Instruction/ maintenance manual of the product 03D Alesis
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E DIGITAL MIXING CONSOLE Owner’s Manual PHONES PHONES +10 –34 –60 –16 26dB 1 +10 –34 –60 –16 26dB 2 +10 –34 –60 –16 26dB 3 +10 –34 –60 –16 26dB 4 +10 –34 –60 –16 26dB 5.
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i 03D—Owner’s Manual Important Information Read the Following Before Operating the 03D W arnings • Do not locate the 03D in a place subject t o e x c essi v e heat or in dir ect sunlight. This could be a fir e hazar d. • Do not place the 03D in a place subject t o ex c essiv e h umidity or dust.
ii 03D—Owner’s Manual Inter ference 03D uses high-frequency digital circuits that may cause int erference on radios and tele- visions placed close to it. I f interferenc e does oc cur , r elocate the affect ed equipment. Copyright © 1997 Y amaha Corporation.
Contents iii 03D—Owner’s Manual Contents 1 Welcome to the 03D . . . . . . . . . . . . . . . . . . . . . . . . 1 Welcome to 03D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 About this Owner’s Manual . .
iv Contents 03D—Owner’s Manual Bypassing the EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Resetting the EQ Gain Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 EQ Library . .
Contents v 03D—Owner’s Manual Metering Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Sending Channel Signals to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . 91 Pre-fader/Post-fader Aux Sends .
vi Contents 03D—Owner’s Manual 14 Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . 143 About the Dynamics Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 Patching in a Dynamics Processor . . . . . . . . .
Contents vii 03D—Owner’s Manual 17 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 User Define Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 Using the Onboard Oscillator . . .
viii Contents 03D—Owner’s Manual Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . 267 Parameter to Control Change Table . . . . . . . . .
Welcome to the 03D 1 03D—Owner’s Manual W elcome to the 03D 1 In this chapter ... W elcome t o 03D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 About this Owner’ s Manual . . . . . . . .
2 Chapter 1—Welcome to the 03D 03D—Owner’s Manual W elcome to 03D Thank you for c hoosing the Y amaha 03D Digital Mixing Console. Based on the highly successful 02R Digital R eco rding Co nsole,.
03D Features 3 03D—Owner’s Manual 03D Features 03D Sonic Specs • Linear 20-bit 64-times ov ersampling A/D c on ver ters • Linear 20-bit 8-times ov ersampling D/A c on verters (ST OUT , MONIT O.
4 Chapter 1—Welcome to the 03D 03D—Owner’s Manual Key Feature Discussion Configuration The 03D pro vides a total of 26 inputs (including 8 digital inputs), st ereo output (analog or digital), 4.
Key Feature Discussion 5 03D—Owner’s Manual Four-band Parametric EQ & Library The 03D input channels, ster eo input channel, stereo output, bus outs, aux sends, and onboard effects r eturns all feature four -band fully par ametric EQ, with variable gain, frequency , Q, and bypass.
6 Chapter 1—Welcome to the 03D 03D—Owner’s Manual Onboard Dynamics Processors Dynamics proc essors, providing compression, ducking , gating, and e xpansion, are available on all input channels, the stereo input channel, the stereo output, bus outs, aux sends, and the onboar d effects r eturns.
Key Feature Discussion 7 03D—Owner’s Manual Scene Memories On man y mix ers, the only way to stor e mix settings is with marker pen and masking tape. W ith the 03D , ho wever , vir tually every mix setting can be stored as a mix scene in one of the 03D’ s 50 scene memories.
8 Chapter 1—Welcome to the 03D 03D—Owner’s Manual.
Touring the 03D 9 03D—Owner’s Manual T ouring the 03D 2 In this chapter ... T op P anel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 R ear P anel . . . . . . . . . . . . . . . .
10 Chapter 2—Touring the 03D 03D—Owner’s Manual Top Panel The individual sections of the 03D control surfac e are e xplained on the following pages.
Top Panel 11 03D—Owner’s Manual Analog Control Section A PAD switches These switches are used to turn on and off the input pads. See P ad (input channels 1–8) on page 37 for more information. B GAIN controls These contr ols are used to adjust the gain of the input preamps.
12 Chapter 2—Touring the 03D 03D—Owner’s Manual Display & Stereo Meters A Display The large 320 x 240 dot display with fluorescent backlight pr o vides clear indication of mix settings and operating status.
Top Panel 13 03D—Owner’s Manual Channel Control The Channel function buttons are used t o ac c ess the follo wing channel pages. The name of the selected function is sho wn on the display . Fader Mode These buttons ar e used to select the follo wing fader modes and display pages.
14 Chapter 2—Touring the 03D 03D—Owner’s Manual MIDI Remote The [MIDI REMO TE] button activat es the MIDI Remote mode. In this mode, the 03D faders and [ON] buttons of channels 1 to 16 can be used to contr ol other MIDI equip- ment using MIDI commands.
Top Panel 15 03D—Owner’s Manual Mixing Layer , SEL buttons, ON buttons, Faders A MIXING LA YER button The [MIXING LA YER] button determines the functions of the faders, [ON] buttons, and [SEL] buttons. W hen set t o 1–16, these c ontrols w ork with input channels 1 to 16.
16 Chapter 2—Touring the 03D 03D—Owner’s Manual Rear Panel Rear Panel—T op Half The top half of the rear panel consists of analog inputs and outputs. A PHONES This is a stereo (TRS) phone jack. A pair of ster eo headphones can be c onnect ed here for monitoring.
Rear Panel 17 03D—Owner’s Manual D INSERT s (input channels 1 and 2) These TRS phone jack connect ors ar e used t o c o nnect signal proc essors for use with input channels 1 and 2 ex clusi vely . T ypically , c ompressors, limiters, and noise gat es are connect ed t o this type of connection.
18 Chapter 2—Touring the 03D 03D—Owner’s Manual I AUX OUT s These are balanc ed 1/4-inch phone jacks with a +4 dB nominal output le v el. Either balanced or unbalanced phone plugs can be connect ed. The y output the aux send sig- nals and can be used to feed ext ernal effects proc essors, foldback amplifiers, and so on.
Rear Panel 19 03D—Owner’s Manual Rear Panel—Lower Half The lowe r half of the rear panel consists of dig ital and contr ol I/O . A POWER switch This switch is used to turn on and off the 03D . I t ’ s rec essed t o pr ev ent ac cidental oper - ation.
20 Chapter 2—Touring the 03D 03D—Owner’s Manual H MIDI IN, OUT , THRU These are standar d MIDI IN, OUT , and THRU c onnections. They are used to connect the 03D to other MIDI equipment for co ntrol and sync hr onization.
Block Diagram 21 03D—Owner’s Manual Block Diagram 1-4 Same as EFF1 SINE 100Hz SINE 1kHz SINE 10kHz PINK NOISE BURST NOISE WAVEFORM ST CASCADE IN ON/OFF 1 LEVEL FLIP SELECT STEREO OUT ON ON ON ON O.
22 Chapter 2—Touring the 03D 03D—Owner’s Manual.
Getting Around the User Interface 23 03D—Owner’s Manual Getting Around the User Inter face 3 In this chapter ... About the U ser Interfac e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Display . . . . . .
24 Chapter 3—Getting Around the User Interface 03D—Owner’s Manual About the User Inter face The 03D user interface is both straightforward and easy to use. Apar t fr om the GAIN controls, [P AD] switches, scene memory buttons, and a few other butt ons, there are very few dedicated controls.
Display 25 03D—Owner’s Manual Selected function —This area of the display shows the name of the function selected using the Setup , Channel Control, and F ader mode butt ons. The following functions can be selected. Selected channel —This area of the display shows the select ed channel.
26 Chapter 3—Getting Around the User Interface 03D—Owner’s Manual positions. See Displa y Elements on page 28 for mor e information. A n example page is shown below . The title of each page appears in a tab at the to p of each page. The tab of the selected page has a dark border , as sho wn below .
Display 27 03D—Owner’s Manual Mixing Layer 17–24/MASTER Mixing Layer 1–16 EFFECT 1 EFFECT RTN ST IN 13–16 9–12 FADER 1–8 EFFECT 2 EFFECT RTN ST IN 13–16 9–12 FADER 1–8 FADER METER .
28 Chapter 3—Getting Around the User Interface 03D—Owner’s Manual Display Elements This section explains the various elements that appear on display pages. Switches S witches appear as bo x es with a shadowed outline (i.e., a thicker out- line on the rig ht side and bottom of the box).
Cursor Buttons 29 03D—Owner’s Manual Parameter Boxes P arameters that appear in parameter bo xes (i.e., dot- ted-line bo x es) can be set using the P ARAMETER wheel or a mouse. U se the cursor buttons to select the parameter bo x and the P ARAMETER wheel to adjust.
30 Chapter 3—Getting Around the User Interface 03D—Owner’s Manual Mouse An optional mouse can be co nnected to the 03D for quick na v igation around the displa y and parameter setting. S imple on/off-ty pe param- eters can then be set with one click of the mouse, and rotary controls can be dragged.
Mixing Layer 31 03D—Owner’s Manual Mixing Layer The 03D [SEL] buttons, [ON] butt ons, and faders are multifunction contr ols. Their exact operation depends on the selected Mixing La y er . F ader operation is also affected by the Fader modes. The operation of all these controls is shown in the following tables.
32 Chapter 3—Getting Around the User Interface 03D—Owner’s Manual Faders Mixing Layer: 1–16 Mixing Layer: 17–24/MASTER Fader operation is different in MIDI R emote mode.
Title Edit Dialog Box 33 03D—Owner’s Manual Title Edit Dialog Box The Title Edit dialog bo x is used to title mix sc enes, EQ pr ogr ams, dynamics programs, effects programs, channel pr ograms, and aut o mix es. It appears when st oring or reti- tling a scene memory or program.
34 Chapter 3—Getting Around the User Interface 03D—Owner’s Manual.
Input Channels 35 03D—Owner’s Manual Input Channels 4 In this chapter ... Input Channel Ov erv iew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Phantom P ower (input c hannels 1–8) . . . . . . . . . . .
36 Chapter 4—Input Channels 03D—Owner’s Manual Input Channel Overview A full description of the rear panel connect ors is pr ovided on page 16. Input Channels 1 & 2 Input channels 1 and 2 featur e balanced XLR -3-31-t ype and balanced phone jack c onnectors, both w ith a nominal input range of –60 dB to +10 dB.
Phantom Power (input channels 1–8) 37 03D—Owner’s Manual Phantom Power (input channels 1–8) Input channels 1 t o 8 featur e switchable +48 V phantom powe ring for use with condenser-type microphones. Phant om po wering is supplied to the balanced XLR -3-31-ty pe connector , and can be switched indi vidually for each channel.
38 Chapter 4—Input Channels 03D—Owner’s Manual Attenuator After A/D c on version, input signals can be attenuat ed using the A tt en uation function. Signals can be attenuated fr om 0 dB to –96 dB in 1 dB steps. Fo r dig ital inputs 17 to 24, the A ttenuation function comes after de-emphasis.
Phase 39 03D—Owner’s Manual Phase The Phase function reve rses the phase of an input sig nal by 180 degrees. The phase can be set for input channels 1 to 24 and the left and right channels of stereo input c hannel. Phase reve rsal can be used t o c ompensat e for inc orrectly wired balanc ed cables and microphones.
40 Chapter 4—Input Channels 03D—Owner’s Manual Channel Delay The Delay function can be used t o c ompensat e for micr ophone place ment, or simply as a delay effect. Three ty pes of delay ar e a vailable: Dela y , Slap, and Ec ho . Delay can be applied to input channels 1 t o 24 and the st er eo input c hannel.
Channel Delay 41 03D—Owner’s Manual P ARAMETER COPY —The COPY T O ALL CH switch is used to c opy the dela y par am- eter settings to all input channels and the st er eo input c hannel. The following dialog bo x appears when this switch is pr essed.
42 Chapter 4—Input Channels 03D—Owner’s Manual Applying EQ to the Input Channels EQ Each input channel featur es four -band parametric EQ. See EQ on page 45 for mor e information. Dynamics Processor Each input channel featur es a dynamics pr oc essor .
Direct Outputs 43 03D—Owner’s Manual Direct Outputs U p to eight post-fader signals from input channels 1 t o 16 can be output directly via the Y GD AI digital outputs. Direct out settings ar e made on the P an/Route page. W hen a channel is set for direct out operation, the Y GD AI OUTPUT ASSIGN for that channel is set automatically on the D .
44 Chapter 4—Input Channels 03D—Owner’s Manual Input Channels Block Diagram ST CASCADE IN ON/OFF FLIP SELECT ON ON Meter Meter Meter Meter +48V +48V AES/EBU COAXIAL DIGITAL STEREO IN ST IN 3-8 3.
EQ 45 03D—Owner’s Manual EQ 5 In this chapter ... About 03D EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 A djusting the EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
46 Chapter 5—EQ 03D—Owner’s Manual About 03D EQ 03D EQ is four -band fully parametric, with variable gain, fr equency , Q, and ON/OFF parameters. EQ is a vailable on all input channels, the stereo input channel, the stereo output, bus outputs, aux sends, and the onboar d effects returns.
Adjusting the EQ 47 03D—Owner’s Manual Adjusting the EQ 1. Use the [SEL] and [MIXING LA YER] buttons to select a channel. See Mix- ing Layer on page 31 for more information. 2. Use the [EQ LOW], [LO-MID], [HI-MID], or [HIGH] button to access the EQ page shown below .
48 Chapter 5—EQ 03D—Owner’s Manual EQ Library EQ settings can be stored as pr ograms in the EQ librar y . The EQ library contains 40 preset pr ograms (1–40) and 40 user programs (41–80). U ser programs allow you t o store fr equently used EQ settings, and they can be titled for easy identification.
Storing EQ Programs 49 03D—Owner’s Manual Storing EQ Programs EQ programs are stor ed on the EQ Librar y page. Y ou can store EQ settings to user pr o- grams 41 to 80. P r eset pr ograms 1 to 40 are r ead only . 1. Press the [EQ LOW] and [LO-MID] buttons together to access the Library page.
50 Chapter 5—EQ 03D—Owner’s Manual Recalling EQ Programs EQ programs are recalled fr om the EQ Librar y page. Y ou can recall an y of the 40 preset and 40 user programs. 1. Press the [EQ LOW] and [LO-MID] buttons together to access the Library page.
Editing EQ Program Titles 51 03D—Owner’s Manual Editing EQ Program T itles EQ program titles can be edited at an ytime. Y ou don ’t ha v e to r ecall a program to edit its title. Only EQ programs that contain data can ha ve their titles edited. T itle editing is performed on the EQ Librar y page shown below .
52 Chapter 5—EQ 03D—Owner’s Manual Preset EQ Programs # Title Parameter Description LOW L-MID H-MID HIGH 01 Bass Drum 1 PEAKING PEAKING PEAKING H.SHELF Emphasizes the low range of a bass drum and the attack created by the beater . G +3.5 dB –3.
Preset EQ Programs 53 03D—Owner’s Manual 11 Syn.Bass 1 PEAKING PEAKING PEAKING H.SHELF Use on a synth bass with emphasized low range. G +3.5 dB +8.5 dB 0.0 dB 0.0 dB F 83 Hz 944 Hz 4.00 kHz 12.6 kHz Q 0.1 8 4.5 — 12 Syn.Bass 2 PEAKING PEAKING PEAKING H.
54 Chapter 5—EQ 03D—Owner’s Manual 21 A.G.Stroke 2 L.SHELF PEAKING PEAKING H.SHELF A variation on program 20. Y ou can also use it with a gutsy guitar sound. G –3.5 dB –2.0 dB 0.0 dB +2.0 dB F 297 Hz 749 Hz 2.00 kHz 3.56 kHz Q — 9 4.5 — 22 A.
Preset EQ Programs 55 03D—Owner’s Manual 31 T otal EQ 2 PEAKING PEAKING PEAKING H.SHELF A variation on program 30. G +4.0 dB +1.5 dB +2.0 dB +6.0 dB F 94 Hz 749 Hz 1.78 kHz 17.9 kHz Q 7 2.8 5.6 — 32 T otal EQ 3 L.SHELF PEAKING PEAKING H.SHELF A variation on program 30.
56 Chapter 5—EQ 03D—Owner’s Manual.
Pan, Routing & Surround Pan 57 03D—Owner’s Manual Pan, Routing & Surround Pan 6 In this chapter ... Selecting a P an M o de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Stereo P an, Balanc e & R outing .
58 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual Selecting a Pan Mode In addition to st er eo pan, the 03D features three surround pan modes. Pan modes ar e set on the Surround page. 1. Use the [P AN/ROUTING] button to locate the Surround page shown below .
Stereo Pan, Balance & Routing 59 03D—Owner’s Manual Stereo Pan, Balance & Routing Input channel, st ereo input channel, and effects return signals can be routed t o buses 1 to 4 and the Ster eo bus. I nput channel signals can be panned. St ereo input channel and effects return signals can be balanced and panned.
60 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual W ith both contr ols set at CENTER, as sho wn, the width of a stereo signal is reduced t o z er o , and it ’ s fed to the buses in mono . Setting the contr ols t o positions in between these tw o e xtr emes allo ws y ou set the width of the stereo signal.
Stereo Pairs, Pan & Routing 61 03D—Owner’s Manual Stereo Pairs, Pan & Routing W hen input c hannels ar e c onfigur ed as a ster eo pair using the P air function ( Stereo P airs on page 114), c ontr ol operation changes. Her e input channels 1 and 2 ha v e been configur ed as a ster eo pair .
62 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual Surround Pan As well as normal ster eo pan, the 03D features three surround pan modes: 2+2, 3+1, and 3+2+1. I n c o njunction with the stereo out and bus outs, sur round pan c ontrols allow y ou t o pan c hannel signals in a two-dimensional spac e.
Surround Pan 63 03D—Owner’s Manual 2+2 Surround Mode The 2+2 surround pan mode uses four channels: fr ont left, front rig ht, rear left, and rear rig ht. The front speakers ar e fed from the 03D stereo output, while the rear speakers ar e fed fr om bus outs 3 and 4.
64 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual In 3+1 mode, c hannel routing and pan look lik e this. The pan c ontrol and 1 and 2 routing switches can still be used t o assign the channel signal to bus outs 1 and 2. The SURR switch is used t o assign the channel t o the surround sound out- puts.
Using Surround Pan 65 03D—Owner’s Manual Using Surround Pan W hen a surround pan mode is selected (see Select ing a P an M ode on page 58), the Surr . 1–16 and Surr . 17–24 surround pan pages sho wn below can be ac c essed. 1. Use the [P AN/ROUTING] button to locate the Surr .
66 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual The surround pan trajector y window shown below appears. 3. Use the cursor buttons to select a trajectory , and then press the [ENTER] button to activate it. See Surround P an T rajectories on page 67 for more information.
Using Surround Pan 67 03D—Owner’s Manual Surround Pan T rajectories The following surround pan trajectories are available. Left to right —The sound mov es from left t o right. The follo wing illustr ations show some typical left to rig ht trajectories.
68 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual Left to right semicircle —The sound mo ves fr om left to ri ght on a semicircle trajector y . U se the w idth and depth parameters to set the size and shape of the semicircle. The shape can be adjusted from a semicircle to a narr o w o val.
Using Surround Pan 69 03D—Owner’s Manual Stereo Link For input c hannels c o nfigur ed as a st er eo pair y ou can select a pattern and trajectory and mov e both signals simultaneously . 1. Configure two input channels as a stereo pair . See Stereo P airs on page 114 for more information.
70 Chapter 6—Pan, Routing & Surround Pan 03D—Owner’s Manual.
Solo, Monitors & Meters 71 03D—Owner’s Manual Solo, Monitors & Meters 7 In this chapter ... About M onitor & Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 M onit or Outputs . . . . . .
72 Chapter 7—Solo, Monitors & Meters 03D—Owner’s Manual About Monitor & Solo The 03D’ s flexible monitoring and solo functions ar e designed for use in a wide range of applications. P re-fader or post-fader signals from all inputs and outputs can be mon- itored via the monitor out and headphones.
Monitor Outputs 73 03D—Owner’s Manual Monitor Outputs M onitor and solo signals are output via the monitor out and phones connections. Mix- down Solo and Solo in Place modes also work with the stereo outputs.
74 Chapter 7—Solo, Monitors & Meters 03D—Owner’s Manual Monitoring On the M oni.Setup page you can select the stereo output, aux sends, bus outs, or stereo cascade input as the monitor sourc e. These sig nals are monit or ed via the monitor out and phones.
Setting Up Solo 75 03D—Owner’s Manual Setting Up Solo The Solo Setup page is used to set up the solo functions used to monit or input channels, the stereo input c hannel, and effects returns. Thr ee solo modes are a vailable: R ecording Solo , M ixdo wn Solo, and Solo in Place.
76 Chapter 7—Solo, Monitors & Meters 03D—Owner’s Manual and effects returns. The thir d switch, F ADER GR OUP AFL, w orks with fader groups. W hen you solo a channel that is in a fader group , all other channels in that fader group are also soloed.
Solo Safe 77 03D—Owner’s Manual Solo Safe The Solo Safe function is used to pr ot ect channels fr om being mut ed when the MIX- DO WN SOL O or SOLO IN PLA CE mode is used.
78 Chapter 7—Solo, Monitors & Meters 03D—Owner’s Manual Solo Block Diagram 1 2 3 4 1 2 L R L R RECORDING SOLO LISTEN not changed not changed not changed not changed LISTEN ON SOLO IN PLACE M.
Metering 79 03D—Owner’s Manual Metering Level mete rs for the 24 input channels, stereo input channel, aux sends, bus outs, effects returns, Y GD AI outputs, and Solo bus are pro vided on the three M eter pages. The sig- nal source points for input and output met e rs can be set on P r e/P ost page.
80 Chapter 7—Solo, Monitors & Meters 03D—Owner’s Manual 3. Use the cursor buttons to select the PEAK HOLD switch, and then press the [ENTER] button to activate the peak hold function. If you are using a mouse, simply click the PEAK HOLD switch.
Metering 81 03D—Owner’s Manual The following Pr e/P ost meter page is used to select the signal source points for the input and output meters. The P eak Hold function is r eset whenever y ou select another source point. 4. Use the cursor buttons to select a meter point switch, and then press the [ENTER] button to activate it.
82 Chapter 7—Solo, Monitors & Meters 03D—Owner’s Manual Monitor Block Diagram MONITOR OUT 2TR IN MONO MONI TRIM 2TR IN SOLO/ R L DA DA Meter LEVEL LEVEL ST L R SOLO L R EFF 1 2 AUX 1 2 3 4 B.
Stereo Output 83 03D—Owner’s Manual Stereo Output 8 In this chapter ... About the St er eo Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Analog Ster eo Outputs . . . . . . . . . . . . . . . . . . .
84 Chapter 8—Stereo Output 03D—Owner’s Manual About the Stereo Output The stereo output signal can be output to analog XLR -ty pe connectors, analog REC OUT connect ors, Y GD AI digital outputs, or AES/EB U and CO AXIAL digital outputs. The stereo output featur es four -band par ametric EQ and a dynamics processor .
Setting the Stereo Output Level 85 03D—Owner’s Manual Setting the Stereo Output Level The stereo output lev el is contr olled using the ST OUT fader . This fader is not affected by the M ixing Lay er , and alwa ys w orks as level contr ol for the ster eo output.
86 Chapter 8—Stereo Output 03D—Owner’s Manual Stereo Output Delay The left and rig ht signals of the analog stereo output can be dela y ed indi vidually . This can be used to co mpensat e for dela ys in m ulti-speak er sound re infor c ement syst ems.
Stereo Output Block Diagram 87 03D—Owner’s Manual Stereo Output Block Diagram STEREO OUT ON Meter Meter BALANCE ST OUT DIGITAL STEREO OUT SOURCE SELECT L R from BUS OUT 1, 2 REC OUT R L DITHER AES.
88 Chapter 8—Stereo Output 03D—Owner’s Manual.
Aux Sends 89 03D—Owner’s Manual Aux Sends 9 In this chapter ... About A ux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Analog A ux Send Outputs . . . . . . . . . . . . . . . . . . . .
90 Chapter 9—Aux Sends 03D—Owner’s Manual About Aux Sends The 03D features four aux sends. Input channel, ster eo input channel, and effects return signals can be fed to the four aux sends. Each aux send featur es four -band para- metric EQ and a dynamics processor .
Sending Channel Signals to Aux Sends 91 03D—Owner’s Manual Sending Channel Signals to Aux Sends Input channel, st ereo input channel, and effects return signals can be sent to aux sends. 1. Use the [MIXING LA YER] button to select the 17–24/MASTER Mixing Layer .
92 Chapter 9—Aux Sends 03D—Owner’s Manual Pre-fader/Post-fader Aux Sends Individual input channels, the stereo input channel, and effects return aux sends can be configur ed as either pre-fader or post-fader sends. These settings are made on the A ux Pr e/P ost pages.
Setting Aux Send Master Levels 93 03D—Owner’s Manual Setting Aux Send Master Levels A ux send master levels are contr olled using faders 9 t o 12. The function of these faders depends on the selected Mixing La yer . See Faders on page 32 for more information.
94 Chapter 9—Aux Sends 03D—Owner’s Manual Aux Send Stereo Pairs A ux sends 1/2 and aux sends 3/4 can be configured as ster eo pairs. A ux send stereo pairs are c onfigur ed on the P air page. See St er eo P airs on page 114 for more information.
Aux Send Block Diagram 95 03D—Owner’s Manual W ith the left control set at L16 and the right control set at R16, as shown, the width of a stereo signal is 100%. W ith both controls set at CENTER, as shown, the width of a stereo signal is reduced t o z er o .
96 Chapter 9—Aux Sends 03D—Owner’s Manual.
Bus Outs 97 03D—Owner’s Manual Bus Outs 10 In this chapter ... About B us Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 Analog Bus Outs . . . . . . . . . . . . . . . . . . . . . . . .
98 Chapter 10—Bus Outs 03D—Owner’s Manual About Bus Outs The 03D features four bus outputs. Input channel, ster eo input channel, and effects return signals can be routed to the four buses. Each bus out features four -band para- metric EQ and a dynamics processor .
Setting Bus Out Master Levels 99 03D—Owner’s Manual Setting Bus Out Master Levels Bus out master lev els ar e c ontr olled using faders 13 t o 16. The function of these faders depends on the selected Mixing La yer . See Faders on page 32 for more information.
100 Chapter 10—Bus Outs 03D—Owner’s Manual Bus Out Delay Analog bus out signals can be delay ed individually . This can be used to c ompensate for delays in multi-speak er sound r einfor c e ment systems. 1. Use the [DELA Y/ ∅ ] button to locate the CH Delay page.
Routing Bus Signals to the Stereo Bus 101 03D—Owner’s Manual Routing Bus Signals to the Stereo Bus Bus out signals can be routed t o the St er eo bus, allowing the bus outs to be used as sub-groups during mixdown. B us t o St er eo bus settings are made on the B us t o ST page.
102 Chapter 10—Bus Outs 03D—Owner’s Manual Bus Out Block Diagram 1 ON Meter Meter BUS OUT 1 to REC OUT L ST L R SOLO L R 4Band PEQ PAN SOLO DA Meter DELAY Dynamics EFF 1 2 AUX 1 2 3 4 BUS 1 2 3 .
Channel Library & View 103 03D—Owner’s Manual Channel Librar y & V iew 11 In this chapter ... Channel Librar y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Storing Channel Pr ograms .
104 Chapter 11—Channel Library & View 03D—Owner’s Manual Channel Library Channel settings can be stored as pr ograms in the channel librar y .
Storing Channel Programs 105 03D—Owner’s Manual Storing Channel Programs Channel programs are stor ed on the Channel Library page. Y ou can stor e channel set- tings to user programs 02 to 50. P r ograms 00 and 01 are read only . 1. Use the [VIEW] button to locate the Library page.
106 Chapter 11—Channel Library & View 03D—Owner’s Manual Recalling Channel Programs Channel programs are recalled fr om the Channel Library page. 1. Use the [VIEW] button to locate the Library page. 2. Use the P ARAMETER wheel to scroll through the list of channel programs.
Editing Channel Program Titles 107 03D—Owner’s Manual Editing Channel Program T itles Channel program titles can be edited at an ytime. Y ou don ’t hav e to r ecall a program to edit its title. Only channel pr ograms that contain data can ha v e their titles edited.
108 Chapter 11—Channel Library & View 03D—Owner’s Manual Channel V iew The Channel V iew page sho ws various settings and parameter values of the selected input channel, ster eo input channel, effects return channel, aux send, bus out, or the stereo output, allowing you to check a channel’ s mix settings at a glance.
Channel View 109 03D—Owner’s Manual Input channel view with aux sends 1 and 2 configured as a stereo pair Input channel view with the 2+2 surround pan mode selected Stereo input channel view page.
110 Chapter 11—Channel Library & View 03D—Owner’s Manual Aux send view page Bus out view page Stereo output view page.
Groups & Pairs 111 03D—Owner’s Manual Groups & Pairs 12 In this chapter ... Fader Gr oups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 M ute Groups . . . . . . . . . . . . . . .
112 Chapter 12—Groups & Pairs 03D—Owner’s Manual Fader Groups Faders can be grouped for multiple fader c ontr ol using only one fader . This makes it easy to co ntrol sev e ral faders simultaneously . F aders for input channels 1 thr ough 24 and the stereo input can be used in fader gr oups.
Mute Groups 113 03D—Owner’s Manual Mute Groups Channels can be grouped for multiple mut e control using only one [ON] butt on. This makes it easy t o mute sev eral channels simultaneously . Input c hannels 1 through 24 and the stereo input can be used in m ut e groups.
114 Chapter 12—Groups & Pairs 03D—Owner’s Manual Stereo Pairs Input channels, aux sends, and bus outs can be pair ed t ogether for ster eo operation. P air ed input channels ar e useful for pr oc essing ster eo inputs signals. P aired aux sends and bus outputs pro vide additional stereo outputs.
Stereo Pairs 115 03D—Owner’s Manual W hen y ou break a st er eo pair , the follo wing dialog bo x appears. 4. Use the cursor buttons to select either CANCEL or OK, and then press the [ENTER] button. Input Channel Stereo Pairs See Input Channel Ster eo P airs on page 43 for more information.
116 Chapter 12—Groups & Pairs 03D—Owner’s Manual.
Onboard Effects 117 03D—Owner’s Manual Onboard Effects 13 In this chapter ... About the Onboar d Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Pr eset Effects P r ograms . . . . . . . . . . . . . . . .
118 Chapter 13—Onboard Effects 03D—Owner’s Manual About the Onboard Effects The 03D features tw o onboar d st er eo multi-effects pr oc essors: Effect 1 and Effect 2. They provide a wide r ange of quality effects, including r ev erb , delay , chorus, flange, amp simulator , and mor e.
Preset Effects Programs 119 03D—Owner’s Manual Delay/Echo Modulation 09 Rev V ocal 1 REVERB HALL Long reverb suitable for ballad-type music 10 Rev V ocal 2 REVERB ST AGE Broadly useful reverb, good for vocals, chorus, etc 11 Rev .
120 Chapter 13—Onboard Effects 03D—Owner’s Manual Pitch Change Multi-effect Distortion 38 Symphonic SYMPHONIC Standard symphonic effect setting 39 Phaser PHASER Simulation of a standard phaser 40 16stagePhase PHASER V ariation of a phaser .
Preset Effects Programs 121 03D—Owner’s Manual Dynamic Effects Freeze # Title T ype Description 58 Auto W ah DYNA. FILTER Filter that uses the input level to control the fre- quency . This one is the standard auto-wah effect in which the filter is a BPF type 59 Flange W ah DYNA.
122 Chapter 13—Onboard Effects 03D—Owner’s Manual Applying Effects 1. Press the [EFFECT 1] or [EFFECT 2] button to select an effects processor . 2. Use the [SEL] and [MIXING LA YER] buttons to select a channel. 3. Raise that channel’ s fader to the 0 position.
Pre-fader/Post-fader Effects Sends 123 03D—Owner’s Manual Pre-fader/Post-fader Effects Sends Individual input channels and the ster eo input channel effects sends can be configur ed as either pre-fader or post-fader sends. These settings ar e made on the Effects Pr e/P ost pages.
124 Chapter 13—Onboard Effects 03D—Owner’s Manual Effects Returns Dynamics Processors Each effects return features a st er eo d ynamics pr oc essor . See Dynamics P r oc essors on page 143 for more information. Muting Effects Returns Effects returns can be muted using the EFFECT RETURN [ON] butt on.
Effects Library 125 03D—Owner’s Manual Effects Library Effects settings can be stored as pr ograms in the effects librar y . The effects library con- tains 64 preset pr ograms (1–64) and 32 user programs (65–96). U ser programs allow you t o st or e fr equently used effects settings, and the y can be titled for easy identifica- tion.
126 Chapter 13—Onboard Effects 03D—Owner’s Manual Storing Effects Programs Effects programs are stor ed on the Effects Librar y page. Y ou can store effects settings to user programs 65 to 96. P r eset pr ograms 1 to 64 ar e r ead only . 1. Use the [EFFECT 1] or [EFFECT 2] button to locate the Library page.
Recalling Effects Programs 127 03D—Owner’s Manual Recalling Effects Programs Effects programs are recalled fr om the Effects Librar y page. Y ou can recall any of the 64 preset and 32 user pr ograms. Effects pr ograms that use the HQ. P IT CH or FREEZE effect ty pes can be recalled to only Effect 2.
128 Chapter 13—Onboard Effects 03D—Owner’s Manual Editing Effects Program T itles Effects program titles can be edited at an ytime. Y ou don ’t ha v e to r ecall a program to edit its title. Only effects pr ograms that contain data can ha v e their titles edit ed.
Effects Parameters 129 03D—Owner’s Manual Effects Parameters REVERB HALL, REVERB ROOM, REVERB ST AGE, REVERB PLA TE EARL Y REF ., REVERSE GA TE, GA TE REVERB 1. 0.02 ms–2.13 s @ fs=32 Khz/44.1 kHz, 0.02 ms–1.96 s @ fs=48 kHz 2. 6 ms–46.0 s @ fs=32 Khz/44.
130 Chapter 13—Onboard Effects 03D—Owner’s Manual DELA Y LCR ECHO CHORUS Parameter Range Description DL Y L 0.1–2730.0 ms Delay time of the L channel. DL Y C 0.1–2730.0 ms Delay time of the center delay . DL Y R 0.1–2730.0 ms Delay time of the R channel.
Effects Parameters 131 03D—Owner’s Manual FLANGE SYMPHONIC PHASE Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed. DEPTH 0–100% Modulation depth. FB.GAIN –99 to +99% Feedback amount. LSF F 21 Hz–1.0 kHz Frequency of the low shelving filter .
132 Chapter 13—Onboard Effects 03D—Owner’s Manual AUTOP AN TREMELO HQ.PITCH (Effect 2 only) 1. L<->R, L-->R, L<--R, T urn L, T urn R Parameter Range Description FREQ. 0.05–40.00 Hz Modulation speed. DEPTH 0–100% Modulation depth.
Effects Parameters 133 03D—Owner’s Manual DUAL PITCH REV+CHORUS Parameter Range Description PITCH 1 –24 to +24 Amount of pitch change 1 (semitones). FINE 1 –50 to +50 cent Fine adjustment (1 cent steps) for pitch change 1. P AN 1 L16–CENTER–R16 Pan for pitch change 1.
134 Chapter 13—Onboard Effects 03D—Owner’s Manual REV ->CHORUS REV+FLANGE Parameter Range Description REV .TIME 0.3–99.0 s Length of reverb. INI.DL Y 0.1–500.0 ms Delay time until the early reflections of the reverb are heard. HI.RA TIO 0.
Effects Parameters 135 03D—Owner’s Manual REV ->FLANGE REV+SYMPHO. Parameter Range Description REV .TIME 0.3–99.0 s Length of reverb. INI.DL Y 0.1–500.0 ms Delay time until the early reflections of the reverb are heard. HI.RA TIO 0.1–1.0 Length of the high frequency portion of the reverb, expressed as a ratio relative to REV .
136 Chapter 13—Onboard Effects 03D—Owner’s Manual REV ->SYMPHO. REV ->P AN 1. L<->R, L-->R, L<--R, T urn L, T urn R Parameter Range Description REV .TIME 0.3–99.0 s Length of reverb. INI.DL Y 0.1–500.0 ms Delay time until the early reflections of the reverb are heard.
Effects Parameters 137 03D—Owner’s Manual DELA Y+ER. DELA Y ->ER. 1. S-Hall, L-Hall, Random, Reverse, Plate, Spring 1. S-Hall, L-Hall, Random, Reverse, Plate, Spring Parameter Range Description DL Y L 0.1–1000.0 ms Delay time of the L channel.
138 Chapter 13—Onboard Effects 03D—Owner’s Manual DELA Y+REV DELA Y ->REV Parameter Range Description DL Y L 0.1–1000.0 ms Delay time of the L channel. DL Y R 0.1–1000.0 ms Delay time of the R channel. FB.DL Y 0.1–1000.0 ms Feedback delay time.
Effects Parameters 139 03D—Owner’s Manual MONODELA Y ->REV AMP SIMULA TE 1. STK-M1, STK-M2, THRASH, MIDBOOST , CMB-PG, CMB-VR, CMB-DX, CMB-TWN, MINIAMP , FLA T 2. DST1, DST2, OVD1, OVD2, CRN Parameter Range Description DELA Y 0.1–1000.0 ms Delay time.
140 Chapter 13—Onboard Effects 03D—Owner’s Manual DYNA.FIL TER DYNA.FLANGE 1. 6 ms–46.0 s fs=32 kHz/44.1 kHz, 5 ms–42.3 s fs=48 kHz 1. 0.02 ms–2.13 s fs=32 kHz/44.1 kHz, 0.02 ms–1.96 s fs=48 kHz 2. 6 ms–46.0 s fs=32 kHz/44.1 kHz, 5 ms–42.
Effects Parameters 141 03D—Owner’s Manual DYNA.PHASER FREEZE (Effect 2 only) T o record a sample, select the REC READY switch, and then press the [ENTER] button. The REC READ Y switch appears highlighted, indicating that the effect is no w read y to reco r d.
142 Chapter 13—Onboard Effects 03D—Owner’s Manual T o play back the sample, mov e the cursor t o a r otary control (i.e., off the REC READY switch).
Dynamics Processors 143 03D—Owner’s Manual Dynamics Processors 14 In this chapter ... About the Dynamics P r oc essors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 P at ching in a Dynamics P r oc essor . . . . . . . .
144 Chapter 14—Dynamics Processors 03D—Owner’s Manual About the Dynamics Processors Dynamics proc essors ar e a vailable on all input channels, the stereo input channel, the stereo output, bus outputs, aux sends, and the onboard effects returns.
About the Dynamics Processors 145 03D—Owner’s Manual Dynamics proc essors are edited on the Dyn. Edit page shown below . U se the [DYN AM- ICS] button to locat e the Dyn. Edit page. KEY IN SOURCE —These switches are used to set the KE Y IN, or trigger source for the dynamics proc essors.
146 Chapter 14—Dynamics Processors 03D—Owner’s Manual Patching in a Dynamics Processor 1. Use the [SEL] and [MIXING LA YER] buttons to select a channel. 2. Use the [DYNAMICS] button to locate the Library page and recall a dynamics program that uses the type of dynamics processor required.
Dynamics Library 147 03D—Owner’s Manual Dynamics Library Dynamics settings can be stored as pr ograms in the dynamics librar y . The dynamics librar y contains 40 pr eset pr ograms (1–40) and 40 user programs (41–80). U ser pro- grams allow you t o stor e fr equently used dynamics settings, and the y can be titled for easy identification.
148 Chapter 14—Dynamics Processors 03D—Owner’s Manual Storing a Dynamics Program Dynamics programs are stor ed on the Dynamics Libr ary page. Y ou can st ore Dynamics settings to user programs 41 to 80. P r eset pr ograms 1 to 40 are r ead only .
Recalling a Dynamics Program 149 03D—Owner’s Manual Recalling a Dynamics Program Dynamics programs are recalled fr om the Dynamics Librar y page. Y ou can recall an y of the 40 preset and 40 user pr ograms. 1. Use the [DYNAMICS] button to locate the Library page.
150 Chapter 14—Dynamics Processors 03D—Owner’s Manual Editing Dynamics Program T itles Dynamics program titles can be edited at an ytime. Y ou don ’t ha v e to r ecall a pr ogram to edit its title. Only d ynamics pr ograms that contain data can ha v e their titles edit ed.
Processor Types 151 03D—Owner’s Manual Processor T ypes Dynamics proc essors ar e generally used to c o rrect or c ontr ol signal levels. The y can, howev er , be used cr eativ ely t o shape a sound’ s volume en v elope. The dynamics proces- sor ty pes, parameters, and their general applications are explained in the following sec- tions.
152 Chapter 14—Dynamics Processors 03D—Owner’s Manual Signals at and above the thr eshold lev el are c ompr essed b y the amount specified using the Ratio parameter . The trigger signal is sourced using the KEY IN parameter . RA TIO —This determines the amount of compr ession.
Processor Types 153 03D—Owner’s Manual THRESHOLD —This determines the level at which the gat e closes, cutting off the sig- nal. S ignals abov e the thr eshold level pass thr ough unaffected. Signals at or below the threshold, ho w ever , cause the gat e to close.
154 Chapter 14—Dynamics Processors 03D—Owner’s Manual is reduced t o a level set b y the Range parameter . The trigger signal is sourced using the KEY IN parameter . RANGE —This determines the level to whic h the signal is duck ed. For a setting of –80 dB, the sig nal is vir tually cutoff.
Processor Types 155 03D—Owner’s Manual RA TIO —This determines the amount of expansion. That is, the c hange in output sig- nal level relati v e t o c hange in input signal level. For a 2:1 ratio, for example, a 5 dB change in input level (belo w the threshold) r esults in a 10 dB change in output level.
156 Chapter 14—Dynamics Processors 03D—Owner’s Manual THRESHOLD —This determines the input signal level at which co mpr ession and expansion are applied.
Preset Dynamics Programs 157 03D—Owner’s Manual Preset Dynamics Programs # Title T ype Parameter V alue Description 01 Comp Compressor Threshold (dB) –8 Compressor intended to reduce the overall volume level. Use it on the stereo output during mix- down.
158 Chapter 14—Dynamics Processors 03D—Owner’s Manual 09 A.Dr .BD Compander (H) Threshold (dB) –11 Compander (H) program for use with acoustic kit’ s bass drum. Ratio ( :1) 3.5 Attack (ms) 1 Outgain (dB) –1.5 Width (dB) 7 Release (ms) 192 10 A.
Preset Dynamics Programs 159 03D—Owner’s Manual 17 E.B.Slap Compressor Threshold (dB) –12 Compressor program to level the attack and volume level of a slap electric bass guitar . Ratio ( :1) 1.7 Attack (ms) 6 Outgain (dB) 4.0 Knee hard Release (ms) 133 18 Syn.
160 Chapter 14—Dynamics Processors 03D—Owner’s Manual 25 Strings3 Compressor Threshold (dB) –17 A variation on program 23, intended for string instruments with a very low range, such as cellos or contrabass. Ratio ( :1) 1.5 Attack (ms) 76 Outgain (dB) 2.
Preset Dynamics Programs 161 03D—Owner’s Manual 33 Solo V ocal2 Compressor Threshold (dB) –8 A variation on program 32. Ratio ( :1) 2.5 Attack (ms) 26 Outgain (dB) 1.5 Knee 3 Release (ms) 331 34 Chorus Compressor Threshold (dB) –9 A variation on program 32, intended for chorus vocals.
162 Chapter 14—Dynamics Processors 03D—Owner’s Manual.
Scene Memories 163 03D—Owner’s Manual Scene Memories 15 In this chapter ... About Sc ene M emor ies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 W hat ’ s Stor ed in Sc ene M emories? . . . . . . . . .
164 Chapter 15—Scene Memories 03D—Owner’s Manual About Scene Memories Scene memories are memory locations that are used to stor e mix sc enes. A mix scene consists of all 03D mix settings (i.e., EQ, fader positions, and so on). Ther e are 50 scene memories, and they can be titled for easy identification.
Scene Memory 00 165 03D—Owner’s Manual Scene Memory 00 Scene memory 00 is a little different to scene memories 1 through 50. It ’ s a read-only memor y and contains the initial 03D settings. Y ou can recall it, but y ou cannot store it. W hen y ou want to r eset all mix settings to their initial values, recall scene memor y 00.
166 Chapter 15—Scene Memories 03D—Owner’s Manual Storing Mix Scenes Mix scenes can be st ored using the SCENE MEMOR Y buttons or the Sc ene M em. page. Both methods are explained belo w . W hen a mix scene is stored, all data in the selected scene memory is overwr itten.
Storing Mix Scenes 167 03D—Owner’s Manual press and hold the left mouse button, and then drag the mouse. The number and title of each sc ene memory flashes as it’ s selected. Sc ene memories that do not contain data ha v e the title N o Data! 4.
168 Chapter 15—Scene Memories 03D—Owner’s Manual Recalling Mix Scenes Mix scenes can be r ecalled using the SCENE MEMOR Y buttons, the Scene M em.
Undoing Mix Scene Recalls 169 03D—Owner’s Manual Using MIDI Program Change Messages MIDI Pr ogram Change messages can be used to recall mix sc enes, providing snap- shot-style mix automation. P r ogram Change messages can be transmitted from a con- trolling co mputer , MIDI sequencer , or MIDI k eyboard to the 03D t o recall mix sc enes.
170 Chapter 15—Scene Memories 03D—Owner’s Manual Write Protecting Scene Memories Mix scenes can be pr otect ed against accidental erasur e by write protecting sc ene mem- ories. M ix sc enes cannot be st or ed t o write-protect ed sc ene memories.
Editing Scene Memory Titles 171 03D—Owner’s Manual Editing Scene Memory Titles Scene memory titles can be edited at anytime. Y ou don ’t ha ve t o recall a scene memory to edit its title. Only scene memories that c ontain data can hav e their titles edited.
172 Chapter 15—Scene Memories 03D—Owner’s Manual Sorting Scene Memories Scene memories can be sorted using the Sor t page. 1. Use [SCENE MEMORY] button to locate the Sort page shown below . 2. Use the P ARAMETER wheel or mouse to select a scene memory from the SOURCE list.
Setting a Fade Time 173 03D—Owner’s Manual Setting a Fade T ime The Fade T ime page can be used t o specify a c o mmon fade time at which fader lev els mov e to their new positions. This can be used to create cr oss fades between scenes. The fade time can be applied to faders individually .
174 Chapter 15—Scene Memories 03D—Owner’s Manual Recalling Scene Data Safely W hen a mix sc ene is r ecalled, mix settings that do not match those in the Edit Buffer are updated. In some situations, y ou ma y want t o r etain the mix settings of certain channels.
Automix 175 03D—Owner’s Manual Automix 16 In this chapter ... About A utomix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 Cr eating a N ew A utomix . . . . . . . . . . . . . . . . . . . . .
176 Chapter 16—Automix 03D—Owner’s Manual About Automix The 03D’ s A utomix function provides dynamic mix auto mation referenced t o an exter - nal timecode sourc e. The e xte rnal timecode can be either MT C or MIDI Clock. The automix start time can be offset relativ e to the ext ernal timecode.
About Automix 177 03D—Owner’s Manual Current Automix The current automix is the currently acti v e auto mix. W hen the current aut o mix is stored, its data is wr itten to the select ed automix memory . W hen an automix is recalled, the cont ents of the selected automix beco me the current aut omix.
178 Chapter 16—Automix 03D—Owner’s Manual Time Counter & Offset Displays The counter displa y depends on the selected time base: MT C or MIDI CLK. See Setting the Time Base on page 181 for mor e information. TC Counter The T C c ount er displa ys hour , minut e, second, and frame information of the incoming MT C signal.
About Automix 179 03D—Owner’s Manual ABOR T switch while r ec o r ding is in pr ogress. Pressing it when r ec o r ding has alr ead y stopped will not work. I f memor y is low and the undo buffer is disabled, y ou ma y not be able to abort playback or rec o r ding.
180 Chapter 16—Automix 03D—Owner’s Manual Creating a New Automix N ew aut omix es are created on the M emor y page. W hen a new aut omix is cr eat ed, the cont ents of the current automix ar e copied t o the undo buffer , presuming that the undo function is turned on.
Setting the Time Base 181 03D—Owner’s Manual Setting the T ime Base A utomix requires an ext e rnal timecode sour c e. The 03D does not gener ate timec ode internally . A utomix can be used with MTC (MIDI T imecode) or MIDI Clock. T ime- code signals are input using the MIDI IN or T O HOST c onnection.
182 Chapter 16—Automix 03D—Owner’s Manual Setting an Automix Offset By setting an offset, automix events can be mo ved relati ve to the incoming timec ode or a MIDI Start message. The offset parameters depend on the select ed time base. See Set- ting the T ime Base on page 181 for information about setting the time base.
Safe Channels 183 03D—Owner’s Manual Safe Channels Channels set as safe channels are e x cluded fr om aut omix pla yback. This allows you to perform real-time adjustments to a channel while aut omix plays, for example, in a liv e conc ert or theater situation.
184 Chapter 16—Automix 03D—Owner’s Manual Selecting Parameters for Recording Y ou can select par ameters for aut omix r ec o r ding and r er ec or ding using the O VER - WRITE switches on the Main page. 1. Use the [AUTOMIX] button to locate the Main page.
Recording an Automix 185 03D—Owner’s Manual Recording an Automix This section explains how t o r eco r d an aut omix. 1. Use the [AUTOMIX] button to locate the Memory page. 2. Create a new automix. See Creating a New Automix on page 180 for more information.
186 Chapter 16—Automix 03D—Owner’s Manual During automix rec ording, parameter changes, such as EQ, pan, and so on, apply to the channel selected in this st ep . Y ou can select several channels and r ecor d fader mov es and mute ev ents for those channels because eac h channel has it ’ s own fader and [ON] but- ton.
Playing Back an Automix 187 03D—Owner’s Manual • Rer ec ord ev ents— R ere cor ding E ve nts on page 188 • U se aut omix punch in to r eplace ev ents— Automix P unch-I n/Punch-Out on page .
188 Chapter 16—Automix 03D—Owner’s Manual Rerecording Events Y ou can rerecor d auto mix events. The overwr ite switches allo w y ou t o chose whic h events y ou want t o r er ec o r d. 1. Use the [AUTOMIX] button to locate the Main page. 2. Use the cursor buttons to select the OVERWRITE switches, and the [ENTER] button to set them.
Automix Punch-In/Punch-Out 189 03D—Owner’s Manual Automix Punch-In/Punch-Out Y ou can punch-in and punch-out-style recording t o rer ecor d events in an aut omix. The ov erwr ite switches allo w y ou t o c hoose which ev ents y ou want t o r er ec or d.
190 Chapter 16—Automix 03D—Owner’s Manual Editing Fader Moves On-the-fly Fader mov es can be edited on the fly . 1. Use the [AUTOMIX] button to locate the Main page. 2. Set the F ADER overwrite switch to on (i.e., highlighted). See Recor ding an A utomix on page 185 for information about the overw rite switches.
Editing Fader Moves On-the-fly 191 03D—Owner’s Manual 7. At the point where you want to edit the fader moves, press the channel’ s [SEL] button. 8. Adjust the fader as required. U se the F ader Edit page to c heck fader positions r elati v e t o pr eviously reco r ded fader data.
192 Chapter 16—Automix 03D—Owner’s Manual Fader Return & T rim Edit Modes The following illustrations show how the r eturn and trim modes affect levels. These are the original, or pr eviously recor ded level c hanges. These are the original level changes with the new fader move sho wn in gray .
Editing Events Off-line 193 03D—Owner’s Manual Editing Events Off-line E vents in the curr ent automix can be edit ed off-line using the E v ent Edit page (this page cannot be accessed during auto mix pla yback or r ec o r ding). 1. Use the [AUTOMIX] button to locate the Event Edit page.
194 Chapter 16—Automix 03D—Owner’s Manual 5. T o edit individual parameters, use the cursor buttons to select the TIME, EVENT , and CHANNEL parameter of the selected event, and the P ARAM- ETER wheel to edit them.
Editing Events Off-line 195 03D—Owner’s Manual MTC T ime Base Event List Example MIDI Clock T ime Base Event List Example Time Event Channel Description --:--:--.-- RCL SAFE OFF Ch 1 Channel 1 scene recall safe set to OFF (normally in list) --:--:--.
196 Chapter 16—Automix 03D—Owner’s Manual EQ Frequency Event V alue T able V alue Frequency V alue Frequency V alue Frequency V alue Frequency 0 21 Hz 30 118 Hz 60 667 Hz 90 3.77 kHz 1 22 Hz 31 125 Hz 61 707 Hz 91 4.00 kHz 2 23 Hz 32 132 Hz 62 749 Hz 92 4.
Editing Events Off-line 197 03D—Owner’s Manual EQ Gain Event V alue T able EQ HPF & LPF On/Off V alue T able W hen Q is set to 43 or 44 (i.e., LPF or HPF), the Gain c ontrols are used t o turn the LPF and HPF filters on and off. EQ Q Event V alue T able V alue Gain V alue Gain V alue Gain V alue Gain 0 –18.
198 Chapter 16—Automix 03D—Owner’s Manual Extracting Events E vents in the curr ent automix can be delet ed or mov ed and fader levels can be trimmed by a specified amount using the Extract page (this page cannot be accessed during auto- mix playback or r ec or ding).
Extracting Events 199 03D—Owner’s Manual The EVENT SELECT switches ar e used to select the type of event to be e xtracted, moved, or trimmed. 5. If you are using the trim function, set the trim level and fade in and fade out parameters. TRIM LEVEL —This is used to set ho w muc h lev els ar e trimmed.
200 Chapter 16—Automix 03D—Owner’s Manual are ov erwr itten. The t rim fade times apply only to normal channel faders. The T rim and Extract functions require at least 1K of free memor y .
Clearing the Undo Buffer 201 03D—Owner’s Manual • Fader mov es are edited “o n the fly” (see Editing Fader M oves On-the-fly on page 190) • A ut omix ev ents ar e e xtracted (see Ext racting E vents on page 198) The UNDO BUF . SIZE window displays the amount of memor y being used by the undo buffer .
202 Chapter 16—Automix 03D—Owner’s Manual Storing Automixes A utomixes ar e st or ed on the M emor y page. U p to four automix es can be st or ed. A uto- mix es and the current automix can be back ed up to an e xternal MIDI device, suc h as a MIDI data filer , using MIDI B ulk Dump .
Recalling Automixes 203 03D—Owner’s Manual Recalling Automixes A utomixes ar e r ecalled on the M emory page. Y ou can recall an y one of the four auto- mix es. W hen an aut omix is r ecalled, the c ont ents of the current automix are r eplac ed by the c ont ents of the automix being recalled.
204 Chapter 16—Automix 03D—Owner’s Manual Swapping the Current Automix W hen an aut omix is r ecalled, and the undo function is on, the pr evious current auto- mix is copied t o the undo buffer .
Editing Automix Titles 205 03D—Owner’s Manual Editing Automix T itles A utomix titles can be edited at an ytime. Y ou don ’t ha v e t o r ecall an automix t o edit its title. Only aut o mix es that c ontain data can ha v e their titles edit ed. Title editing is per - formed on the Me mory page shown below .
206 Chapter 16—Automix 03D—Owner’s Manual Clearing Automix Memories The cont ents of the four automix memories can be cleared individually . This can be used to free up memory for fur ther rec ording, or simply to clear aut omix es that are no longer required.
Other Functions 207 03D—Owner’s Manual Other Functions 17 In this chapter ... U ser Define Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 U sing the Onboard Oscillator . . . . . . . . . . .
208 Chapter 17—Other Functions 03D—Owner’s Manual User Define Buttons The USER DEFINE buttons are user -progr ammable buttons that can be configur ed to send specific MIDI or MMC (MIDI M achine Co ntrol) commands when pr essed.
User Define Buttons 209 03D—Owner’s Manual MMC Commands The “nn ” part of each MMC command is the device number of the rec eiving machine. This is set on the MIDI/HOST page.
210 Chapter 17—Other Functions 03D—Owner’s Manual Automix Channel Controls For the st er eo input c hannel, the effects returns channels, and the ster eo output, P AN LEFT and P AN RIGHT set the balance, not pan.
User Define Buttons 211 03D—Owner’s Manual selected channel. In the following examples, the P AN LEFT and P AN RIGHT functions are assigned to USER DEFINE buttons [1] and [2].
212 Chapter 17—Other Functions 03D—Owner’s Manual Using the Onboard Oscillator The 03D features a useful, onboard audio oscillator , which can be assigned to the bus outputs, aux sends, st ereo output, and onboard effects. It can be used for calibration or diagnostic purposes.
03D Preferences 213 03D—Owner’s Manual 03D Preferences V arious 03D preferences can be set on the P r efer . page sho wn below . 1. Use the [UTILITY] button to locate the Prefer . page shown below . 2. Use the cursor buttons to select the parameters and the [ENTER] button to activate them.
214 Chapter 17—Other Functions 03D—Owner’s Manual Checking the Battery The 03D uses a long-life battery to maintain its internal memories. The battery should last for up to fiv e y ears. Y ou can check its condition on the P r efer . page. 1. Use the [UTILITY] button to locate the Prefer .
Digital I/O 215 03D—Owner’s Manual Digital I/O 18 In this chapter ... W or dclock Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216 Digital Stereo Out . . . . . . . . . . . . . . . . . . . .
216 Chapter 18—Digital I/O 03D—Owner’s Manual Wordclock Setup About W ordclocks W hen several digital audio dev ices ar e configur ed in a system, it is essential that the y are all synchroniz ed t o a single wor dclock sour ce. This is not SMPTE or MIDI timecode synchronization.
Wordclock Setup 217 03D—Owner’s Manual AUTO NA VIGA TE —This function c hecks all possible w or d- clock sourc es and then displa ys a dialog bo x recommending a suitable sourc e. Note, however , that this function is not perfect and in some situations it may not be able t o r ec ommend a suit- able sourc e.
218 Chapter 18—Digital I/O 03D—Owner’s Manual Wordclock Connections & T ermination For c orrect operation it is essential that wordclock cabling be te r minated c or rectly . The 03D has a wor dclock termination ON/OFF (75 Ω ) switch on the r ear panel.
Digital Stereo Out 219 03D—Owner’s Manual Digital Stereo Out The 03D features both AES/EB U and CO AX- IAL-typ e digital stereo outputs. The y output the same digital audio sig nal but in different formats.
220 Chapter 18—Digital I/O 03D—Owner’s Manual Output Dither The 03D’ s AES/EB U connection outputs digital audio data with a wordlength of 24 bits.
Digital Stereo In 221 03D—Owner’s Manual Digital Stereo In The 03D features both AES/EB U and CO AX- IAL-typ e digital stereo inputs. Only one connection can be used at a time. The XLR -3-31-ty pe connec- tor ac cepts AES/EBU format digital audio , while the CO AXIAL connector ac c epts C onsumer format digital audio.
222 Chapter 18—Digital I/O 03D—Owner’s Manual Digital Input Monitor The DIO M onit or page is used t o monit or the channel status of IEC958 digital input signals (AES/EBU or CO AXIAL) connected t o the DIGIT AL STEREO IN and Y GDAI card. The DIGIT AL STEREO IN can be set to either AES/EBU or CO AXIAL on the D .
YGDAI Cards 223 03D—Owner’s Manual YGDAI Cards About the YGDAI System The Y GD AI ( Y amaha Gener al Digital A udio Interface) syst em and optional Y GD AI interface car ds pr ovide digital I/O support for se veral industry standard digital audio formats and protoc ols.
224 Chapter 18—Digital I/O 03D—Owner’s Manual Multitrack Recorders The 03D’ s Y GD AI slot provides eight digital inputs and outputs, and can be used to connect modular digital multitrack recor ders, such as the Alesis AD A T or T ascam D A-88.
YGDAI Cards 225 03D—Owner’s Manual YGDAI Block Diagram ST OUT Ch8 Ch16 Ch7 Ch15 Ch2 Ch10 ON Same as 1, 2 to YGDAI to YGDAI not changed Meter Meter AUX OUT BUS OUT not changed not changed not chang.
226 Chapter 18—Digital I/O 03D—Owner’s Manual Installing YGDAI Cards 1. T urn off the 03D. 2. Undo the four fixing screws and remove the slot cover , as shown below . Keep the cover in a safe place for future use. 3. Insert the card into the slot as shown below .
Cascading the 03D 227 03D—Owner’s Manual Cascading the 03D The CD8-CS Cascade Kit allo ws tw o 03Ds t o w o rk together as one 32-input mixing console, with both 03Ds sharing a common bus system (inputs 17–24 are not a vailable when a cascade card is installed).
228 Chapter 18—Digital I/O 03D—Owner’s Manual 2. Use the cursor buttons to select the switches and controls and the [ENTER] button and P ARAMETER wheel to set them.
Cascading the 03D 229 03D—Owner’s Manual Using Solo with Cascade W hen tw o c o nsoles ar e cascaded t ogether , the Solo buses of both consoles are co n- nected. Solo mode is engaged using the [SOL O] button on the master console. The [SOL O] butt o n on the sla v e c onsole is essentially r edundant.
230 Chapter 18—Digital I/O 03D—Owner’s Manual.
MIDI 231 03D—Owner’s Manual MIDI 19 In this chapter ... MIDI and the 03D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232 MIDI Connectors & T O HOST . . . . . . . . . . . . . . . . . . . . . . .
232 Chapter 19—MIDI 03D—Owner’s Manual MIDI and the 03D The 03D works with MIDI in the following ways: • Pr ogram Changes for mix scene recall (see P r ogram Change A ssign on page 239) • Co.
MIDI & TO HOST Data Receive Indicators 233 03D—Owner’s Manual In MUL TIPORT mode, the 03D’ s general MIDI functions work w ith MIDI messages recei v ed on P ort 1. Although you can select differ ent ports for MTC, MIDI Real-T ime messages, MMC, Fader Star t, and the four MIDI R emot e pages.
234 Chapter 19—MIDI 03D—Owner’s Manual In this case, MIDI messages r ec ei v ed at the T O HOST connection are echoed thr ough to the MIDI OUT c onnect or ac c o r ding t o the ECHO parameters on the MIDI Setup page. See MIDI Setup on page 235 for mor e information.
MIDI Setup 235 03D—Owner’s Manual selecting the SETUP switch and then pressing the [ENTER] button. If you ar e using a mouse, simply click the SETUP switch. The follo wing dialog bo x appears. These setting are r eally intended for those who write their own computer pr ograms to contr ol the 03D .
236 Chapter 19—MIDI 03D—Owner’s Manual Control Change messages. Rx determines whether or not the 03D receiv es Co ntrol Change messages. OMNI determines whether or not the 03D recei ves Co ntrol Change messages on all 16 MIDI Channels.
MIDI Setup 237 03D—Owner’s Manual OTHER COMMANDS —This switch determines whether or not MIDI data other than that set using the PR OGRAM CHANGE, CONTR OL CHANGE, P ARAMETER CHANGE, and REAL TIME MSG.
238 Chapter 19—MIDI 03D—Owner’s Manual MIDI Monitor The MIDI M oni. page is used to monitor data recei v ed at the MIDI IN and T O HOST connections. Data is displayed in a hexadecimal format. 1. Use the [UTILITY] button to locate the MIDI Moni. page shown below .
Program Change Assign 239 03D—Owner’s Manual Program Change Assign The PGM A sgn. page is used t o assign 03D scene memories to MIDI Pr ogram Changes. Pr ogram Change messages can be used to r ecall 03D mix sc enes. See Using MIDI P r o- gram Change Messages on page 169 for more information.
240 Chapter 19—MIDI 03D—Owner’s Manual Control Change Assign The CTL A sgn. page is used to assign 03D parameters to MIDI Co ntrol Changes. C on- trol Changes can be used to c o ntrol 03D mix settings in r eal time. W hen an 03D mix parameter is adjusted, a C ontr ol Change messages is transmitted.
System Exclusive Parameter Control 241 03D—Owner’s Manual initialize. The P .MIX 01 ARRANGEMENT option is used t o c onfigur e C o ntrol Changes for use with a Y amaha Pr ogrammable Mix er 01 Digital Mix er . A parameter to Contr ol Change assignment table is provided on page 268.
242 Chapter 19—MIDI 03D—Owner’s Manual Bulk Dump Fr om the Bulk page, 03D data can be dumped t o and from other MIDI devices, suc h as a MIDI data filer , c ontrolling c omputer , or another 03D . This can be used t o backup 03D data, or transfer data between 03Ds.
MIDI Remote 243 03D—Owner’s Manual MIDI Remote The MIDI R emote function allo ws you t o contr ol other MIDI equipment from the 03D . Connection can be made using MIDI IN/OUT or the T O HOST connection. R emot e equipment can be controlled using the 03D faders, [ON] buttons, cursor buttons, and P ARAMETER wheel.
244 Chapter 19—MIDI 03D—Owner’s Manual Assigning Devices to MIDI Remote Pages Four MIDI R emote pages are available and eac h can be assigned to one device.
MIDI Remote 245 03D—Owner’s Manual Programmable Mixer 01, 02R, 03D Pages The same remot e control functions ar e a vailable for the Pr ogrammable Mixer 01, 02R, and 03D . The following table lists the mixer parameters that can be c ontrolled fr om the 03D .
246 Chapter 19—MIDI 03D—Owner’s Manual ProR3, REV500 Pages The following table lists the reve rb parameters that can be contr olled fr om the 03D . 03D faders contr ol the same parameters as those on the displa y . 1. Use the [MIDI REMOTE] button to locate the ProR3 or REV500 page.
MIDI Remote 247 03D—Owner’s Manual GM T one Generator Page The following table lists the GM tone generator parameters that can be c ontrolled fr om the 03D . MIDI Channels do not ha v e t o be set. 1. Use the [MIDI REMOTE] button to locate the GM page.
248 Chapter 19—MIDI 03D—Owner’s Manual XG Page The following table lists the X G t one generator parameters that can be controlled fr om the 03D . 1. Use the [MIDI REMOTE] button to locate the XG page. 2. Set the MIDI Channel to match the device number of the XG tone gen- erator .
MIDI Remote 249 03D—Owner’s Manual Pro T ools Page The following table lists the Pr o T o ols parameters that can be co ntrolled from the 03D . MIDI Channels do not hav e t o be set. 1. Use the [MIDI REMOTE] button to locate the Pro T ools page. 2.
250 Chapter 19—MIDI 03D—Owner’s Manual User Define Page The following table lists the 03D contr ols that can be used t o c ontr ol user -defined parameters.
251 03D—Owner’s Manual Troubleshooting Symptom Advice The 03D cannot be turned on! Make sure that the power cord is connected to a suitable AC wall out- let. Make sure that the 03D POWER switch is set to the ON position. If you still cannot turn on the 03D, contact your Y amaha dealer .
252 03D—Owner’s Manual Configured a stereo pair but the signal appears to be in mono! Make sure that the odd channel is panned hard left, and the right channel is panned hard right. Configured a stereo pair but the signal sounds out of phase! Make sure that the phase of both input channels in the stereo pair is set the same.
03D Level Diagram 253 03D—Owner’s Manual Appendix A: General 03D Level Diagram Analog Digital dB dB Bit +24 +20 +10 +4 0 –10 –20 –30 –40 –50 –60 –70 –80 –90 –100 –110 –120 .
254 03D—Owner’s Manual Display Messages Message Meaning AUTOMIX MEMORY FULL! The automix memory is full. Delete some unnecessary data or back up your data to a MIDI data filer . AUTOMIX REC ABORTED. Automix recording was aborted and the data was dis- carded.
Display Messages 255 03D—Owner’s Manual TC TYPE MISMA TCH! Timecode that is different from the automix T ime Base set- ting has been input. The automix may not play back cor- rectly . Review and correct the setting. TO HOST : DA TA FRAMING ERROR! An incorrect signal may have been input to the TO HOST connector .
256 03D—Owner’s Manual Security Cover In some situations y ou may want t o fit a prot ectiv e co v er ov er the analog co ntrols across the top of the 03D . Although Y amaha do not make a c ov er , the 03D has four fixing holes to secure a user -made cover .
General Specs 257 03D—Owner’s Manual Appendix B: Specifications General Specs Sampling rate Internal: 48 kHz/44.1 kHz External: 32 kHz (–6%) to 48 kHz (+6%) Signal delay Less than 2.
258 03D—Owner’s Manual CHANNEL CONTROL button EQ LOW , LO-MID, HI-MID, HIGH, DELAY/ø, DYNAMICS, P AN/ROUTING, VIEW SET UP button UTILITY , MIDI, SCENE MEMORY , DIO, GROUP/P AIR, SOLO SETUP , AUTO.
Channel Specs 259 03D—Owner’s Manual Channel Specs Mono input channel channels 1 to 24 (channels 17 to 24: YGDAI card) Analog section PHANTOM switch +48 V , CH 1 to 8 GAIN control 44 dB (–16 to .
260 03D—Owner’s Manual Stereo digital input channel De-emphasis Auto de-emphasis filter (15 µ s/50 µ s) FLIP switch Normal (ST IN: analog) FLIP (DIGIT AL STEREO IN: digital) DIGIT AL STEREO IN:.
Channel Specs 261 03D—Owner’s Manual AUX output channel AUX OUT 1 to 4 Digital section Equalizer 4-band parametric equalizer Fader 60 mm stroke motorized fader Dynamics ON/OFF Monitor ON/OFF AFL/P.
262 03D—Owner’s Manual Memory/Librar y Specs EQ Specs 1. Frequency at 48 kHz or 44.1 kHz sampling rate. At a sampling rate of 32 kHz the frequency range is 21 Hz–15.
Analog Inputs Specs 263 03D—Owner’s Manual Analog Inputs Specs 1. Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V) or the nominal output level when the 03D is set to maximum gain (all faders and level controls at maximum positions).
264 03D—Owner’s Manual Analog Outputs Specs 1. STEREO OUT XLR-type connectors are balanced (pin 1 = ground, pin 2 = hot, pin 3 = cold). 2. BUS, AUX, and MONITOR OUT TRS phone jacks are balanced (tip = hot, ring = cold, sleeve = ground). 3. Input channel insert connections are unbalanced (tip = send, ring = return, sleeve = ground).
Digital Inputs Specs 265 03D—Owner’s Manual Digital Inputs Specs Digital Outputs Specs YGDAI Inter face Card Specs Control I/O Specs 1. De-emphasis is applied automatically if the input signal has been emphasized. 1. Channel status T ype: 2 channel audio signal Emphasis: No Sampling rate: depends on internal configuration 2.
266 03D—Owner’s Manual 03D Dimensions Specifications and external appearance ar e subject t o c hange without notice. D: 516.5 116.5 362 36 H: 210.
Scene Memory to Program Change Table 267 03D—Owner’s Manual Appendix C: MIDI Scene Memory to Program Change T able Program Change # Initial Scene # User Scene # Program Change # Initial Scene # Us.
268 03D—Owner’s Manual Parameter to Control Change T able Control Change # Parameter 03D Default Programmable Mixer 01 Arrangement User 0 NO ASSIGN F ADER CHANNEL CH 1 1 FADER CHANNEL CH 1 FADER C.
Parameter to Control Change Table 269 03D—Owner’s Manual Control Change # Parameter 03D Default Programmable Mixer 01 Arrangement User 38 P AN CHANNEL CH 1 ON CHANNEL ST IN 39 P AN CHANNEL CH 2 ON.
270 03D—Owner’s Manual Control Change # Parameter 03D Default Programmable Mixer 01 Arrangement User 80 ON CHANNEL CH17 FADER EFF1 SEND CH13 81 ON CHANNEL CH18 FADER EFF1 SEND CH14 82 ON CHANNEL C.
MIDI Data Format 271 03D—Owner’s Manual MIDI Data Format 1 T ransmit/Receive Data 1.1 Channel Messages 1.1.1 Note On/ Note Off When F ADER ST ART is on, N ote-on messages will be transmitted when odd numbered faders fr om 1 through 15 are raised from -infin- ity (velocity 127) or lowered t o -infinity (velocity 0).
272 03D—Owner’s Manual 2. T ransmission Condition 3. Receive Condition 4. Parameter Change & Request Format Parameter Change & Request (basic format) Parameter Change (byte operation for t.
MIDI Data Format 273 03D—Owner’s Manual Parameter Change (bit operation for type 0x48:edit buffer) Used to change on/off, etc., in bits. Parameter Change (byte operation for type 0x09:system memory) Parameter Change (bit operation for type 0x49:system memory) Used to change the recall safe, etc.
274 03D—Owner’s Manual 5. Bulk Dump & Request Format How to get check sum, adding data from BYTE COUNT (LO W) to just before the CHECK SUM, multiplying -1 (2's complement), resetting MSB (bit7).
MIDI Data Format 275 03D—Owner’s Manual Effect Library Bulk Dump Request Format CH Library Bulk Dump Format CH Library Bulk Dump Request Format Program Change Assignment T able Bulk Dump Format Pr.
276 03D—Owner’s Manual Setup Memory Bulk Dump Format Setup Memory Bulk Dump Request Format Automix Memory Bulk Dump Format (One bulk out is transmitted by each 1K block) Automix Memory Bulk Dump Request Format MIDI Remote Bulk Dump Format MIDI Remote Bulk Dump Request Format STATUS 11110000 F0 System Exclusive Message ID No.
MIDI Data Format 277 03D—Owner’s Manual 6. Parameter List For Control Change Assign FADER ON PA N BALANCE SURROUND PHASE PRE/POST ROUTING DELA Y EQ DYNAMICS EFFECT NO ASSIGN CHANNEL CH1-24, ST IN,.
YAMAHA [Digital Mixing Console—Internal Parameters] Date: 05 Feb. 1997 Model: 03D MIDI Implementation Chart Version: 1.0 Function... Transmitted Recognized Remarks Basic Channel Default Changed 1–.
Books 279 03D—Owner’s Manual Appendix D: Resour ces Books • Introducing Dig ital A udio , I an R Sinclair , seco nd edition, PC Publishing, 1992. A good all-round introduction t o digital audio. Sec ond edition explains ov ersampling and bitstream techniques.
280 03D—Owner’s Manual.
281 03D—Owner’s Manual Glossar y A/D converter —An electronic device that con v erts analog sig nals into digital signals. AES/EBU format —The digital audio for mat established by the AES (A udio Engi- neering Societ y) and EBU (E ur opean B r oadcasting U nion) that is used to transfer dig- ital audio data between professional equipment.
282 03D—Owner’s Manual Edit buffer —The internal RAM area that stor es the current mix settings (i.e. the cur - rent mix sc ene). W hen a mix sc ene is st or ed, the Edit Buffer data is copied to the selected scene memory . When a mix scene is r ecalled, the data of the selected scene memor y is copied back t o the Edit B uffer .
283 03D—Owner’s Manual MMC (MIDI Machine Control) — A set of MIDI messages that can be used to c on- trol audio and video tape machines, disk r ec or ders, and other studio equipment. T y pi- cal MMC commands include St op , Play , R ewind, and P ause.
284 03D—Owner’s Manual Pre fader —A point in the signal path before a fader . A ux send controls are oft en con- figured as pr e-fader sends, which means the sig nal for the aux send is sourc ed befor e the channel fader . The ad vantage of this is that the aux send sig nal can be co ntr olled independently of the main channel signal.
Index 285 03D—Owner’s Manual Index Symbols +48 V phantom 37 Numerics 02R cascade with 03D 227 MIDI Remote 245 03D benefits 4 block diagram 21 configuration 4 dimensions 266 features 3 initializing.
286 Index 03D—Owner’s Manual Cascade block diagram 229 configuring 227 delay compensation 228 digital stereo input 221 Cascade page 227 Cascade YGDAI card 223 CH 1-16 page, meters 79 CH 17-24 page.
Index 287 03D—Owner’s Manual MIDI 235 Edit buffer about 164 definition 282 Editing extracting events 198 off-line 193 EFF, definition 282 Eff. Edit page 118 , 122 , 123 Effects about 118 block dia.
288 Index 03D—Owner’s Manual K Key in, dynamics 145 L LCD about 12 definition 282 LED, definition 282 Level diagram 253 Library channel 104 dynamics processors 147 effects 125 EQ 48 user define bu.
Index 289 03D—Owner’s Manual Nyquist theorem, definition 283 O Off-line editing, automix 193 Offset automix 182 display 178 Omni definition 283 MIDI 235 ON buttons about 15 aux sends 93 bus outs 99 input channels 42 mixing layer 31 stereo output 85 Onboard dynamics.
290 Index 03D—Owner’s Manual S Safe channels automix 183 scene memories 174 solo 77 Sample delay 40 Sampling rate definition 284 display 217 setting 217 synchronization 216 Scene Mem.
Index 291 03D—Owner’s Manual Macintosh 235 multiport 234 operation 232 port setup 233 standard I/F 233 Top panel 10 Trajectory window, surround pan 66 Transmit channel, MIDI 235 Transmit interval .
YAMAHA CORPORATION P.O.Box 1, Hamamatsu, Japan 97 03 3000 AP Printed in Japan.
An important point after buying a device Alesis 03D (or even before the purchase) is to read its user manual. We should do this for several simple reasons:
If you have not bought Alesis 03D yet, this is a good time to familiarize yourself with the basic data on the product. First of all view first pages of the manual, you can find above. You should find there the most important technical data Alesis 03D - thus you can check whether the hardware meets your expectations. When delving into next pages of the user manual, Alesis 03D you will learn all the available features of the product, as well as information on its operation. The information that you get Alesis 03D will certainly help you make a decision on the purchase.
If you already are a holder of Alesis 03D, but have not read the manual yet, you should do it for the reasons described above. You will learn then if you properly used the available features, and whether you have not made any mistakes, which can shorten the lifetime Alesis 03D.
However, one of the most important roles played by the user manual is to help in solving problems with Alesis 03D. Almost always you will find there Troubleshooting, which are the most frequently occurring failures and malfunctions of the device Alesis 03D along with tips on how to solve them. Even if you fail to solve the problem, the manual will show you a further procedure – contact to the customer service center or the nearest service center
