rw ise , a b a tte ry ma y sh or t c ircuit, d i s ch a rge e n e rg y, b e c ome h o t, or l e a k .
62 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x L i m i te d war ran ty K oda k w a r ra nts K oda k con sum e r e l e ctro ni c prod ucts a nd a c ce s so r ies ( “Pr od uct s ”), e xcl u.
Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 63 K oda k mak e s no o the r e xpr e s s or i mpl ie d w a r ra nty for th i s prod uct , a nd d i s cl a i ms t he imp lie d w a r r a n t i es o f merc h a n t a b ilit y a n d f it n es s f o r a part ic u la r p u rp o s e.
64 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x R e gu lato ry c om plia n c e F C C co m p lian ce and ad v iso ry Th i s eq u i p m en t h a s be en t es t ed a n d fo u n d t o c o m p l y w i t h t h e li m i t s f o r a C l as s B d i g i ta l de vi c e , pu rs ua nt to P a rt 15 of the F C C Rule s .
Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 65 Waste Elec tr ical and Elect r o nic Eq ui p men t lab elin g VC CI Cl as s B I TE Ko rean C lass B I T E Ch i n a R o H S In Eu r o pe: For hu .
66 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x Au s tr a lian C - T i ck Ru s si a n G OS T - R MP EG- 4 Us e of th i s prod uc t in an y m a nn e r t h a t c o mpl ie s w ith the M PE G- 4 vis ua l sta nd a rd i s p rohi bi t ed, e xc e pt f or us e b y a cons ume r e ng agi n g i n pe rs ona l a nd non -com me rci a l a ctivi tie s .
ww w . ko d ak. c o m/g o / su p p o rt 67 In d ex 1 A A/ V o ut , 2 4 ab o ut pi ct u r e , v i de o , 2 6 a c ce ss ori e s, 48 b a tte ry , 6 1 b uyi ng, 55 p ri n te r d ock , 48 SD /M MC c a r d .
68 ww w . ko d ak. c o m/g o / su p p o rt In d e x tr a n s f e r to , 46 co nn e cto r, US B / A/ V , 24, 47 co py pi ctu re s ca rd to me mory, 27 me mo ry to ca rd, 27 to co m pute r v ia US B ca .
ww w . ko d ak. c o m/g o / su p p o rt 69 In d e x I ic o n bl ur , 2 9 i co ns, m o de s, 1 0 Ima g e s t a b iliz e r , 16 , 3 5 i m ag e st o r ag e, 3 5 in f o r matio n a bou t p i c ture s , v .
70 ww w . ko d ak. c o m/g o / su p p o rt In d e x mu l t im e d ia s lid e s h o w , 2 3 mu l t ip le s ele c t io n s , 27 mu l t i -up, 2 6 N ni gh t l a n ds c a p e , 1 1 n i g ht po rt rait, 1 .
ww w . ko d ak. c o m/g o / su p p o rt 71 In d e x i n s e rting, 4 pr i n t i n g f ro m , 5 0 s t o r ag e c a p ac it ies , 6 0 s e lec t m u lt ip le p ic t u r e s / vid eo s , 2 7 s e lf -portr.
72 ww w . ko d ak. c o m/g o / su p p o rt In d e x ta k i n g pi ctur e s , v ide os, 5 te l e phon e su ppo rt, 56 t e levis io n , s lid e s h o w , 2 4 te xt, 11 ti me , s e tt i n g, 4 ti me r, s.
An important point after buying a device Kodak V1253 (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Kodak V1253 yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Kodak V1253 - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Kodak V1253 you will learn all the available features of the product, as well as information on its operation. The information that you get Kodak V1253 will certainly help you make a decision on the purchase.
If you already are a holder of Kodak V1253, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Kodak V1253.
However, one of the most important roles played by the user manual is to help in solving problems with Kodak V1253. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Kodak V1253 along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
